Rudi, who’s been quite the ladies’ man, finally wants to settle down and marry Hilde. So as to not get into a touchy situation with all his many women, he plans to bring them all together the night before his wedding. While sitting alone in his apartment and burning all his old photos and love letters, he notices a woman in the garden. She assets, that she’s hiding from a stubborn admirer and he stupidly offers her to come in … and then it all begins! First, his wife-to-be Hilde shows up, who wants to spend the night before their wedding together. While Rudi tries to hide the unknown woman in his bedroom, a hotel detective shows up and claims he’s following a thief.

During a test, a race car using an experimental oil fueled engine blows up, killing the driver. Lucky Taylor, a stunt driver, is initially blamed for the accident, but is later cleared. He thinks the engine design has a real chance to win races, but the racing association has banned it since the accident. He devises a scheme to have a car equipped with the engine entered into a race, without race officials-- or the engine designer's sassy daughter -- finding out about it.

Because his future wife abandoned him shortly before the wedding, an old baron has decided that he doesn't want any women near him anymore. The daughter of the flaky woman decides to take it upon herself to get the baron and her mother back together again and dresses up as a gypsy boy to use music from "his" violin to soften the baron's heart ...

The seamstresses Franzi and Mizzi have opened up a small shop in a suburb of Vienna. Mizzi is of the opinion, however, that her friend could have a much better life if only she'd marry Karl, the son of the landlord, who has been hot for her for quite a while now. Next store to them lives a rather elegant gentleman, whom Mizzi does not like. One day, an excited woman bursts into the studio, tears off her clothes and begs the girls to act as if they're fitting her for a dress should her husband waltz on in, too. In fact, her jealous husband Stefan does show up and is thrilled to discover that his Gerda isn't cheating on him. But Mizzi and Franzi are positive, that she's been meeting a certain elegant gentleman next door.

Nora and Peter constantly fight and wish to divorce. Nora's uncle Eberhard, however, believes the two belong together and comes up with a plan to bring the two back together again: as a lawyer, who is processing the divorce, he explains to them that the paperwork for the divorce is completed, but will only go into effect once they undertake a reconciliation attempt. For the first reconciliation meeting, Eberhard enlists the help of his friend Christa and together, they turn Nora into such a hot tamale, that Peter burns with jealousy that any other man might look at her. At the second meeting of the two, which takes place a year later (how long do divorces in Nazi Germany take?!?!), Nora plays the girl abandoned by everyone. In the interim, she's given birth to Peter's son -- which apparently does not count as a reconciliation -- and Peter has become a successful composer. When Nora again disappears after this meeting, Peter does all he can to win her back.

Paris, 1830: Jean-Gaspard Debureau performs on the stage and delights his audience with song, wit and charm. He is, however, very unpopular with King Charles X, who is the target of much of Debureau's scornful jests. That would be a somewhat tolerable situation if it weren't for the fact that Debureau has fallen for a countess, who happens to be the King's mistress.

The eccentric owner of a chateau, Lord Wilford, is fond of everything that is connected with criminal cases. His passion takes up so much time that even his secretary hardly has time to see her fiance. When mysterious letters arrive, announcing that a certain Mister X wants to steal a valuable statuette, the Lord is very enthusiastic. Apparently he himself will now experience a real criminal case! His secretary persuades him to hire a famous detective from London - none other than her fiance. But he is far from being a talented detective, and when a valuable pearl necklace disappears, the fiance falls under suspicion to be the thief.

Film by Huppertz.

Film by Waschneck.

Film by Stemmle.

The unemployed secretary Käte applies a job by mistake in the piano factory of the entrepreneur Helmut Hofert. He does not really have any need for an additional secretary at the moment, but Käte is very attractive.

During a concert tour, famous tenor Riccardo Gatti meets Lixie at an Aida rehearsal and takes her for a ballet dancer. She is in fact trying to get a position for her boyfriend, so she accepts Gatti's date for supper. When she runs away he publishes a newspaper ad offering to give a concert anywhere she chooses if she shows up. She chooses a swimming pool hoping to discourage him, but he accepts.

Fred von Wellingen is a wealthy industrialist, part of a large family-owned corporation. Fred has fallen for Lia, a comely bartender in the Berlin Cabaret. He proposes to her, much to the horror of his family, which considers Lia and her unsophisticated father far below their caste. The family convinces Fred to give up the girl in exchange for increased position and income in the company. But Fred's lapse is momentary, and he again pursues Lia. But she, by this time, has learned of his erstwhile agreement and has agreed to marry someone else.

Adaptation of a French comedy, set in Paris, in which a lecherous man sets his sights on a beautiful married woman, whose husband is otherwise distracted.

One of the popular Weimar-era musical comedies not released in the US until after the Nazi takeover, this one has a Cinderella-type plot.

A country girl, mistaken for the niece of an American millionaire, wins the prize in a toothpaste contest, a trip to the Baltic seashore.

Siegmund Meyer might be a professional matchmaker, but his own married bliss will not come that easily. In order to impress city councillor Goebel, the father of Meyer's love interest Mary, he tries to pass as an industrial tycoon. But Mary's heart belongs to someone else, and while Meyer continues his risky role-changing, he fails to notice that his loyal secretary Ms. Krause has been secretly in love with him for a long time.

Simultaneously made French version of "Einbrecher": A wealthy old husband looks for the successor for his young wife.A devious gentleman burglar is one possibility he toys with.

Remake of a silent Lubitsch: A country girl right out of high school graduates to a place in her aunt's Leipzig garment business, then to a more glamorous such store in Berlin, and finally into a palace.

The young wife of a rich old husband is prevented of a fling by a gentleman-burglar, who falls in love to her.

Opera style film in which a crook offers to change ties with a waiter, so he can escape.The waiter lands up getting involved with a rich American lady who takes him to Florida.

Film in the style of a magazine. Various topics, e.g. reading from the book "Ich lasse Dich nicht"; explanation of how a telephone conversation between Berlin and New York works; making a martini; sports teacher Siegfried Dietrich on gymnastic exercises; a sketch; a pop song; revue girls. Maria Ney hosts the program.

A musical-comedy directed by Carl Boese

An elderly survivor of World War 1 is fed up with the situation in Germany so he tries to take it down. But he can't do it alone.

German silent film directed by Mario Bonnard and starring Marcella Albani, Ralph Arthur Roberts and Curt Bois.

When a travelling troupe threatens to unleash a saucy Berlin revue on the provincial town of Emilsburg, the local Morality Society, a band of sanctimonious middle-aged men, stages a protest. Meanwhile, the reigning monarch is concerned that his son and heir is not living his life to the full. Ninon d’Hauteville, a showgirl and the revue’s star attraction, takes a job as piano teacher to the young prince after her engagement at the local theatre was brought to a premature end, a result of the Morality Society’s interference. It doesn’t take long for those hypocrites to get wind of this. While on the outside they appear to be concerned with running the immoral woman out of their town, behind closed doors they rank among the new piano teacher’s most ardent pupils. However, Ninon, out to right the wrong done against her, secretly keeps a “diary” of their visits, recording each encounter on film with a hidden camera.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

Based on the play Der Erdgeist by Frank Wedekind.