Jake Doyle and his ex-cop father, Malachy, run a Newfoundland detective agency. Their rugged seaside town never lacks for intriguing cases, and the Doyles don't always land on the right side of the law.

An exploration of music in the life, and writing, of James Joyce. Two Newfoundland actors, a Toronto opera singer and a New York Joycean scholar travel to Dublin and join forces with a group of Irish musicians to tell the story of music in the life, and writing, of the great Irish writer James Joyce.

A down-and-out restaurateur and his neighbor hatch a plan to lure luminaries to their small Newfoundland town.

A woman (Lois Brown) who thinks money will solve her problems enlists the help of a homeless friend (Barry Newhook) to rob a bingo hall.

It seems like everyone in Violet’s family dies at age 55. Her mother did, her father did, and as this movie opens Violet, played by Mary Walsh, learns that her brother, Leonard has also died. He too was 55, an age she is now fast approaching herself. His death causes Violet to begin an existential tailspin as her family gathers round. They are Andrew Younghusband who plays her son Carlos, a gay professor of languages who has returned from Montreal. Actor and director Barry Newhook plays Rex who is a musician and daughter Ramona is played by Susan Kent. As the movie unfolds it turns out that Violet has a lot to live for, including a romance with farm manager Rusty played by Peter MacNeill.

As the new millennium approaches, God considers pulling the plug on the planet unless St. John the Baptist finds a reason to spare humanity. John travels to the Newfoundland city that bears his name where he becomes entangled in the lives of talk-show host Marietta, her husband Rick. (Toronto International Film Festival)

St. John's, Newfoundland and Labrador, is North America's most easterly landfall. For half a millennium, its perfect harbour has provided a safe refuge in the middle of the treacherous North Atlantic. For 300 years of its history it was an actual crime to try and settle--Newfoundland was the private preserve of British fishing merchants. But people stayed, despite the colonial masters, despite the lack of law and order, despite hellish weather and raging seas. And the city grew--lurching through centuries of crisis, disaster, privation. For filmmaker Rosemary House, "This is still a hard rock land, a dirty old town at the back of beyond. And yet the St. John's townie is so proud, you'd swear we lived in Paris." In this documentary, she explores her city with the help of six locals, Mary Walsh, Andy Jones, Anita Best, Brian Hennessey, Ed Riche, Des Walsh, writers and performers all. (Source: National Film Board)

Fifteen years after the events of The Boys of St. Vincent took place, the various boys involved are brought in to testify against the brothers, now finally standing trial, who assaulted them when they were children.

Crazy Los Angeles. Work is an hour away, down a crammed six-lane freeway. It is always sunny, but the sun looks like a sickly blemish on the smog. Everyone's out to look beautiful and make money. And a kid named Rick fits right in. The Gaspé coast. Work is five minutes away on a tractor seat. When the sun shines, the ocean is set ablaze, and the scent of pine fills the crisp country air. People here just try to make ends meet, but they know how to laugh from the gut and to show each other they care. This is were Rick's father James grew up, but Rick has never been here. When Rick learns that he has inherited the ancestral farm, and that his father wants him to go to Gaspé to bury the uncle who left Rick this legacy, an extraordinary odyssey begins. Father and son start out as different from each other as Gaspé and Los Angeles, but in the process, Rick discovers manhood and James discovers fatherhood.

Elizabeth Sutton, a lecturer from Toronto and Peter Breen, a professor of cultural studies from St. John's, Newfoundland, come together in his town for a secret liaison. All is bliss. But within twenty-four hours, the affair has collapsed. A clash of languages, cultures, and values force them to come to terms with each other's sense of morality.

As a family of siblings and their spouses gathers at their father's deathbed, old jealousies and new angers and liaisons lead to an inevitable climax.