Don Matteo is a thoroughly ordinary Catholic priest with an extraordinary ability to read people and solve crimes. He’s a parish priest who never met an unjustly accused person he didn’t want to help.

The study of semantics has convinced Amedio (Jean Rochefort) that things only have relative validity, and that everything is changeable. So it seems, because while on an Italian holiday with his family, he conceives the idea that his aging wife (Marie-Christine Barrault) should assume the role of his mother, and his daughter (Jacqueline Lustig), who has an infant son, should assume the role of his wife and lover. His real mother (Lila Kedrova), an elderly invalid, dies just as this conceit begins to take form, and, inexplicably, the women placidly go along with this odd notion for a time, but eventually return to their former roles.

Wolfgang Cazotte, a famous, refined and charming court painter of the early 19th century, plans to seduce Ehrengard, an attractive and proud virgin, without touching her, just by instilling in her a throbbing passion. At one point, though, the painter's artifice seems to start turning its back on him.

15 years after the monumental "I mostri" which was a great example of Italian sketch comedy, 3 of the greatest Italian directors ever (Risi, Monicelli, Scola) the best Italian writers ever (Age, Scarpelli) the best Italian actors ever (Tognazzi, Gassmann, Sordi) one of the most beautiful woman in the world (Ornella Muti) participate to this great tribute.

A bankrupt Italian count commit suicide and one of his creditors takes over his family villa but he allows the widow, the mother, and the three adult sisters to stay on. The creditor is a wealthy businessman, but also basically an uncouth peasant (who fancies himself an opera singer). Still, the dimwitted, sex-crazed sisters try to seduce both him and his shy, virginal son who accompanies him.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.

A fig tree located in the lands of a baron of the lower Po valley has for many centuries been the subject of worship. The baron, crippled and an atheist, one day sees a girl lying on the fig tree in a benevolent attitude and exchanges for the Saint Who was martyred there in the Middle Ages. Immediately the aristocrat converts and decides to give his belongings to a religious institute. In fact, he was a victim of a cheating and the "santa" is a prostitute who has given up on rage.

Duke Philippe marries Cristina, the daughter of a fisherman. But his brothers, seeing that they would be cut from the family inheritance set to go to Cristina, decide to get rid of her by imprisoning her in a tower and making the duke believe she died.

Sister Germana, a beautiful woman who took the vows following the death of her fiancé Guido, is forced to return from Libya, and becomes the mother superior in a hospital in Lombardy. A young Communist, pretending to be sick, has established himself in the hospital where he has been for some time now, though he tries to make himself useful in whatever way he can. Realizing that the nun does not tolerate his presence, the young man leaves the hospital, and in order to make a living, busies himself as a ‘nurse’ in the town. During the course of a strike, he is wounded. He is brought to the hospital where he is reconciled with the mother superior...

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

Story of an ambitious young doctor through unethical means intend to make a quick career. Now is primary in a luxury clinic where administers the sick with the same cynicism of his young years.

Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.

An industrial exploiter, an old knife thrower, a cynical professor, and an ungrateful husband depict the selfishness and superficiality of the male gender.