Victor Fleming’s 1939 film The Wizard of Oz is one of David Lynch’s most enduring obsessions. This documentary goes over the rainbow to explore this Technicolor through-line in Lynch’s work.

Recently deceased, a white-sheeted ghost returns to his suburban home to console his bereft wife, only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away.

Set in rural Texas the story chronicles an unnamed man with a broken spirit. In the beginning we see him returning to his family. Where he’s been is unknown. Wherever it was – prison, maybe war – the years have not been kind to him. In spite of his family’s warm welcome the man can’t shake an anger that builds in him so he must leave them again. This time to return to the land that was once theirs, a land that had been in the family for generations, a land that has been stolen, plundered, and sewn with seeds of greed. There’s a force at work, a corruption that destroys homes, nature, families, and memories. The Man decides to lay his stakes down and pits himself against it all. He is on a ruinous mission to sate the hatred in his heart with the knife he carries in his hand.

It is all in the title. MY DAILY ROUTINE is a playful visual diary of filmmaker David Lowery's days, from waking in the morning to turning in at night, when his racing mind refuses to let him sleep without working over a new creative project or reading until the wee hours. It is also about the frustrations of creative work and the lure of distraction as a self-employed filmmaker and editor-for-hire in a plugged-in world. Narrated by the filmmaker and illustrated in hand-drawn sketches, it plays out like a mock slide-show (complete with the projector hum and click of changing images) by way of a tutorial. "I made MY DAILY ROUTINE at a point where I was just really frustrated with where I was and I wasn't even making things," explains Lowery. "There was a lot of red tape I was trying to cut through with other projects, but I really wanted to make something. This film is what I wound up making." - Sean Axmaker

An ensemble drama about a married actress, her sister and their myriad sexual and creative temptations.

Some Analog Lines is a playfully philosophical, surprisingly personal essay film that examines the dichotomy between digital technology and the artistic process of filmmaking. It is about animation, computers, clay, celluloid; a paper mask; a wooden shelf. More importantly, it is about what we respond to when we watch a film, and why.

"Looking For Love" by David Lowery was shot in a fit of inspiration over the course of two hours on Valentine's Day in 2003. It took another two hours to clean up afterwards.