Rob, in his late thirties, needs to decide if he wants to have a baby with his girlfriend Marta, but worries that he’s fallen out of love with her. He asks his seemingly unhappily married friends for advice, who all tell him that he won’t be able to do better so he might as well marry her. But when Rob eventually does propose to Marta, things don't go exactly to plan.

When an ex-soldier awakes in a bath of ice to discover he’s missing a kidney, and worse - his daughter, he must fight his way through the ‘Organ Harvesting Den’ to find her before it’s too late.

Ding Ling is a research scientist who fled Indonesia in the wake of rising sea levels, and at the start of the episode disembarks from the cargo ship on which she had been living. She moves onwards to explore new/old territories, revealing something of her past in Indonesia and China via Singapore as the episode progresses. During her journey she meets the resourceful Senait, an Eritrean refugee who subsists by evaporating water from the Dead Sea to make it potable. In her ongoing effort to compile an archive of those who remain, Ding Ling records an interview with Senait, where Senait recounts her own peripatetic past and perilous journey through Sudan.

Ben and Yasmine continue further south to the Moroccan coast, where they are attacked by Jamila and her group of parasitic bandits. The ethics of survival and predator-prey relationships in both human and marine species are explored, as members of another group intervene. But is this out of the frying pan and into the fire for the protagonists?

Our protagonists are taken captive aboard a gigantic cargo ship, whose megalomaniacal captain Ismael entertains biblical pretensions. Ben is made to ‘pay his passage’, while a ghostly Yasmine stalks the empty corridors of the ship. Whales and whaling become a key subject – interrogating colonial and indigenous politics in the process.

A boy imagines a monster that helps him deal with his difficult life and see the world in a different way.

Directed by UK-horror scene stalwart Calum Waddell and hosted by scream queen Debbie Rochon (Terror Firmer, Tromeo and Juliet) Scream Queens: Horror Heroines Exposed features, in a change of pace for horror documentaries, especially those focusing on females in the genre, an all-female line-up, discussing horror movies from their perspective – exploring the challenges of being an actress in a genre predominantly made by and for men, from how they came about to be defined as a “scream queen”, about the vagaries of the genre: nudity, violence, misogyny, etc., and about how they feel about the genre and the label

When Dezzie befriends new boy Yasin at his school, little does he know his life will take an unexpected turn that will ultimately shape his future. Having witnessed the perpetual racist taunts and bullying to the quiet Chinese newcomer, Dezzie, no stranger to beatings himself, stands up to Yasin's persecutors and wins the respect, not only of his tormentors, but more importantly of Yasin, and his family.

When Evil Calls centers around the mysterious appearance of a text message that grants the students of Wilburn High School their wildest desires.

Three backpackers head to a Slovakian city that promises to meet their hedonistic expectations, with no idea of the hell that awaits them.

In a dystopian future, insurance fraud investigator William Gold arrives in Shanghai to investigate a forgery ring for "papelles", futuristic passports that record people's identities and genetics. Gold falls for Maria Gonzalez, the woman in charge of the forgeries. After a passionate affair, Gold returns home, having named a coworker as the culprit. But when one of Gonzalez's customers is found dead, Gold is sent back to Shanghai to complete the investigation.

In 1977, young Xiao Mei leaves China for the UK to enter into an arranged marriage. Speaking no English and feeling distant from her Elvis-obsessed new husband and his stern mother, Xiao Mei dreams of reuniting with her long-lost parents and brother.

In 1898 Yorkshire, a grieving woman and her son move back to the manor of her deceased ex-husband, but soon discover that they are not alone in the house.