Brother Marie-Victorin, founder of Montreal’s Botanical Garden, is bored with heaven and decides to return earth to help former agronomist turned beekeeper Albert save Quebec’s flora from a multinational that is poisoning the Earth with chemicals.

Marc Labrèche, the Director of this documentary, himself an author, actor and host, meets other creators to ask them these questions that inhabit him. Do artists have an expiry date? Do we create our best works in our youth or, on the contrary, does experience allow us to develop a greater mastery of our medium? In this respect, are there important differences between the different forms of art such as music, cinema and literature?

Montreal, 1940. The Second World War is raging in Europe. Pierre Sauvageau, 22, would like to enlist, but he has to take care of his twin sister, crippled from birth. This proximity awakens the sensuality of Berthe who tries to seduce her brother. Pierre rejects her advances, but when he falls in love with Marguerite, his best friend's girlfriend, he is haunted by the fantasy of his sister.

Artist and writer Marc Séguin offers his first film which is about a woman named Alice who steals paintings in order to reattribute them to people who can truly appreciate their beauty.

Each week, in front of a fired-up audience, personalities from all areas come on Ti-Mé’s show for an hour of comedy and quirks. A variety show where interviews, sketches, musical performances and surprising presentations are intertwined. Ti-Mé is interested in everyone but is not impressed by anyone.

Two bourgeois-bohemians struggle to stay on the cutting edge of trends and fashion while never sacrificing a single ounce of comfort, style or social conscience.

The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.

The Midnight Sun Film Festival is held every June in the Finnish village of Sodankylä beyond the arctic circle — where the sun never sets. Founded by Aki and Mika Kaurismäki along with Anssi Mänttäri and Peter von Bagh in 1985, the festival has played host to an international who’s who of directors and each day begins with a two-hour discussion. To mark the festival’s silver anniversary, festival director Peter von Bagh edited together highlights from these dialogues to create an epic four-part choral history of cinema drawn from the anecdotes, insights, and wisdom of his all-star cast: Coppola, Fuller, Forman, Chabrol, Corman, Demy, Kieslowski, Kiarostami, Varda, Oliveira, Erice, Rouch, Gilliam, Jancso — and 64 more. Ranging across innumerable topics (war, censorship, movie stars, formative influences, America, neorealism) these voices, many now passed away, engage in a personal dialogue across the years that’s by turns charming, profound, hilarious and moving.

M.C. Escher is among the most intriguing of artists. In 1956 he challenged the laws of perspective with his graphic Print Gallery and his uncompleted master-piece quickly became the most puzzling enigma of modern art. Fifty years later, can mathematician Hendrik Lenstra complete it? Should he?

Thanks to the development of techniques and the adventurous spirit of pioneering filmmakers, among whom Michel Brault occupies a central place, a new way of making cinema was born at the turn of the 1950s and 1960s. This film relevantly retraces the history of a collective movement which revolutionized production and filming methods in Quebec and the world.

Four young women are participating on Idole Instantanée, a reality show produced by Omni Global, in which a complete stranger turns into a music star in just 24 hours.

Host Guy A. Lepage brings together six to eight personalities from different milieus—sports, politics, stage productions and more—that are the subject of everyone’s conversations and/or are important figures in recent events. Participants are invited to speak freely, voicing their opinions on headline news or on a subject that is near and dear to them. 

This compelling documentary explores Canadian film culture and tries to discover what defines Canadian film through interviews with notable filmmakers.

In this belated sequel to 'The Decline of the American Empire', middle-aged Montreal college professor, Remy, learns that he is dying of liver cancer. His ex-wife, Louise, asks their estranged son, Sebastian, a successful businessman living in London, to come home. Sebastian makes the impossible happen, using his contacts and disrupting the Canadian healthcare system in every way possible to help his father fight his terminal illness to the bitter end, while reuniting some of Remy's old friends, including Pierre, Alain, Dominique, Diane, and Claude, who return to see their friend before he passes on.

Viens voir les comédiens is a television show on the Canadian French-language arts and culture television network ARTV.

The story of an imaginative boy who pretends he is the child of a sperm-laden Sicilian tomato upon which his mother accidentally fell.

From coast to coast, from St. John's, Newfoundland to Vancouver, British Columbia, Jacques Godbout films a documentary chronicle of the political turnaround that was to follow the Meech Lake Accord. Following the Meech referendum, Quebec and Canada found themselves at an impasse after a long and ultimately fruitless negotiation, various social and political actors spoke out. Their comments, linked to film clips on the lives of important Canadian politicians (Sir Georges-Étienne Cartier, John A. Macdonald, Louis-Joseph Papineau...), draw parallels between the speeches of yesterday and those of the post-Meech era.

Six stories about Montreal. 1: A young housewife from Toronto samples the nightlife using basic French. 2: The tale of a painting of Montreal's first mayor, Jacques Viger. 3: During a hockey game, Madeleine tries to tell Roger she wants a divorce after forty years of marriage. 4: A visitor to a conference on pictographs arrives at the airport, where the female customs officer steals a momento from each person. 5: As she is being driven to the hospital in an ambulance after an auto accident, Sarah recalls her life. 6: At a diplomatic reception, an older woman reminisces about her grand love in Montreal.

A group of actors putting on an interpretive Passion Play in Montreal begin to experience a meshing of their characters and their private lives as the production takes form against the growing opposition of the Catholic church.

Features clips from 21 documentary and animation film classics, interviews with NFB filmmakers past and present, and incisive commentary from film critics and historians on the role and influence of the NFB during its first half century of existence.

Marcel, recently released from prison, attempt to rebuild his relationship with his girlfriend Julie (now a prostitute) and especially his father Albert (who thinks he's been away on a long trip abroad), while being pursued by two corrupt cops (one of whom bears a longstanding grudge against him) for drug money he's alleged to possess.

Normande St-Onge works as a clerk in a pharmacy and takes dance classes with the dream of being a cabaret dancer. Her mother, Berthe, has been confined to a mental institution by Normande's uncle, the wealthy lawyer Jean-Paul. But Normande, who does not believe her mother is insane, kidnaps her from the institution and brings her home. Also living with them is Normande's sister Pierette, who has asthma and a drug addiction, Normande's boyfriend Bouliane, who is unemployed and in no hurry to find a job, and a strange young magician named Carol she took in after he was kicked out of his home. All of these people depend on Normande in various ways and exploit her; Normande, desperate to be loved, is driven mad by the demands of her parasite family. When she receives an eviction notice stating that the building will be demolished and rebuilt into a restaurant, it all becomes too much for Normande and her mind retreats into fantasy to protect her from the harsh realities.

The true identity of an undercover RCMP narcotics agent is discovered by the criminals he is investigating and his family pays the price.

The unexpected return of his ex-wife and the assembly of a group of protesters both threaten to wreck a corrupt contractor's inauguration party for his new superhighway.

This French-Canadian crime/action drama, which satirizes U.S. crime films, was shown at the Cannes Film Festival in 1972 and was well received. In the picture, perfectly ordinary people murder, steal, and torture one another with casual abandon in order to solve their everyday problems.

One evening a man watches eight movies simultaneously on television.

Three American tourists explore Quebec guided by an imaginative leader, in an atmosphere of health and good humor. Baroque incidents, romance, and satire on society unfold, aiming to evoke monumental laughter from Quebecers.