At their 25th high-school anniversary some bourgeois citizens remember their time in school as a happy one. In reality it was quite the contrary. The school was a madhouse in which the teachers, especially Blomme, tormented the students. As a result one of them became a murderer.

Fed up with his quarreling middle class parents, thirteen-year-old Jonas runs away from home. He seeks his freedom in the woods, where he befriends a girl his own age and a drunken ex-pilot, who offers him some warmth and understanding.

An uptight young man and his equally uptight family moves next door to a hedonistic clan, including the beautiful, sexy Topsy, who charms the new neighbor boy Tom. But Tom discovers that the price of loving Topsy may be higher than he's willing to pay -- she insists on absolute honesty and a life and love without possession or exclusivity.

The last part of the trilogy about the Vesterbro Root Per, which differs from "The Flight" (1973) and "Per" (1975) by being more comedy. Per has become socially adapted, he gets married and gets permanent work. In his rise live two originals, Kasper and his blind friend Holger, who are busy revealing housing fraud in the neighborhood.

Ole Ernst stars as an energetic conman lured into trying to set a factory on fire to catch in on the insurance. The plan backfires and both the factory owner, his wife and the conman hunted by the police must flee to Sweden.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

The Veterinarian's Adopted Children is a 1968 Danish comedy film directed by Carl Ottosen and starring Dirch Passer.

After a gruesome meeting with the tax authorities Alex Alexander takes a drive in the countryside to calm down. While driving, he accidentally runs into an elephant from a circus. When he is stopped by the police and tells them about the elephant they think he is crazy. He is committed to an asylum by the very authorities his taxes are funding. The doctor tries to convince him that the elephants were not really there, but he gets more help from manic fellow patient Knudsen who makes him realize that everybody in the world is crazy in some way.

Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.