The oddest things come in pairs. In 1989, there were two foreign films on the market whose titles translated to Errors of Youth or Youthful Indiscretion. One was a Russian film, the other was a French picture, originally titled Erreur de Jeunesse. In this one, would-be poet Francis Frappat breezes through a number of relationships. Of paramount importance to Frappat are his attempts to seduce the lovely Géraldine Danon.

A criminal shows up at a farmhouse with the law on his heels and several million dollars in his possession.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life's simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males...

Richard is a private detective. He makes a good money from marital infidelity: the deceived husband and wife generously paid him for proof of their infidelity "halves"...

This Surrealist film, with a title referencing the Communist Manifesto, strings together short incidents based on the life of director Luis Buñuel. Presented as chance encounters, these loosely related, intersecting situations, all without a consistent protagonist, reach from the 19th century to the 1970s. Touching briefly on subjects such as execution, pedophilia, incest, and sex, the film features an array of characters, including a sick father and incompetent police officers.

In Luis Buñuel’s deliciously satiric masterpiece, an upper-class sextet sits down to dinner but never eats, their attempts continually thwarted by a vaudevillian mixture of events both actual and imagined.

A single mother raises her son in impossible circumstances first in Leningrad, then Krakow, and then France, and is over-ambitious about him but never gives in.

Two men, part tramp, part pilgrim, are on their way to Santiago de Compostela in Spain. On their way they meet a whole assortment of people—some truculent, some violent, and some bizarre; they experience many adventures—some mysterious, some erotic, some even supernatural.

Alain, "a young wolf", elegant and racy, is maintained by the princess Linzani. At the same time, he goes out with a girl of his age, Sylvie, who despite her bold attitude has never had a lover.

A young student visits the home of a friend who has all the good looks, women and luck. Every day, through binoculars from his friend's window, he sees a young girl in front of her home. Although attractive, the woman's face has been badly scarred. He finds out her phone number and the two engage in pleasant conversation. He gets up enough nerve to ask to meet her in person, but the socially inept young man becomes paralyzed with fear. He again summons the courage to meet with her before he is plagued with fear once again.

Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.

Four episodes chronicle a mysterious phantom who appears in the Musée du Louvre in Paris at night. Neither guards nor police are able to make an arrest. But a curious young man tries to break the ice and discover what drives the creature and its activities.

Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.

Micheline, who fled to Paris with the man she is in love with, finds herself on her own when he abandons her. She lands in a reformatory from which she manages to escape.