The frustrated loves of Jean Cocteau and Raymond Radiguet at the beginning of the 1920s. The death of Radiguet that sank Cocteau into opium. A story under the influence of drugs. A narrative in the spirit of Cocteau. And all this in a musical.

Two men, fifty years young, seduce younger women at the Cannes Film Festival and are quite successful as long as there are no youngsters among them.

In Baghdad the Magnificent reigns Haroun al Plassid, who is the Caliph. There also dwells Iznogoud, who wants to be the Caliph. The irascible Grand Vizier hatches plot after plot to remove his ruler and take his place—melting Djinn, invisibility spell, cursed diamond, voodoo doll… But no amount of cunning or obstinacy can make up for sheer, hilariously bad luck.

Author Jean Dorset has suffered from a bad case of writer's block since his first novel became a bestseller. He lives in a small apartment in Paris with his wife Michelle and, in spite of their ostensible success, the couple are having trouble making ends meet. One day they receive the utterly unexpected news that they are the sole inheritors of a wealthy neighbor, M. Guillemet, whom they have never met. Guillemet has left them his old townhouse along with all of his belongings, but with two conditions -- the first is that the dead man's papers be left untouched, and the second is that his live-in maid Clemence Richbourg remain employed at the estate. The Dorsets soon learn why they were the recipients of such strange generosity. Guillemet had set up a camera with a massive zoom lens pointing to their bedroom window. The couple is shocked and disgusted, but not enough to give up their new tony digs.

A low-budget film crew working in New York City find themselves being preyed upon by a sexually conflicted serial killer.