This French-German-Belgian thriller, reminiscent of Misery (1990) and The Collector (1965), begins after Fred Astaire-fan Clement (Jean Rochefort) invites comic-book artist Luc (Guillaume Canet) to Sunday dinner with Clement and his wife Violette. Luc's girlfriend Margot announces her pregnancy, prompting Luc to forget about the invitation, but Clement insists that Luc join him. After Luc arrives and sees that Violette is only a life-size plastic doll, he decides to leave but gets clobbered on the head. Awakening, he finds he's been handcuffed to the bathroom sink and gagged. Cruelties ensue, with crazed Clement getting visionary advice from both Astaire and Violette. Award-winning composer-arranger-orchestrator Philippe Haim made his feature directorial debut with this drama, and music is very much a part of the film from Haim's score and music-box melodies to tap dancing, honky-tonk piano, and a full musical comedy production number.

Cyrano de Bergerac is in love with his young cousin, Roxane, but does not dare to confess his love to her. It must be said that Cyrano's prominent nasal appendage attracts him constant mockery, which often forces him to defend his honor with weapons. When Roxane reveals to him that she loves the handsome Christian, a cadet of Gascony like Cyrano, the latter undertakes to take him under his protection. But the young man is cruelly lacking in spirit. It is therefore Cyrano who writes love letters to Roxane in her name, in which he expresses the ardent flame he also feels for his cousin. He even helps Christian to marry his beloved in secret. It is only years later and after having been the victim of an attack that Cyrano, on the verge of death, will finally declare his passion for her.