Álex de la Iglesia

Álex de la Iglesia

Born: December 4, 1965
in Bilbao, Spain
​From Wikipedia, the free encyclopedia.  

Alejandro "Álex" de la Iglesia Mendoza (born December 4, 1965) is a Spanish film director.

Most of De La Iglesia's films reached cult status thanks to their weird sense of humour.

Description above from the Wikipedia article Álex de la Iglesia Mendoza  licensed under CC-BY-SA, full list of contributors on Wikipedia.

Movies for Álex de la Iglesia...

The Critic
Title: The Critic
Character: Self
Released: September 16, 2022
Type: Movie
Carlos Boyero is one of Spanish cinema's most followed and feared figures. Controversy has hounded him since he published his first article more than forty years ago, and he has remained in the eye of the hurricane ever since. Is he the last representative of a disappearing time? Has social media put an end to the traditional influence of the critics. Taking the background and personality of this very controversial figure as its basis, El crítico / The Critic will also endeavour to reflect on the enormous changes taking place in Spain in the field of film criticism.
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Raphaelismo
Title: Raphaelismo
Character: Self
Released: January 13, 2022
Type: Movie
Raphael is one of the most prolific, followed & adored spanish artists in the world. This documentary takes us across his childhood, early years, his home & family, glory, transplant and reinvention as singer & actor in 60 yrs of legacy.
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Mi adorado Monster
Title: Mi adorado Monster
Character: Self
Released: November 1, 2021
Type: Movie
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.
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Wild Session
Title: Wild Session
Character: Self - Filmmaker
Released: December 13, 2019
Type: Movie
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
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¡Ay, Carmen!
Title: ¡Ay, Carmen!
Character: Self - Filmmaker
Released: October 29, 2018
Type: Movie
The personal and professional story, told in first person, of Spanish actress Carmen Maura, director Pedro Almodóvar's first muse and a brilliant artist in her own right.
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Sad Hill Unearthed
Title: Sad Hill Unearthed
Character: Self - Filmmaker
Released: October 19, 2018
Type: Movie
Province of Burgos, northern Spain, October 2015. A group of fans undertake the titanic task of restoring the location of the last scene of The Good, the Bad and the Ugly, the mythical spaghetti western directed by Italian filmmaker Sergio Leone in 1966.
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Genre c'est du Cinéma ?
Title: Genre c'est du Cinéma ?
Character: Self
Released: May 30, 2018
Type: Movie
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Narciso Ibáñez Serrador: historias para recordar
Title: Narciso Ibáñez Serrador: historias para recordar
Character: Self - Filmmaker
Released: May 22, 2017
Type: Movie
How the Uruguayan-Spanish actor, writer, producer and director Narciso «Chicho» Ibáñez Serrador changed forever the way of producing programs for Spanish television.
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Heirs of the Beast
Title: Heirs of the Beast
Released: October 10, 2016
Type: Movie
The story of the making and subsequent success of The Day of the Beast, the Spanish cult film directed by Álex de la Iglesia and released in 1995.
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Why Horror?
Title: Why Horror?
Character: Self
Released: October 3, 2014
Type: Movie
Horror fan Tal Zimerman examines the psychology of horror around the world to find out why people love to be scared.
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El Roast de Santiago Segura. Amiguetes los justos
Title: El Roast de Santiago Segura. Amiguetes los justos
Character: Himself
Released: July 13, 2014
Type: Movie
Eight friends get together to present the real Santiago Segura. They are going to tell everything, but the question is whether Segura is going to let El Gran Wyoming, Anna Simón, Kiko Rivera, Angie, Alex de la Iglesia, Silvia Abril, Carlos Areces and Jorge Sanz reveal their secrets.
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Siniestro Total: Que parezca un accidente
Title: Siniestro Total: Que parezca un accidente
Character: Álex de la Iglesia
Released: January 28, 2014
Type: Movie
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24 cines por segundo
Title: 24 cines por segundo
Released: October 22, 2013
Type: Movie
Projectionists, film exhibitors and audiences explain their stories, their misfortunes, passion and selfless lifes; challenging time and conecting past, present and future. '24 Cinemas per Second' tries to show how films exhibition evolves as a consecuence of social changes and daily customs.
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Spanish Movie
Title: Spanish Movie
Character: Trilero
Released: December 3, 2009
Type: Movie
Grandes dosis de humor, ingeniosos guiños a nuestro cine patrio más reciente, un elenco artístico altamente ligado a la comedia y una elevada reserva de sorpresas constituyen los ingredientes de esta disparatada comedia: Spanish Movie.
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La tragedia de Franco
Title: La tragedia de Franco
Character: Himself
Released: July 31, 2009
Type: Movie
Franco lives and will live forever in China.
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Flesh on Flesh
Title: Flesh on Flesh
Released: April 1, 2008
Type: Movie
Documentary on Argentine actress and sex symbol Isabel Sarli, including clips from her films and interviews with her and other actors.
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Crítico
Title: Crítico
Character: Self
Released: January 22, 2008
Type: Movie
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
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Sexo en el plató
Title: Sexo en el plató
Character: Himself (archive footage)
Released: April 9, 2007
Type: Movie
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.