Pierre-Joseph is 16 years old when he joins a training center to become a gardener. There he meets Françoise Brown, the director, Alberto, his botany teacher, and Adrien, his employer, all of whom are decisive in his apprenticeship and the discovery of his sexuality. 40 years later, Kutta, Françoise Brown's adopted child, whom he has always heard about, arrives. But Kutta, who has become the owner of the strange castle of Antiville, seems to be looking for something more than a simple gardener.

A film about belonging, gay rural life, physical labor & elderly bodies. The arrival of Toto the marcassin at Madeleine's house, Vincent's trip to India and his troubles with the monkeys, or Joseph's dreams provoked by the continuous pressure machine, are three stories that Pierre will share and that in one way or another summon up our relationship with the animal, with this other neighbor

Michele and Helene seem to be the perfect couple. However, on weekends, Michele steps into a secret life, as a transvestite, Mylene, in a hidden French forest. There, Mylene meets with a lover, Flavia, another transvestite who once fought alongside Michele in war. Michele works to balance his double life, but soon, Helene becomes concerned with her husband's mysterious trips.

An homage to Greek tragedy.

In the French harbor city of Le Havre, fate throws young African refugee Idrissa into the path of Marcel Marx, a well-spoken bohemian who works as a shoe-shiner. With innate optimism and the tireless support of his community, Marcel stands up to officials pursuing the boy for deportation.

Paule is pushing 50, as she repeatedly observes in her voice-over commentary. When she – a philosophy lecturer with a 10-year marriage and a 15-year-old daughter – learns that her husband is having an affair with a 28-year-old, this number takes on a special weight. The Internet site “L’âme-sœur” is supposed to help Paule get through her burgeoning midlife crisis...

Angèle, a beautiful young woman with a past, arrives in a small fishing harbor in Normandy. She meets Tony, a professional fisherman, who finds himself attracted to her although he dislikes her blunt ways. Tony hires her as a fishmonger, lodges her and teaches her the tricks of the trade. The relationships between Myriam, Tony's mother, and Angèle are far from easy but the young woman gradually adapts to her new environment and little by little Tony and Angèle manage to tame each other.

Thomas, a father in his fifties, returns by chance to the town where he grew up. He collapses and wakes up forty years earlier in the body of his teenage self. Thrown back into his past, Thomas will not only have to re-live his first love, but also try to understand the reasons for his father’s mysterious departure. Can you change the past by living it again?

Twenty-year-old Eugène is somewhat aimless and has not been doing well in university. He is staying in a small village for the summer. He awkwardly seduces Pierre, a slightly older man who is working for Mathilde as caretaker for the season. Pierre is initially open to the relationship, but quickly becomes reluctant to become too involved.

Christel and Christoph have no education, no morals - they are working as servants in wealthy homes in order to clean out their hosts. Having decided to combine their talents and efforts, they are starting to work in the the house of Therions - wealthy bourgeoisie of Mulhouse...

In 1956, the rich French publisher of the works of the Marquis de Sade, Jean-Jacques Pauvert, was summoned to court for violating good morals and publishing pornography. Sade was born in 1755 and already in 1778 he was sentenced to a years-long prison, which was renewed by himself because of the writing of "scandalous" texts. This saved his life after the French revolution, but he soon came into conflict with Robespierre.

In this French-Portuguese film -- directed by Jacques Rivette's screenplay collaborator Christine Laurent -- French vocalist Laure Constant (Laurence Cote) goes to Montevideo, Uruguay, to see her old lover Colossus (Jose Olivera), but when he's a no-show, she becomes involved with several other men, while listening to advice from some older French women who are costume designers. Shown at the 1997 Locarno Film Festival.

