Freely drawing from a variety of film genres, including musicals, the sudsy melodramas and documentaries and combing them with a free-flowing narrative and bright pop-art sensibilities, this hard-hitting experimental romp from Canadian filmmaker John Greyson packs a political wallop while satirically comparing and contrasting the issues of censorship and circumcision. The tale centers on the exploits of three homosexuals named Peter. Peter Koosens is obsessed with the semi-scandalous behavior of Prime Minister Pierre Trudeau while college student Peter Cort, ponders the significance and necessity of male circumcision. Peter Denham is an artist who seduces the other two and freely borrows from their work to make something of his own. Their exploits land the trio in prison after an operatic number (the police sing songs adapted from Bizet's Carmen).

Jim Black, a 37-year-old Canadian talks about the AIDS that is killing him. He talks about his life and his friends and how his brother's family has rejected him. Catherine Hunt is a Canadian woman whose brother is dying of AIDS. These personal stories are presented with excerpts from a series of performances by Canadian musicians and performance artists in order to give the viewer a bigger picture of the impact of this disease.