Produced in 1944, finished and released in 1946.

Clemens and Bobi, two legation secretaries, are sent on a delicate mission by their minister: it concerns a red portfolio with secret papers, which the minister stuck under a bed mattress and forgot about when he met someone on a rendezvous. And to make things more difficult, the horny minister can't remember which room he left it in. After several incidents in different hotel rooms, neither secretary has found a thing. There's not a trace of the portfolio; but Clemens is more interested in Annette, the young lady in one of the hotel beds, than in the portfolio. He forgets his mission and can think only of her. Boni, in the meantime, has found his way into a room, where Olivia is staying and sees a red, leather folder there. But the woman throws him out in short order.

A fake countess falls in love with an honest man.

Robert and Dagmar have been married for seven years. And as we know, this is not just a lucky number in marriage. So even at the couple. Deflation with them and Robert also has very quickly found a new love - the young Manon . But instead of that Dagmar responded irritably, it represents only one condition: Robert to get her a new man. The search for his own successor is not so easy and way oppressed Him more Manon, who is afraid that he might return to his wife. But then Dagmar makes the proposal to go alone with Manon in a spa town and go there to look.

A young woman moves to Berlin to work as a press photographer.

A man comes into money unexpectatly. That's when the trouble starts.

Berlin's theatre crowd is excited about the new operetta "Frau Luna". But for the head of the city's vice police, who was invited to the dress rehearsal, the costumes for the ladies onstage are a bit too revealing. He demands the show be cancelled as offensive. The president of the Thusneldenbund has taken it upon himself to alert everyone about the growth of immorality in the capital. The theatre director Knopp has come up with an idea to convince these "fine" gentlemen to let the operetta go onstage again: He intends to win over the friendship of the moral police and then nothing will stand in the way of "Frau Luna" once more being performed.

A Nazi propaganda movie from 1941 directed by Max W. Kimmich, covering a story of Irish heroism and martyrdom over two generations under the occupation of the British.

After the operetta of the same name of Richard Heuberger in 1890-1914 all kinds of situation comic from happy-go-lucky Vienna of the turn of the century, the time of the first cars and the absurd bath costumes: Husbands in the Chambre Separee, her little dizziness and mistake plays, the tumultuous whirl of a grand ball... - A high-spirited comedy at considerable entertainment level.

Actually, Erika and Werner wanted to take a pleasant boat trip on the Isar. But who would have thought what could happen during such a simple outing?! Werner Merk, who works as an engineer for a large car company in Munich, finds out, that the head of the firm, Director Feldmann, is spending his summer vacation at his house in the mountains. Werner up and decides to make his way their to introduce himself to Feldmann in a relaxed atmosphere.

The cashier, Jürgen Borb, has already worked for 10 years at Dadag in Hamburg and is an example for customer service and company loyalty. His professionalism are matched by the trust of his employers, who, while relating to him in an acceptable manner professionally, desire no closer contact with him outside of the workplace. When Borb suddenly disappears one day, Dadag's directors and Borb's colleagues are surprised. They become even more surprised when they soon discover that Borb has embezzled well over a million marks from the firm. His stepsister, Mette, doesn't believe that her stepbrother is an embezzler. In the meantime, she has fallen in love with a criminal investigator, who, she believes, is simply exploiting her affections to get to Borb. Then one day, the criminal investigator finds a body in the cellar of a house Borb rented under a false name and this man created a phony ID card for Borb, identifying him as a resident of a South American country.

Shortly after being demobilized, Georges Duroy becomes aware of his power over women in the arms of Rachel, a young singer. Thanks to his good looks and his charming manners and his unabashed cynicism he will rapidly rise to the top by courtesy of women women (Mme Walter, Clotilde, Madeleine), from journalist to member of Parliament to cabinet minister. But it is also the fair sex that will cause his fall in the end.

The young marriage of the insurance agent Hannes and his wife Nora is being worn down by financial difficulties and overcrowded living conditions. Hannes is unable to sell enough policies and life becomes ever worse for the two. Nora attempts to earn some extra money, but even that proves to be a burden on their relationship, not the least because her boss is hitting up on her. She's expecting Hannes' child, too, but he is starting to turn further and further away from her.

Paris, 1830: Jean-Gaspard Debureau performs on the stage and delights his audience with song, wit and charm. He is, however, very unpopular with King Charles X, who is the target of much of Debureau's scornful jests. That would be a somewhat tolerable situation if it weren't for the fact that Debureau has fallen for a countess, who happens to be the King's mistress.

