At the end of the 1950s, four humor specialists simultaneously experienced recognition. Fernandel with “The Cow and the Prisoner”, Bourvil with “The Hunchback”, Jacques Tati with “My Uncle” and Louis de Funès with “Oscar” at the theater. On the big screen or on stage, each of these artists has a unique style of humor. They are the kings of French comedy. But how did they manage to become true box office champions? How did they experience their immense popularity? How do they still influence the comedy genre? And above all, are- are they funny in life? Where is the line between their character in the cinema and their real personality?

The owner of a casino and the owner of a luxury hotel in Deauville are eternal rivals.

Two little criminals without major, dream of adventure and easy life. They agree to go to work in the Poitou as representatives of musical encyclopedias luxury. But their friend Valerie arrive from Paris and just changes their life.

At 45, divorced, unemployed and father of two children, Franois Morot realizes that he can no longer support the society in which he lives and decides to leave everything.

Victor is a screenwriter whose last work about the Marechal Pétain is refused by his producer. To add insult to injury, he tells Victor he is paunchy. The unfortunate man becomes obsessed by his weight. He goes out of his way to lose pounds, abetted by his wife, Corinne, who puts him on a reducing diet. He must also go to a health center where he takes exercise. Nothing really works. And one day, in a brewery, he cannot withstand his diet anymore and he has a gastronomic meal. Desperate, he tries his luck at a weight watchers reunion.

Marc, is a reporter in a tabloid. At the "Bongo Club", he photographs a young blond woman kissing a black man. This woman is the daughter of Senator Linden, head of the segregationist movement of USA.

L’Agence O is a famous Parisian private detective firm. Its premises are located in the Passage Choiseul. In front, Torrence leads the shop. In fact, the agency's team is complemented by Émilie le Roux, Mademoiselle Berthe and Barbet, who scrutinize clients through a one-way mirror located behind the desk. Getting hold of a man disguised as an old lady, solving the mystery of the Prisoner of Lagny or discovering who is blackmailing the painter Tigrane Alban does not worry the experts at the O Agency. Les Dossiers de l’Agence O is a French-Canadian television series in thirteen episodes of approximately 55 minutes created by Marc Simenon and broadcast first in Quebec from December 14, 1967 to March 13, 1968 on Télévision de Radio-Canada, then in France from March 11 to June 3, 1968 on the first channel of the ORTF.

Gabriel Pelletier, sales manager for a major industrial firm, would be the happiest of men if he didn't have a family of rare originality. The day Gabriel Pelletier is asked by the firm's management to welcome and accommodate an important American industrialist who has come to Paris to handle a major contract, he realizes the difficulties that lie ahead. How will Mr. Strumberger, who has the reputation of a fierce puritan, react to the behavior of the various members of the family?

Louis Bourdin est employé à la RATP le jour, romancier la nuit, avec une forte prédilection pour le genre policier. Un jour, il rédige un polar situé dans l'univers de la RATP, boudé par les éditeurs. Le livre parvient alors aux yeux d'une bande de criminels...

Seduced by a Don Juan working for a gang of pimps, a young girl ends up in a brothel.

The eccentric Comtesse de Saint-Plâs sells a black Citroën DS to car dealer Paul Souflé. He sells it to the young mathematics teacher Jacques Denzac who is about to marry.

The Martin family is shopping in a department store. Tiennot is responsible for looking after his little brother, Bébert, but he prefers to chase girls. On the train home, Tiennot leaves Bébert alone. On arrival, Bébert has disappeared. The Martin family sets out to find him.

An FBI agent works to arrest David Griffin, a murderous drug trafficker, and protect Juliette, the beautiful widow of Griffin's late partner.

André Loriot works for Dr Clairac in a laboratory producing euphoric pills. He searches in vain for an apartment where he can settle down and start a family with the woman who loves him, Juliette. To motivate himself and cope with the setbacks he encounters, he decides to swallow an excessive dose of euphoriants.

Saturday evening. We have a date with friends and Pierrot has finally obtained his mother's slightly worried authorization. He runs down the indefinite staircase of the immaculate H.L.M., planted firmly in the mud of the suburbs, to meet up with the others. The others are older than him on the whole, but what they have in common is the desire for something to change, this weekend, and for things to get moving. This is especially true for those with scooters who, in close ranks, can scare pedestrians, hug cars and taunt the marshals. Pierrot will be taken in rump like the girls, Thérèse behind Jacquy, Monette behind Christian.

In this drama, a jilted bride and her little sister flee their hometown to search for better lives. They go to stay in their aunt's boarding house. There they meet a notorious philanderer and his mistress. The younger sister soon tries to lure him away from his love. Unfortunately, he falls for the older sister. As they make love, the poor little sister is left all alone.

Aged 73, the former President of the French Council Émile Beaufort still plays a central role in the political life of the country. Writing his memoirs allows him to look back on his career and discuss his relationships with Philippe Chamalont, about to become President of the Council.

Le capitan is a 1960 French-Italian swashbuckler film directed by André Hunebelle and starring Jean Marais, Bourvil, Elsa Martinelli and Lise Delamare. It is based on a novel by Michel Zévaco.

Lily is a lost girl who lived a miserable childhood. Now she works for Martial, a small-time crook. One day, she meets Armand, a shy high school student, the son of a renowned surgeon. And she discovers true love. But Martial is nothing of a tender heart, on the contrary. He manipulates Lily into forcing Armand to mimic the signature of his father, which will allow his gang to obtain drugs with a view to selling them...

Tsar Alexandre II meets a young student, Katia. He understands that he loves her and try to send her away but they end up seeing each other again and becomes his mistress. With the help of Katia, Alexandre prepares a liberal constitution, but these reforms make him hostile to the more privileged subjects without satirising the revolutionaries against the regime.