The film's title is a pun, the double meaning referencing both the "wrong genre" and a person with distasteful motives. Insecure novelist Martial Bok promotes his new sexy novel La Fille de Dos ("Girl Observed From the Rear") with a round of book-signings and talk-shows. When beautiful hat designer Camille buys the book, Martial follows her and spies on her as she reads his book and removes her clothing. It's the beginning of his obsession and also an inspiration. After Martial's live-in girlfriend Lucie establishes contact with Camille for real, Martial is able to type out another sexy manuscript.

Philippe is a middle-aged painter, he lives with Annie : they have two kids. Just after they split up, Philippe meets Justine. He starts thinking about love, the relationship between former lovers..

Ana bolts from her wedding altar and flies from Venezuela to Paris to realize her dream of becoming a great opera star.

Bad Trip, a biker who has been freshly inducted into a gang, flees from them after stealing one of their bikes.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

Tatie Danielle is a black comedy about a widow who is intent on ruining the lives of her great-nephew and his wife. Tsilla Chelton plays the title character, who mourns the death of her husband by tormenting everyone she meets. Eventually, she moves in with her nephew and his vain wife. Soon, her family is at war with Tatie, and takes off for Greece, leaving her in the care of Sandrine (Isabelle Nanty), an au pair who is as equally bitter as Tatie herself. At first the two don't get along, yet the two eventually become friends. However, Sandrine is invited to accompany an American student for an overnight stay at the beach, which would leave Tatie alone for a night. Angered, Tatie fires Sandrine, and while she is alone, she goes into deep depression, eventually setting the family's apartment on fire. The fire becomes a national story, with Tatie cast as a poor old lady and the family labeled as cruel and heartless villains.

In the 18th century, English aristocrats had, among their better known strange customs, one really strange one: they kept "ornamental hermits" for their gardens. These were actual people who were willing to live in squalid conditions and serve as something like museum exhibits for the amusement of the wealthy. This movie takes that notion and transfers it to 18th century France. In the story, an English hermit Rupert Everett) has somehow been brought to France in the period following the French Revolution, and prior to the Napoleonic Era, a period (1795-1799) known as "The Directory." He eventually comes down out of his tree into a chateau owned by an Italian nobleman (Ugo Tognazzi) and his wife. Before long, the hermit has washed and bathed and become quite presentable, even charming. However, his appearance in their midst is like a sentence of death for many of those who associate with him.

A white Bull Terrier named Baxter is given to an elderly woman by her daughter. As time passes, the dog develops aggressive and murderous behavior in order to be adopted by another family.

France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting a young lover.

A very faithful Jewish man works making diamond dust in his family's workshop, to sell to industries. One day he goes on businnes trip. In the same train goes a very sexy girl, with some heroin bags (you guess it) very similar to the diamond bags. The police begins to chase the girl, and she hides the drug into the Levy's bag. The girl calls his boss ('Goliath') the situation and he and his band begins to hound Levy, who, by this time, selled the bags to a factory, not knowing the content. He has to get out of the problem with the help of his brother and his God.

In this political drama, five left-leaning friends gradually lose heart in the Socialist government elected in 1981 in France. One of the five men is a television broadcaster; the others are a teacher about to become an academic inspector, a tax man, the director of a cultural center, and a sociologist who is about to step into a ministerial position. Their interlocking lives are told in alternating vignettes over a four-year period, and the professions director Jacques Fansten has chosen for his main characters seem to be a comment on the media, education, budget or finance, the arts, and government bureaucracy under Socialist rule.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Barbara marries Julien a charming and sexy man. Barbara's old flame Paul is highly suspicious of Julien. It seems Julien's previous two wives died under dubious circumstances and he collected a wad of insurance money as a result. Paul cannot ignore his misgivings, and so he follows Barbara and Julien to Morocco on their honeymoon, intent on preventing any harm to the woman he still loves.

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

On the island of Jersey, off the French coast, Mélanie, a beautiful woman gifted with a captivating personality, enjoys having unimportant love affairs that her husband Victor, a perfumer older than her, seems to endure with total indifference.