Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.

Sentiment is Tomáš Hejtmánek's intimate documentary portrait of the great Czech director František Vláčil. The film was inspired by encounters with the filmmaker and told through taped interviews, reconstructions of meetings with Vláčil, visits to actual film locations (of Marketa Lazarova, The Valley of the Bees and Adelheid) and Vláčil-inspired film sequences. The result is one of the most unique and personal portraits of any artist – a collage of voices, sounds and images that evoke and celebrate Vláčil’s life and work.

A king was dying. An old man told his sons that only the water of life would save him.

A funny story about a little boy everybody call Pipo and his summer vacations in the village.

A story of a young student of medicine, who arrives in a small mountain village after being accused for carrying out illegal abortion. The film reflects the moral decline of the society, where stealing in secret and making compromises against one's beliefs make up mundane reality. The filmmakers went to perhaps the furthest possible limits in terms of allowed social criticism in the 1980s. The negative picture is enhanced by its rural setting, since the Slovak village had been traditionally associated with strict morals and conservative values.

The beautiful, bright and intelligent, but perfectly mischievous Marquise de Mertuil and her charming and equally depraved and ruthless friend, the master of seduction Vicomte de Valmont play a cynical game full of intrigue. The marquise is willing to devote one night full of passion to the viscount. However, on the condition that the viscount first deflowers the innocent Cecile de Volanges, who is to marry her former lover. In the end, they themselves become victims of their own dangerous game.

Second movie of the famous Czech adventure trilogy: Osada Havranů Na veliké rece Volání rodu

A funny outlaw tale inspired by traditional folk humour. Pacho is no ordinary outlaw. He detests injustice and feudal oppression and he copes with each troublesome situation with the help of his cleverness and wit.

This film, set at the beginning of the 17th century, is the first East-European "Eastern". Bocskai István orders the free Heyducks to shepherd a huge herd of cattle through the country torn to three parts, to the Dalmatian coast, where he can get weapons in exchange, for fighting the Austrians.

Sixteen-year-old students of a grammar school are supposed to write essays on "Love". The class best student Andrea (Jaroslava Schallerová) writes about a patriotic love to a country as she has no experience with a partner love. She has been living alone with her divorced pretty mother Eva (Milena Dvorská), a dentist, for many years. Recently, however, Eva met her former school-days love at a graduates' party, nowadays a famous hockey goalkeeper Brukner (Frantisek Velecký). Also his marriage fell apart; he leaves the national team and decides to leave Prague for his home town and to share flat with Eva. He takes with him his son Petr (Oldrich Kaiser), in Andrea's age, who gets his last chance to finish a grammar school in the town.

This poetic film presents the ballad of the boys who turned into stags, by the associative means of music, painting and folk art. At the same time it is a memorial to the martyrs of the 1944 Sátoraljaújhely prison revolt and shows its butchery reflected through the fate of three brothers.

The hero of this popular fairy tale is a young prince who, after the death of his parents, goes out into the world. During his travels he meets a magical talking horse and falls in love with the beautiful princess Slavna. On the advice of his horse, he binds one eye and pretends to be dumb and enters into service as the castle gardener.

Comedy about the "Husarenstreich", the 1757 Berlin raid during the Seven Years' War.

Impressionistic film based on a Maupassant story about five friends who fall in love with the same beautiful girl one summer.

Epic recalling the early days of the Republic of the councils.

A stuffy middle-aged foreigner, a businessman named Fabricius, lonely and looking for a night's diversion, finds it in the form of a mysterious blonde. In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In "The Last Golem," a young rabbi struggles to fashion a massive, silent giant out of living clay — until he's distracted by a mute servant girl. In the second episode, "Bread Slippers," an 18th-century countess indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids until a mysterious visitor whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her. And in the final story, "Poisoned Poisoner," a ravishing murderess in the Middle Ages dispatches lecherous merchants to the tune of upbeat '60s Czech pop songs.

Mikolás and his brother Adam end up with a young German hostage of noble blood during a robbery. While their clan prepares for the wrath of the German king, Mikolás is sent to pressure his neighbor Lazar into a defense pact. Persuasion fails and he abducts Lazar's daughter Marketa on the eve of her initiation as a nun in an act of vengeance.

The film could have been a lyrical evocation of the ČSSR's first generation: the youngsters born during the war, who grew up in a state violently at pains to find and define itself, and were now ready to break away from the nation-builder ethics of their elders – but Grečner turned it into an anxiety-riddled existentialist vision of a whole globe in fear.