Groundbreaking alternative comedy programme bringing the new wave of humour to television for the first time.

Rock musical retelling of the legend of the Trojan Horse.

The crew of Moonbase Alpha must struggle to survive when a massive explosion throws the Moon from orbit into deep space.

Jack Regan, an unethical officer of the Flying Squad, uses unorthodox methods to pursue criminals with the help of his partner, George Carter.

Special introducing William Shakespeare to young people through sketches, readings and music.

A physician discovers that two children are being kept virtually imprisoned in their house by their father. He investigates, and discovers a web of sex, incest and satanic possession.

Dramatically presented situations, often controversial, of interest to children and teenagers. Several episodes were either in animated form or presented as documentaries. Topics included illiteracy, substance abuse and teenage pregnancy.

The Protectors is a British television series, an action thriller created by Gerry Anderson. It was Anderson's second TV series using live actors as opposed to electronic marionettes, and also his second to be firmly set in contemporary times. It was also the only Gerry Anderson produced television series that was not of the fantasy or science fiction genres. It was produced by Lew Grade's ITC Entertainment production company. Despite not featuring marionettes or any real science fiction elements, The Protectors became one of Anderson's most popular productions, easily winning a renewal for a second season. A third season was in the planning stages when the show's major sponsor pulled out, forcing its cancellation. The Protectors first aired in 1972 and 1973, and ran to 52 episodes over two series, each 25 minutes long - making it one of the last series of this type to be produced in a half-hour format. It starred Robert Vaughn as Harry Rule, Nyree Dawn Porter as the Contessa Caroline di Contini, and Tony Anholt as Paul Buchet. Episodes often featured prominent guest actors.

The Committee, starring Paul Jones of Manfred Mann fame, is a unique document of Britain in the 1960s. After a very successful run in London’s West End in 1968, viewings of this controversial movie have been few and far between. Stunning black and white camera work by Ian Wilson brings to life this “chilling fable” by Max Steuer, a lecturer (now Reader Emeritus) at the London School of Economics. Avoiding easy answers, The Committee uses a surreal murder to explore the tension and conflict between bureaucracy on one side, and individual freedom on the other. Many films, such as Total Recall, Fahrenheit 451 and Camus’ The Stranger, see the state as ignorant and repressive, and pass over the inevitable weaknesses lying deep in individuals. Drawing on the ideas of R.D. Laing, a psychologically hip state faces an all too human protagonist.

Britain's biggest pop singer, Steven Shorter, receives unwavering adulation and possesses total control over his rabid fans, which includes nearly the entire population. Yet Shorter is not an autonomous performer -- he is little more than a puppet for the government, promoting whatever agenda they see fit. When a beautiful artist, Vanessa Ritchie, is commissioned to paint his portrait, she pushes Shorter to question his obedience to his manipulative handlers.