Loren Taylor's directorial debut, “The Moon is Upside Down”, is an uproarious and cleverly dark-humoured rollercoaster. Against the backdrop of New Zealand's stunning countryside and gritty urban suburbs, three characters grapple with an insatiable yearning for connection.

A smug detective introduces his clueless sidekick to the ropes of the trade, but is made to confront the reason he became a private eye in the first place – an elusive dream girl and her mysterious disappearance.

Fifty-six-year-old Perianayaki contends with the difficulties of fitting into her new home, especially at the local supermarket where she works. Eye-opening and brimming with compassion, the latest film from director Bala Murali Shingade is a slice-of-life character study that provokes questions about multiculturalism and our assumptions about the people we encounter in daily life.