The final part of Pasolini's Trilogy of Life series is rich with exotic tales of slaves and kings, potions, betrayals, demons and, most of all, love and lovemaking in all its myriad forms. Mysterious and liberating, this is an exquisitely dreamlike and adult interpretation of the original folk tales.

Locked up in prison and awaiting execution, bored young vagabonds Bernardino and Mammone pass their time competing in a vulgar storytelling competition, relating indecent accounts about castration, unsavory testicles and an atypical threesome. Not intended for the faint of heart, this audacious piece of moviemaking focuses on tales of jealousy, murder and uncontrollable desires.

Senator Pupis feels a strong and uncontrollable urge to grab women's bottoms, a habit than can lead to embarrassment, especially if the woman in question is head of another state and the occasion a state visit. In his desperation Pupis turns to the clergy for spiritual and psychological help.

In 1958 Angelo, a rich and spoiled boy, enters a religious school, where students are tired of its vice-rector, and the strict rules and old-fashioned teaching methods of priests. Soon, Angelo exerts strong leadership among his peers and incites turmoil among them, helped by intellectual Franco and shy Camma. They expel the prefect from the school, organize a Grand Guignol show, and disappear the corpse of an old professor.

Years after the Second Punic War, Scipio Africanus finds himself generally unliked, despite his defeat of Hannibal Barca. He and his brother, Scipio Asiaticus, are accused by Marcus Porcius Cato of the theft of 500 talents intended for Rome.

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Fourteen people of different ages - seven men and seven women - gather in a comfortable hotel by the sea to carry out an experiment inspired by the theories of an Austrian psychoanalyst. The creator - Professor Emilio Missiroli - wants to show that only a thousand breaking taboos' that stifle the sexual life can liberate man from his existential malaise. Every night, so, for a whole week, men and women of the group will couple through a draw, without giving any importance to their feelings, thus demonstrating that these can and should do without. Based on Wilhelm Reich's The Sexual Revolution.

Comedy about the flawed Italian healthcare system of the time and a doctor's expeirence with it.