When a woman loses her baby, her husband abandons her and she starts showing schizophrenic symptoms. She sets her eyes on her elder sister's husband and tries to get close to him.

Directed by Ashoke Viswanathan.

Baba is an atheist who always questions the existence of a higher power. But when a turn of events bestows him with divine powers, he uses the opportunity to help other people.

Residents of Calcutta find solace from their hectic daily lives in conversations at one cafe or another. Newton is a member of one such group of cafe regulars. He appears to be in a romantic relationship with Ananya. Newton wants to start a business. Ananya consults her actress friend Laboni, who asks script-writer Arup to help Newton. However, Arup is perhaps too mysterious a character.

Madan, a disco dancer, finds his life partner in Kalpana, a classical dancer. When Madan starts getting strange visions, he is advised to go on a trip where he learns about his tormented past.

The love affair between an Anglo-Indian girl and a Brahmin boy turns sour when the girl becomes pregnant and her mother decides to isolate her from her family till she delivers the baby.

Kann Sivanthaal Mann Sivakkum is a 1983 Tamil film directed by debutant Sreedhar Rajan. Produced by R. Venkatraman, the film won the Indira Gandhi Award for Best Debut Film of a Director at the 30th National Film Awards in 1983.

Indian film starring Dipankar Dey, Soma Dey and Anil Chatterjee

Two people from different walks of life fall in love with each other. However, they face several obstacles in their lives.

After a prostitute ruins Chandru's family, he develops a strong aversion towards them. His childhood trauma creates unrest in his present life as he starts killing sex workers whenever he sees them.

Roommates Prasath and Balaji are both in love with Selvi. However, life takes an ugly turn when Balaji dies and Selvi is forced to marry Prasath's father.

A man mistakenly invites a family, whose girl was (and is still) betrothed to the groom. It was he who set up the cousin's alliance, would the girl forgive him, whom he had fallen in love? How to prevent her from attending the marriage?

Played out in real time, several complex family dramas intersect in the landscape of the Himalayan foothills, allowing the Bengali auteur to examine the class and generational differences of postcolonial India while celebrating the hopes of a society in transition.

Difficulties erupt between a married couple when their relationship gets hit by societal pressures, norms, and deep-rooted patriarchy.