A musician’s money grab Halloween composition unleashes the haunting sound of his own mother’s death.

The story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick's devoted right-hand man.

'Terror of Frankenstein' is an exercise in extreme meta-fictional tragicomedy. Presented as the commentary track of a rushed reissue of a forgotten (but 100% genuine) Frankenstein film's DVD (because of unspecified 'recent events'), this project transforms the film into an entirely new, very human horror story. Featuring Clu Gulager as the director of the 1977 original who is happily exploiting the unmentioned tragedy linked to the film, the recording session unravels a mystery as he clashes with the screenwriter (Zack Brown) and, ultimately, its star (Leon Vitali from Stanley Kubrick's Eyes Wide Shut and Barry Lyndon, playing himself.) 'Terror of Frankenstein' is Mystery Science Theater 3000 by way of Sartre, an icy satire of the monsters onscreen, behind the camera, and in the audience.

An 83-minute candid look into the life of Kubrick, including interviews with his widow, family, coworkers and actors, and featuring a tour of the Archive in London and an inside look into Kubrick's home.

In Verona, bad blood between the Montague and Capulet families leads to much bitterness. Despite the hostility, Romeo Montague manages an invitation to a masked ball at the estate of the Capulets and meets Juliet, their daughter. The two are instantly smitten but dismayed to learn that their families are enemies. Romeo and Juliet figure out a way to pursue their romance, but Romeo is banished for his part in the slaying of Juliet's cousin, Tybalt.

A few years after his death, the widow of Stanley Kubrick (1928-1999) asks Jon Ronson to look through the contents of about 1,000 boxes of meticulously sorted materials Kubrick left. Ronson finds that most contain materials reflecting work Kubrick did after the release of "Barry Lyndon" in 1975, when Kubrick's film output slowed down. Ronson finds audition tapes for "Full Metal Jacket," photographs to find the right hat for "Clockwork Orange" or the right doorway for "Eyes Wide Shut" -- thousands of details that went into Kubrick's meticulous approach. Ronson believes that the boxes show "the rhythm of genius." Interviews with family, staff, and friends are included.

The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations.

An hour-long documentary designed to celebrate the spirit of the independent filmmaker from D.W. Griffith to Quentin Tarantino. Interview footage and film clips are blended together to form a chronological approach to the subject matter.

With commentary from Hollywood stars, outtakes from his movies and footage from his youth, this documentary looks at Stanley Kubrick's life and films. Director Jan Harlan, Kubrick's brother-in-law and sometime collaborator, interviews heavyweights like Jack Nicholson, Woody Allen and Sydney Pollack, who explain the influence of Kubrick classics like "Dr. Strangelove" and "2001: A Space Odyssey," and how he absorbed visual clues from disposable culture such as television commercials.

Three hapless directors arrive in England from Italy to make a documentary on their idol. The funny thing is, they have no interviews lined up! Not to worry, these guys have a miracle or two that they call in.

After Dr. Bill Harford's wife, Alice, admits to having sexual fantasies about a man she met, Bill becomes obsessed with having a sexual encounter. He discovers an underground sexual group and attends one of their meetings -- and quickly discovers that he is in over his head.

Eva is 18 years old and decides to go inter railing through Europe after she has finished school. She has decided to meet up with Klaus in Amsterdam but things get more complicated when she meets Bosse on the way.

Directed and edited by Stanley Kubrick's daughter Vivian Kubrick, this film offers a look behind the scenes during the making of The Shining.

Victor Frankenstein's search for the secret of life leads to the creation of a monster that consumes his life and family.

An Irish rogue uses his cunning and wit to work his way up the social classes of 18th century England, transforming himself from the humble Redmond Barry into the noble Barry Lyndon.

Set in the near future. As a consequence of an ecumenical movement (Vatican Council IV), the Catholic Church has joined other religions and has eliminated much of the original dogma of Catholicism. A group of Irish monks rebel against this situation and react back to the past: they begin to say Mass in Latin and act according to traditional Catholic dogma. So, Rome decides to send a representative to investigate what is happening

Cliff works as a narcotics investigator for the police and infiltrate a mafia gang. Soon it turns out that Cliff has bigger plans than just to bust bad guys.

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

Justice is a British drama television series which originally aired on ITV in 39 hour-long episodes between 8 August 1971 and 16 October 1974. Margaret Lockwood stars as Harriet Peterson a female barrister in the North of England. It was made by Yorkshire Television and was based loosely on Justice Is a Woman, an episode of ITV Playhouse broadcast in 1969 in which Lockwood had previously also played a barrister. The theme music was Crown Imperial by William Walton.

Please Sir! is a London Weekend Television produced situation comedy, created by writers John Esmonde and Bob Larbey and featured the actors John Alderton, Deryck Guyler, Joan Sanderson, Noel Howlett, Erik Chitty and Richard Davies. The series ran for 55 episodes between 1968 and 1972.

Public Eye is a British television series that ran from 1965 to 1975. It was produced by ABC Television for three series, and Thames Television for a further four series. The series depicted the investigations and cases handled by the unglamorous enquiry agent Frank Marker, an unmarried loner who is in his early forties when the series begins. In the words of an ABC trailer for the third series: "Marker isn't a glamorous detective and he doesn't get glamorous cases—he doesn't even get glamorous girls. What he does get is people who are in trouble—the sort of trouble you can't go to the police about, even if you are innocent."