A chronicle of a day in the life of a Palestinian cab driver in Los Angeles, DRIVING TO ZIGZIGLAND, portrays the social struggle of the Arab immigrant in post-9/11 America. A film audition typecasts Bashar to play an Al Qaeda terrorist role. The utilities are due and Bashar has twenty-four hours to make the money. For the remaining hours left until tomorrow, an unceasing flow of passengers ride in Bashar's taxi and give the Arab cabbie the run around on issues that deal with suicide bombers, George Bush, Cat Stevens, the war in Iraq, music, and world geography. Bashar's quest to make the money is won until he realizes he has to choose between the Department of Homeland Security and his family.

The head of the household, Jess Gonzalez (Edward James Olmos), is your average father who is forced to fight everyday troubles, following the death of his loving wife Berta (Sônia Braga). Their beloved daughter Nina (Constance Marie) has recently graduated from law school and decides to work for Legal Services on behalf of immigrant rights, although Jess does not agree with her decision. The rest of the Gonzalez family just tries to go with the flow, but they find their own problems down the road.