A young Russian store clerk has a drab existence in times of shortages and is berated by her ailing mother for not seeing men. So she brings home an unknown young man who she met on the tram. She dreams many things but pines for this man.

Praised for its fine photography and production design if not its narrative, Sergei Bondarchuk directed this adaptation of the tale by Alexander Pushkin. Boris Godunov came to the Czarist throne at the end of the 16th century, after the original heir to Ivan the Terrible had died. At first, things went well for Godunov (played by Bondarchuk), but when the Russian people began to believe he had killed Ivan the Terrible's son in order to gain the throne, an alliance sprang up against the new Czar. Events continued to spin out of control as a young monk was presented as the son Godunov had supposedly killed. Now he was openly accused of failing an assassination attempt, which seems to be even worse than succeeding. In addition to these woes, Boris Godunov began to suffer serious health problems. So much for the joys of kingship.

Andrey Pavlovich Buzykin, who makes a living by teaching at an institute and translating English literature, is cheating on his wife. Buzykin's main problem is that he's a kind man with a weak character. The lies he is telling his wife all the time are inconvincing, but he never has the courage to tell her the truth. His lover, Alla, is aware of his family life, but gets offended when, for example, he cannot meet her so that he doesn't come home late, or when he doesn't want to go home in a new jacket she gives him to avoid having to explain to his wife. Alla and Nina, Andrei's wife, both leave him, forgive him, and return to him at the same time, and Andrei continues with this kind of life, full of suffering and deceit. Finally, both women are so fed up with his lies that they don't believe him even when he is telling the truth...