A poor family with 6 kids that live in a ramshackle hut are suddenly offered a nice flat for cheap - with the landlord hoping they'll drive away their new neighbors whom he wants out of his building.

Three bums get played by the devil.

They live behind the rails of the classification yard in a small and shabby hut. They take the days as they come, refuse to work on principle and pinch together their livelihood. The three tramps Dürst, Barbarossa and Clown are content with what they have and ignore the outside world, and so far they have fared well. Until now...

The paths of guests and employees cross at the Palace Hotel in St. Moritz: A chambermaid experiences financial difficulties. A guest has been robbed. A thief is caught. An assistant cook is promoted to waiter. And there’s no shortage of love in this small world of the great Hotel Palace. Keeping an orderly eye over proceedings is the hotel’s beautiful patron, whose heart is in the right place.

If any one man is responsible for the rejuvenation of the postwar Swiss film industry, that man was director Leopold Lindtberg. Matto Regiert (Madness Rules) was co-adapted for the screen by Lindtberg from a novel by Friedrich Glauser. Heinrich Gretler stars as Police Constable Studer, the hero of several of Glauser's most popular works. This time, Studer must solve the murder of the director of an insane asylum -- and it's not (surprise, surprise) the most likely suspect, manic-depressive patient Herbert Caplaun. For box-office purposes, Matto Regiert stresses a romantic subplot involving Caplaun and nurse Irma Wasem.

Switzerland in the 13th century: Shot in the middle of World War II, this classic film returns to the origins of Switzerland and turns about the problem of the small country against a big power: Resist or obey?

Gilberte Montavon was a legend in her own lifetime. As a young woman, she was confidante to hundreds of thousands of Swiss-German speaking soldiers during the First World War, and remembered most of their names. She was still a teenager when the war began, and was immortalised by a song written during the war years by the Swiss-German bard and lute player, Hans Inn der Gand.

A policeman is not convinced that the prime suspect in a murder case is realty guilty and so decides to reinvestigate the case, despite the lack of co-operation from locals.