A short documentary about Georges Franju.

This 8-episode miniseries, like Franju's previous Feuillade homage, Judex, was written by and stars the silent filmmaker's grandson, Jacques Champreux. It was shot in 16mm and 4:3, alongside a theatrical version, Nuits rouge – that in 35mm and 1.66:1.

Clad in a featureless red mask, The Man Without A Face is involved in a single-minded pursuit of the fabled treasure of the Knights Templar in this tribute to the pulp adventure stories of Louis Feuillade.

Journalist Claude Leroy (Jacques Champreux) reports that a secret society, The Companions of Baal, is behind a hold-up in the small town of Blaingirey. They are led by the Grand Maître Hubert de Mauvouloir (Jean Martin). An adorant of Lucifer, he aims to enslave the world. Accompanied by their acolyte, Pierrot Robichat (Gérard Zimmermann), and a young girl, Françoise Cordier (Claire Nadeau), Claude Leroy is determined to finally reveal the mysteries of the group's criminal enterprise.

A film made up of four sketches. In Marc Allégret's Sophie, a naive high-school girl invents a love affair with her mother's lover. But it's a guitarist with whom she falls in love. In Françoise, by Claude Barma, a young woman returning to France after living in the United States has an affair with her best friend's lover. In Antonia, by Michel Boisrond, a middle-aged woman tries to convince her ex-lover that she still has many assets to seduce. In Ella, by Jacques Poitrenaud, a Pigalle dancer meets a man in a cab.

Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.