“We are the stories we tell ourselves.” Seeing is Believing: Women Direct is a documentary series about directors, leaders… who happen to be women.Audiences will hear directly from women who are on the front lines of the field: from major award winners to NYU students, festival darlings to frustrated auteurs. They will discover the pathways to successful creativity as well as how these filmmakers drive through obstacles creative, cultural, and professional. The film ultimately will act as a toolbox for any filmmaker as well as “peer to peer mentorship” for any person who is looking for creative or professional guidance as they move toward their own dreams of being a visual storyteller.

A Beverly Hills housewife in the middle of a divorce tries to find focus in her life by taking over her daughter's Wilderness Girls troop.

An un-scripted comedy show in which four guest performers improvise their way through a series of games, many of which rely on audience suggestions.

Guy Caballero and Edith Prickley try to persuade the FCC to renew SCTV's license.

Contemporary drama dealing with an orphaned teenager trapped in an antiquated juvenile disciplinary system and the efforts of the institution's superintendent and a sympathetic teacher to get that system changed.

This special is the second "Night of 100 Stars" to benefit The Actors Fund of America. Edited from a seven-hour live entertainment marathon that was taped February 17, 1985, at New York's Radio City Music Hall, this sequel to the 1982 "Night of 100 Stars" special features 288 celebrities.

A comic spoof of adult magazines and video shows.

Comedy about a woman dumped by her married boyfriend who gets involved in a short-lived relationship with a neighbor. When that also doesn't work out, she decides she must first do something to please herself.

Good-looking but virginal "rockstar" teen Tommy (Michael Morgan) tries to score with some of the local high school girls. But a classmate's mom (Dame Joan Collins) decides to make a man out of him.

Television parody. Sketches include: Women Who Have Made It With Me, No-Arms Bandits, Pee-Wee's Playhouse, & Funky High School. Features a performance by Riders in the Sky & Devo's "Beautiful World" music video. Also, excerpts from Tom Tom Club's "Genius of Love" video, & QUASI AT THE QUACKADERO.

A dashing, fast-living country singer almost turns Nashville upside-down after he is kidnapped by a pair of conniving female convicts determined to use him as a passport to freedom.

A realistic glimpse into the daily lives of the officers and detectives at an urban police station.

When the owner of a struggling used car lot is killed, it's up to the lot's hot-shot salesman to save the property from falling into the hands of the owner's ruthless brother and used-car rival.

An advertising executive finds herself in a small-town jail after being terrorized on a drive from Los Angeles to New York by two hitchhikers who steal her car and leave her unconscious by the roadside. She becomes a fugitive after killing her jailer during a rape attempt and breaking out with one of the hitchhikers who could prove her innocence.

Broad satire and buffoonery presented as a series of movie trailers. Among the titles and subjects are: "The Howard Huge Story", "Skate-boarders from Hell", "The Invasion of the Penis Snatchers", Woody Allen (pre-Mia), movie trailer come-ons, Charlie Chaplin, war movies, Billy Jack. The source of the title is presented about an hour into the film.

A veteran detective loses his partner in a shooting while they are investigating a gangster who is controlling the local porno rackets. He is stunned to discover that the new partner he is assigned is not only a rookie, but a female.

When one of her friends goes missing, Chesty and several fellow WAVEs go looking for her and end up in a world of senatorial corruption and Mafia intimidation.

The wife of a sterile man steps outside the marriage with a gigolo in order to conceive.

A young woman stumbles into a nightmare land of hijacking and humiliation while driving cross-country from California to New York.

A committee investigating TV's first uncensored network examines a typical day's programming, which includes shows, commercials, news programs, you name it. What they discover will surely crack you up! This outrageous and irreverent spoof of television launched the careers of some of the greatest comedians of all time.

In 1975, Chicago filmmakers Flaxman and Goldman got carte blanche to film the shooting of a local film called THE LAST AFFAIR. Neither AFFAIR's director (who envisioned the film as "a combination of Fellini and Bergman") nor its cast (which included then-unknowns Betty Thomas and Ron Dean) had ever worked in the industry before. Made in the classic cinema-verité style of Drew and Leacock, A LABOR OF LOVE is a revealing and often hilarious exposé of the hidden side of adult film: onscreen partners despise each other offscreen, male performers can't "get wood," an actress has her period, Ivory Liquid is substituted for semen, and the director declares, "I really dislike every minute of this!" (Gene Siskel Film Center)

A late-night live television sketch comedy and variety show created by Lorne Michaels. The show's comedy sketches, which parody contemporary culture and politics, are performed by a large and varying cast of repertory and newer cast members. Each episode is hosted by a celebrity guest, who usually delivers an opening monologue and performs in sketches with the cast, and features performances by a musical guest.