In the mid-1960s, the Communist Party saw that the time had come to attack some of the key figures of domestic economic life, showing the country and the world who was the master of the house. Lajos Onódy, the successful catering industry manager, was selected for the main role of the showcase trial.

El ángel de Budapest (Angel of Budapest) is a Spanish 2011 television World War II-Holocaust miniseries based on the book "Un español frente al Holocausto" (A Spanish against the Holocaust) written by journalist and radio executive director Diego Carcedo. The plot focuses on Ángel Sanz Briz, a Spanish ambassador in Hungary during World War II who helped to save the lives of thousands of jews from the Holocaust by lodging them in Spanish safe houses in Budapest.

Gabriel Ventuza lives the peaceful life of a herbalist, growing and cultivating medical herbs in Italy. One day he receives an order from his older brother who is just out of prison for one day. Gabriel should go to the remote little town of Bogdanski Dolina in Far-Eastern Europe, the place of their childhood and take out the mortal remains of their father, the late people smuggler, the famous Victor Ventuza. Gabriel leaves his "eventless" life behind and goes to accomplish his mission. He is robbed on the way, his belongings, passport, money and even his clothes are stolen and finds himself in a small closed town surrounded by hills of stinking toxic waste, where strange priests rule and fear keeps people quiet, producing a general atmosphere of insecurity.

Some of the most symbolic moments of the 1956 Revolution in Hungary were the tooth-and-nail battles fought by the so-called 'Pest Lads' who dared to defy odds by taking on the panzers of one of the world's superpowers. The story begins on October 23rd, 1956 and ends on November 4th of the same year. Juli is Totya's girlfriend but also loves Gábor. Their love triangle will have to endure the trials and tribulations of these stirring times. A group of boys living in the outskirts of the capital are playing football in abandoned lot when Juli, a ticket inspector, brings news of protests breaking out in the city. Only Gábor accompanies her into town and together they become part of this historical event. At dawn, when the boys too come under fire from Soviet forces, they decide to join in the fight.

At 15 he and his family became victims of state terror. At 16 he became a freedom fighter to participate in the 1956 Revolution against Soviet oppression. At 17 he is betrayed and arrested by the dreaded Secret Police (AVH). Now he has to spend the remainder of his life in a political prison, called Hell's Hallway, to reach the legal age of 18 before his death penalty can be carried out. Peter Mansfeld was 18 when he was unjustly executed by the totalitarian regime of Hungary. Today he is remembered as one of the national heroes of Hungary.

An Hungarian youth comes of age at Buchenwald during World War II. György Köves is 14, the son of a merchant who's sent to a forced labor camp. After his father's departure, György gets a job at a brickyard; his bus is stopped and its Jewish occupants sent to camps. There, György find camaraderie, suffering, cruelty, illness, and death. He hears advice on preserving one's dignity and self-esteem. He discovers hatred. If he does survive and returns to Budapest, what will he find? What is natural; what is it to be a Jew? Sepia, black and white, and color alternate to shade the mood.

The Hungarian version of the "The Seven Samurai" and "The Magnificent Seven".

Poetic movie about 3 generations of women.

A comedy about the return home of an expatriate Hungarian after 38 years in the U.S.

Enikős and Dorkas marriage is unbearable. Hysterical, cruel and humiliating scenes are enacted in front of the childrens eyes, while the childless Barbara is held by her husband, the painter, to be a toy and sometimes a painting screen.

The fates of famous slovak individuals in history bring strong dramatic stories and a witness to the age in which they lived. Tragic and complicated life of the physician Albert Škarvan, who was a friend and admirer of the great russian writer Leo Nikolayevich Tolstoy, is also a noteworthy confrontation of worldview of two individuals in times, whe pacifist ideas sharply colided with the reality

Lipstick strives to depict the inner conflicts of the protagonist Vesna as subjectively as possible. Vesna, apparently unmoved by the armed conflicts in her homeland Yugoslavia, leads a happy-go-lucky life. A form of denial, the causes of which should be explored. Her visit in Budapest and therefore her compromise with her possibly true, though repressed, identity, evokes a feeling of happiness for a short time. The next morning, reality catches up with her again. She is taken off the train and is forced, since her passport and Austrian visa have both expired, to assume a new identity. Despite the futility of her undertaking, she refuses to make a statement concerning her person while in jail. What remains is the memory of a short-lived feeling of emotional success by delaying the course of events. The suggestion to consider a denial while in a condition of statelessness.

