A young Orthodox Jewish woman becomes ensconced in a nocturnal community of prostitutes and drug dealers that congregates in the ancient cemetery atop Jerusalem's Mount of Olives.

The Hora 79 dance troupe was the face of Israeli folk dancing. Following a traumatic event. An accident? A murder? A suicide? The group ceased its activity and the members went their own ways. Now, 33 years later, the Karmiel Dance Festival initiates a reunion for a tribute to Hebrew dance. The encounter brims with nostalgia, tension, and guilt. Will they be able to overcome the dark ghosts of the past, the old conflicts, the betrayal of the body and of the memory?

At the end of a lengthy relationship, Michal, 33, returns to her parents' small, cramped apartment in Herzliya, a sleepy, bourgeois suburb. Michal is a young, promising director, who should be devoting her time to writing a screenplay, but instead shuts herself up in her room, frustrated, and spends most of her time sleeping. Things change when Michal meets Zeev - the principal of the local high school, a 50 year old married man, and falls in love. The forbidden passion and stormy emotions that develop between Michal and Zeev reminiscent of first love. Unaware, Michal becomes a teenager all over again. But this time, contrary to her earlier adolescence, Michal rebels. The apartment, too small to contain two parents and a 30 year old teenager, is transformed into a pressure cooker teeming with conflict. Can Michal commit, give her all and fulfill her love and passion? Or is she too attached to the fantasy youth that she has created to break away? Perhaps she is just too busy rebelling?

The director writes a script. Characters from her past and characters she meets on the street and elsewhere, sneak into the story and take control of her. As she writes, she sees herself in all female characters and her close friend Gadi, who is an actor by profession, in all male characters. Writing the script gives the director a chance to take a fresh look at the life and destiny she creates, life, which is actually her life, and it gives us a chance to take a look at the sources of inspiration and the creative process.

A young girl and her mother both carry the scars of their experiences during the holocaust in this drama from Israel. In 1951, Aviya is a ten-year-old girl being raised by her single mother, Henya, in a small village in Israel. Henya is a survivor of a Nazi concentration camp, and has come out of the experience considerably worse for wear; she's haunted by the memories of her past, and has become emotionally unstable. Circumstances for her and her daughter are hardly improved by the poverty of the newly wounded state of Israel, and their own difficult economic circumstances. Aviya, meanwhile, is obsessed with finding her missing father, and wonders if he might be the man who has just moved into their village. Henya, however, knows better, and knows why Aviya's father is never coming back to them.

Three and a half years of Jesus' ministry, as told in the Gospel of Luke.

A dramatic presentation of the Bible from (New Media Bible), and producer John Heyman. spoken word-for-word from the King James Version by the narrator, as the actors speak in original Aramaic / Hebrew, this feature brings the characters of the New Testament and their world to life. The content follows Scripture entirely with no added commentary or embellishment. As you see the people, places, and events of The Bible come to life, you will gain new understanding and appreciation for Scripture.

A diabolical tale of romance, murder, and mistaken identity as a treacherous terrorist organization hunts an enemy agent with the intention of killing him, but instead they set their sights on the wrong man. Left in the wake of their mistaken pursuit is a trail of broken lives and brutal murders.

An American soldier is wounded in Israel and slowly begins to lose his sight while hospitalized.

Israeli soldiers cross the border into hostile Arab territory to kidnap an enemy terrorist. After the man is captured, the Israeli unit receives warning of an enemy counter attack, and the unit is forced to trek through the desert on foot.