1939 German film.

The newspaper delivery driver Paul falls in love with Lotte, who works in her mother’s kiosk. One day, Paul helps a man in a black Mercedes, who’s been in an accident. While helping him, a notebook has fallen out of the man’s pocket, which Paul thinks is his own and pockets. In fact, the notebook belongs to a band of auto thieves, who’ll now do anything and everything possible to get the book back.

The stand-alone opera singer Carmen Casini dare not admit to her adult son, the spoiled race car driver Cecil, that she ruined her voice on a stormy day at the racetrack and that her career is thus at an end. Meanwhile, Cecil has fallen in love with the pretty Colette … without suspecting that her father, the wealthy Bartell, was a former lover of his mother and that he’s Cecil’s daddy. Thus, both Carmen and Bartell try to prevent the unfolding love-relationship between brother and sister, because this ain’t the Ozarks, you know! Only after the unhappy Cecil tries to commit suicide after an argument with his mother do Carmen and Bartell realize they still love one another. Suicide attempt be damned; let’s go out on a date! A movie that screams “Fun for the whole family.”

Gabriele Bordersen, a woman from a good home, wants to see what real life is like among the common folk. With her stewardess Fanny Flint and the tour guide Simikry, she goes off to visit a sailors' bar. Fanny and Gabriele change clothes, which allows the stewardess to introduce herself as a fine lady. When Gabriele asks Fanny to leave with her, Fanny begs her to give her an hour more out of fear of embarrassment. Gabriele, however, is thrown out of the bar by the owner without money and papers; is picked up by the cops; and suffers a nervous breakdown, leading to her being sent to a hospital. No one believes in the slightest that she's really Gabriele Brodersen.

An official justice assistant supposes behind a letter which falls to him by chance in the hands, a crime and gets going with his crimi-sleuthing energy an unclear confusion.

Film by Deppe.

The double standards of a social class, which pontificates with big words what is proper and improper in the world of morality, while in its heart thinks very differently and acts accordingly.