At a dusty crossroads in the Soviet Union villagers surrender their possessions - a horse, a samovar, a goat - to the state. The train which takes them away brings to the village a physically and mentally handicapped woman, barely able to speak. She makes herself bracelets of burrs and studies herself in a cracked and cloudy mirror. Befriended by very few, teased and tormented by many she seeks protection at a huge portrait of Stalin.

International peace conference, events take place in the last week of 1899. Tragic love story between Vilma, daughter of the Austro-Hungarian envoy/ambassador, and Zoluk of Montenegro.

Hungary's submission for the Academy Award for Best Foreign Language Film in 1990

A tough Russian policeman is forced to partner up with a cocky Chicago police detective when he is sent to Chicago to apprehend a Georgian drug lord who killed his partner and fled the country.

The story of a murder out of jealousy. After his release from prison, the perpetrator tells the story of his marriage and tries to understand the reasons for his actions.

The sad tale of a proletarian malcontent ensconced in a monstrously depressing housing project who—even less effectually than the heroes of Bald-Dog Rock—attempts to change his life. Purchasing a power drill and slinging it across his shoulder like the anti-hero of a spaghetti western, he turns entrepreneur, boring holes in his neighbors’ walls so that they can hang mirrors or pictures.

The movie's main storyline follows the life of Otík, a young man, in a tight-knit village community. The sweet-tempered Otík works as an assistant truck driver with Mr. Pávek, his older colleague and practical-minded neighbor. Pávek's family takes care of Otík, whose parents are dead. However, the two coworkers become at odds over Otík's inability to perform even the simplest tasks. Pávek demands that Otík be transferred to assist another driver, who happens to be a choleric and suspicious man named Turek (Turk in Czech). Rather than work with Turek, Otík decides to accept an offer of employment in Prague, but finds he does not fit in to the city life. After discovering that the transfer of Otík to Prague was a trick by a crooked politician to get a deal on Otík's large inherited house, Pávek agrees to give Otík a second chance and retrieves him from the city to resume their work together.

1894. The mortal remains of Lajos Kossuth are brought home from abroad, the railways are lined with people with their hats in hand, and among them stands the teenager Imre Tányér. 1910. The grown-up Imre undertakes the task to solve the question unsolved since 1848-49, i.e. the transformation of peasant life. He fights for the rights of his class, for justice, for human dignity in a society distorted, backward and built on inequality.

The parents of Kabala (Lucky Charm) and Facsiga (Wooden Top) are divorced. Kabala, an adolescent girl was awarded to the father, while Facsiga, the younger brother was awarded to the mother, but they do not really belong to anyone. The two children want to live together at all costs.

Balog Mihály, the Gypsy man from Szabolcs works in Budapest. That is where he is notified that his young wife died. Again he behaves differently from his fellow-men in the Koportos Gypsy settlement: he wants to give a beautiful, rich burial ceremony to his wife.

Stephen, living in a troubled family, breaks into a grocery store and wreaks vandalism. He is sent to a reform school. Later he works in a cleaning brigade and accidentally meets József Draskóczi, who denounced him. Draskóczi lives in an unloving, troubled atmosphere with his barren daughter and cynical son-in-law, ascetic about his youthful communist beliefs. He feels responsible for Istvan's fate, offering him a human voice and love. Despite his daughter's hysterical jealousy, he sends Istvan to school and then, through his previous connections, provides him with an apartment...

The film deals with the relation of a father and his son. They are carrying a huge mirror to the fifth floor. To achieve their goal they must work as a team. On the way, their family life is also revealed.