One place, in two eras: in 2020, three heirs of an abandoned property decide to recover it. In 1985, the property was the scene of passions, episodes of violence and solidarity adventures.

Severino finds a magic medallion and becomes bewitched. To save their friend and prevent the forces of evil from dominating him forever, Sol, Bento, Pippo and Berenice embark on an icy adventure in the snow and go to the End of the World!

Nilo Perequê is a successful comedian who stars in a TV show. When he wins the award for best comedian of the year, the comedian decides to radically change his career and devote himself totally to drama, leaving his family and businessman desperate.

When the mysterious call girl Danny Bond comes on the scene, a crime of passion changes forever the lives of all involved. Who will the victim be? And the villain? After all, in a story so full of secrets and infidelity, who can get away with it to live happily ever after?

This documentary highlights the evolution of Brazil's Circo Voador venue from homespun artists' performance space to national cultural institution.

Maiquél has lost a bet and dyed his hair blond. This seemingly innocuous event triggers a head-on collision with destiny in which he goes from nobody to hero to outlaw — all in 24 hours.

Through performatic acts and some exposition, a group of poets of that 1980's generation make great use of words, poems and rebellious acts criticizing the then current generation and its lack of admiration for the poetic works that were being created.

Middle-class girl gets involved with a jealous drug dealer, who wants to kill all of her previous boyfriends.

An accident at a construction site, resulting in one death, sets one worker off on a struggle for justice that exposes the mechanisms of exploitation and the class relations of a country that had undergone one decade of fast-paced ‘conservative modernisation’ at the hands of the military. As a sort of sequel to the classic The Guns (1964), following the fate of those characters as they move from enforcers of exploitation to exploited, it offers more than a snapshot of the period: the correspondent time lapses in fiction and reality capture the passage of a chunk of Brazilian history between the two films, and, therefore, also the transformations in cinematographic approaches to the social and political between the two moments. Equally daring in content and form, and in the originality of the adequacy of one to the other, it won the Silver Bear at Berlin.