In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

Alla Demidova ranks among the greatest actresses to have graced the Russian-language stage over the past six decades, as well as screens big and small. She's famous for her tragic characters. Perhaps because she, above all, understands the world as a realm of worries and sorrow?

The debut of music critic Boris Barabanov as the showrunner of a new documentary series about the small homeland of big musicians. In the pilot series dedicated to Rostov-on-Don, Kirill Serebrennikov, Basta, Shym from "Casta", Vasya Oblomov, Sergey Pimenov ("PPK") and Viktor Pivtorypavlo ("Forbidden Drummers") talk about this city as a home, the first stage and starting station on the way to fame, the neighborhood of blatnyak and metal, hidden doorways, the first toilet actionism, endless southern rave and that "living in the past is the first step in the future."a sign of old age."

A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.

A documentary about the Staatsoper Stuttgart (Stuttgart State Opera) in Germany.

The film was conceived as a story about the history of the Gogol Center Theater and the case of Kirill Serebrennikov. But the circumstances were different. This is a film about a film that could not be made.

Documentary montage film by Alexander Vartanov, a subjective look at the beginning of the 21st century in Russia

In the spring of 2017, the Investigation Committee conducted the first searches in the criminal case, which everyone now knows as the “Serebrennikov case”, “the Seventh Studio case” or “The Platform case”. Six people, among whom is a world-famous director, are accused of having stolen more than one hundred million rubles allocated for staging performances from the state. And for this they can go to jail for 10 years. Journalists Katerina Gordeeva and Roman Super tried to figure out the essence of this matter. We talked to people who know what theater is, including in terms of money. Studied financial documents. Communicated with those with whom no one had ever succeeded. They understood why the applause of the audience and the compliments of the Ministry of Culture turned into arrests. And of course, went to all court sessions.

The question is, whether Katya Golubeva, an icon of the European underground cinema, determined her fate with the parts she played, or the fate of her characters affected her own fate?

Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore Henry takes place over the course of one day, in Moscow, Russia.

A day in the life of a typical character of Russian history, "the little man": a school teacher of Russian language and literature. An intellectual and his problems at the beginning of the 21st century. A day in the life of the country which Yesenin loved. About a country that still has hope...

A talk show