A nervous private investigator, his bumbling boss, a woman in love, 10,000 Reichsmark and two reversed cases. A crime comedy directed by E. W. Emo.

Melodrama about an actress falling in love with a man who wants her to give up her job.

Operetta (German: Operette) is a 1940 musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.

The happiest one should be selected from 500 married couples to move a marriage-hostile American millionnaire's daughter to the marriage. - Shallow and turbulent love banter with some tumultuous and funny climaxes.

Country girl Margit sits for the artist Sándor, from Budapest. She is fascinated and charmed by him, and agrees to accompany him to the capital, so he can complete the painting there. Disillusionment sets in, however, when Sándor wins a prize with the finished portrait and loses interest in her. Margit recognizes that her true happiness lies at home, with Pista, her faithful lover.

1936 Austrian film.

Vienna, Austria, late 1870s. After suffering an irreparable misfortune, the Austrian composer Johann Strauss Jr. (1825-99), the Waltz King, falls in love with a ballet dancer, which disappoints the famous operetta singer Marie Geistinger…

Film by Thiele.

Ten years after the end of World War I, Austrian soldier Franz leaves Russia and returns to his village, where he is reunited with Frieda, a woman who believes he is her long-lost son. She seeks him out and greets him with such loving joy, that Franz doesn't have the heart to tell her the truth. He stays with her and when he gets to know his new girlfriend Annie, he begs her to hide his true identity from Annie. Annie, for her part, has seen through this charade already, but chooses to say nothing and to continue to care for Franz.