A nostalgic look at the birth and death of arthouse film distribution in the early 2000s in Russia. The story of the Cinema Without Borders company and its two founders, Sam Klebanov and Anton Mazurov.

A gang of crooks robbing cash collectors, run into a police surveillance team and the inadequate police response results in a gunfight. A TV crew on assignment in the area happens to capture this humiliation on camera, and this example of police incompetence is soon the lead story in every news bulletin. Public confidence in law and order now suffers irreparable harm. The head of the Moscow force welcomes a public search-and-destroy operation against these thugs, the brainchild of Katya, his PR director. She proposes that the capture of this dangerous gang be transformed into a live TV show of a kind never seen before. At this point she cannot know that the gang leader's life-and-death struggle with the police is destined to lead to a media duel. Besieged in a huge apartment block, the crooks hold hostage a father and his son and daughter. A massive special forces rescue operation is mounted but fails miserably.

Eccentric post-apocalyptic take on gangster cinema.

In an ordinary industrial Soviet town, notable only for presence of a radio-telescope, people start behaving strangely, in a robotic manner, while assuming geometry-inspired aliases and organizing into a new hierarchy. The phenomenon spreads via a device of alien origin, called “the mediator”, capable of implanting extraterrestrial minds into human bodies. The aliens are bound by limitations of the terrestrial technology, having to use the means at the disposal of humans to prepare the grounds for the full-scale invasion. With “the mediator" being unable to subdue minds of children, lunatics, geniuses, and rebels, a struggle over the fate of the town and the human civilization ensues.