Italian jeweller Matteo Belmonte and his wife Christine are robbed for the third time in the space of a few months. With Christine in danger, Matteo fires two shots. The robber Rufin dies at the feet of Romy, the couple's daughter. Self-defense or not, Matteo has to learn how to survive after killing a man in front of his traumatised family.

As a veteran of the Latin-American guerilla wars, Pierre Goldman became a mythical figure of the French protest movement of the '60s.

A virtuous monk descends to the depths of sin and depravity after Satan sends an unholy temptress to lead him astray.

Separated at the birth of his mother who has only time to entrust to a member of his family, Guillaume de Villon, when he should have been killed, François will as well go to the ill-known taverns of the Latin Quarter that the Court of the Duke of Orleans, passing by the benches of the university. This marvelous poet at the same time as a scoundrel of morality will have a life where fights, robberies, imprisonments and final banishment will be linked. Leaving Paris, Villon will disappear.

X Femmes is a French television series of short films shown on Canal+ in 2008–2009. They were shot by female directors with the goal of producing erotica from a female point of view.

1968 and 1969 in Paris: during and after the student and trade union revolt. François is 20, a poet, dodging military service. He takes to the barricades, but won't throw a Molotov cocktail at the police. He smokes opium and talks about revolution with his friend, Antoine, who has an inheritance and a flat where François can stay. François meets Lilie, a sculptor who works at a foundry to support herself. They fall in love. A year passes; François continues to write, talk, smoke, and be with Lilie. Opportunities come to Lilie: what will she and François do?

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?