Diplopia “is a functional vision disorder that results in the perception of two images for a single object” (Clément Chéroux). Antonin Peretjatko literally brings this double vision to the screen. He uses it to tackle one of the issues approached in Yellow Saturday – the perception of the so-called Yellow Vests protest movement, a lengthy political episode that has fuelled the media in their field-based battle to portray the demonstrators.

Paul Château-Têtard, a 45-year-old bachelor from the best of Parisian nobility, has – for the first time in his life – to take the Metro, and even buy a ticket. It is with extraordinary luck that the beautiful young Ava happens to be sitting at the counter: a spark ignites and wedding bells begin ringing in the distance.