The film depicts the love affair between William I and Elisa Radziwill.

Gabriele Bordersen, a woman from a good home, wants to see what real life is like among the common folk. With her stewardess Fanny Flint and the tour guide Simikry, she goes off to visit a sailors' bar. Fanny and Gabriele change clothes, which allows the stewardess to introduce herself as a fine lady. When Gabriele asks Fanny to leave with her, Fanny begs her to give her an hour more out of fear of embarrassment. Gabriele, however, is thrown out of the bar by the owner without money and papers; is picked up by the cops; and suffers a nervous breakdown, leading to her being sent to a hospital. No one believes in the slightest that she's really Gabriele Brodersen.

Maler Pratt, an artist, refuses to sell his paintings as he thinks that they still need improvement before being publicly exhibited, but his wife Monika thinks differently and sells them because she thinks they are good...and they need the money. As he only signs an "M" on his work, Monika has no difficulty in claiming she is "M", but problems arrive when she is commissioned to do a large mural and Maler refuses to help her out. However, his creative spirit gets the best of him and he does the mural which is widely acclaimed to be a great work of art. Felder , an art dealer, is not overly pleased with this turn of events as he has been pleading with Monika to divorce her shiftless husband and marry him.

The formerly wealthy Baron Carl Erich von Wenden is desperate. His debts are out of control and he is forced to give up everything he owns. Since he doesn’t want to burden his daughter Rosy with all of this, he tells her he’ll take a pleasure trip with her … in truth, however, he has to work as an assistant waiter in the evenings, while Rosy stays in the hotel. He constantly fears his daughter will discover the truth; and this is a shame he cannot bear.

In 18th century Europe, King Friedrich II of Prussia leads his army through the seven-years-war with neighboring states, and after numerous near defeats, eventually brings a victorious army back to Berlin.

Best friends David and Philip have to end their love affair with their mistress Aimée which they - not knowing of each other - share, because they are going to marry their sweethearts Gaby and Viola. Of course Aimée will not accept her defeat. She interferes the engagement of Gaby and David, which lead to some turbulence and change of horses before they all end up in their honeymoon.

Flanders, Hispanic Monarchy, 1616. The inhabitants of the small town of Boom are busy organizing the annual local festivities when the arrival of the Duke of Olivares, who rules the country on behalf of the King Philip III of Spain, is announced. While the male citizens cowardly surrender to panic, the brave female citizens decide to become the best hosts the Spaniards can ever meet. (German version of the French film La Kermesse héroïque, 1935.)

A young reckless womaniser is trapped one night at his club into a bet with a Mexican that he will win his wife before morning. There will be a duel in any case: if he loses his bet the Mexican will fire first.

Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.

The engineer MacAllan designs a tunnel, which will join America and Europe together on the seabed. A group of American billionaires are financing the gigantic project, but the construction of the tunnel is proving to be as tedious as it is dangerous. MacAllan's worst enemy is the speculator Woolf, who had embezzled the money for the construction and who is attempting to cover up his crime by carrying out acts of sabotage. Also filmed in 1933 in a French-language version, LE TUNNEL, and remade in 1935 in England as TRANSATLATIC TUNNEL.

Story of the Kreuzer (cruiser) Emden and his men during WWI, garnished with a love Story, rivalry and heroism.

Peter Voss, Thief of Millions is a 1932 German comedy crime film directed by Ewald André Dupont and starring Willi Forst, Alice Treff and Paul Hörbiger. It was based on the 1913 novel of the same title by Ewald Gerhard Seeliger which has been adapted into a number of films including previously in 1921 and later in 1946. It was the second to last film made by Dupont in Germany before he was forced to flee to the United States following the rise of the Nazi Party.

This presentation of 'Waterloo', a film by Karl Grune about the last hurrah of Napoleon, is a fascinating companion to the Abel Gance epic 'Napoleon'. 'Waterloo' presents a tale of several people involved in the final battle. Napoleon and Wellington, of course, but also the Austrian general Blutcher (who is seen as a ladies' man - his scene with a flirty Countess about halfway through the film is priceless; as are his touching scenes with his plain wife (who he imagines to be a young and nubile girl when they get romantic) and some people within his regiment. Not simply a film of war, 'Waterloo' is a story of people, of lovers, of lost opportunities.