Diane is married to Julien, an architect. The two met in Czechoslovakia before marrying and moving to France. Julien becomes extremely jealous when he suspects Diane of having a lesbian affair with a ballet dancer. His incessant questions and insane jealousy make Diane resentful to the point she considers pushing him off a cliff.

This one is generally looked upon as the best version of the old-fashioned melodrama by Jules Mary.Riccardo Freda,who was mainly known for his horror movies,tried also his hand at spy thrillers in the wake of James Bond ("Coplan Ouvre Le Feu à Mexico") ,and had a penchant for old French melodramas (before "Roger la Honte" ,he redid "Les Deux Orphelines " -D.W.GRiffith's "orphans of the storm-. Georges Géret replaces Lucien Coedel and Irene Pappas takes on Maria Casarès's part of his mistress.Freda 's movie is more compact ,with a running time of 105 min,whereas Cayatte's version (1945-46) spread over two episodes with a total time exceeding 3 hours.It also benefited from the use of color .But all in all,it's the same old story.

Sheherazade is promised to a powerful Sultan as a gift in exchange for free passage to the Holy Land. When the Sultan's underling saves her from certain death, she falls madly in love with her hero.

Two rival gangs fight over drug trafficking. An American killer named Timetti Le Muet arrives at Marseille airport to make a delivery to Arnakos' gang. He is denounced to the police, and the peaceful customs officer Camposantos is put in charge of his arrest. Following a mix-up, Camposantos is mistaken for the killer himself. Taken in by Arnakos' men, the innocent customs officer is forced to play a rather unexpected role.

A ruined Baron Philippe de baron, meets one day a troupe of traveling actors led by Herod. Attracted by the one who plays the role of the ingenue: Isabella, and by the dynamism and enthusiasm of his companions, he takes the place of the deceased poet of the troupe. And during performances, Philippe became the captain Sunder. For his part, Isabelle loves Philip, but does not consider marriage, nobility him missing, she refuses to harm the career of Baron. And one day, the Duke of Vallombrosa, seduced by Isabella, finds himself challenged to a duel by Philippe for touching the girl. Defeated, he launched his men against Sunder, then removes Isabelle. The actors throw themselves then to storm the castle where she is being held. This time Vallombrosa was seriously injured, and the duke's own father, rushed to the scene, Isabelle discovers the girl he had once been an actress. Nothing stands now the union of Sunder and Isabella, under the tender gaze of the actors Herod and Scapin.

Josepha is on the verge eighteen living with her drunken washed up actor uncle. She longs for the companionship of a group of her mo-ped riding peers who dabble in activities on the shady side of a legal dividing line. In order to get the semi-delinquent group to accept her, Josepha runs to the police with a tall tale about the local druggist, Savary. The police are looking for a sex murderer, and Josepha insists Savary is their man. What she does not know, however, can do her considerable damage.

A young American girl at a French boarding school develops a crush on an egotistical sculptor living next door. One night, driving in a drunken stupor, he runs over and kills a man, and she witnesses it.

The seven stages in the life of the modern Frenchwomen are disclosed by seven directors in a witty way: 1 - Childhood, 2 - Adolescence, 3 - Virginity, 4 - Marriage, 5 - Adultery, 6 - Divorce, 7 - The Single Woman.