Zénon is the hero of “The Abyss”, the famous novel by Marguerite Yourcenar published in 1968. He is also the main character in André Delvaux’s film, played by Gian Maria Volonte, for the movie adaptation of the same book in 1988. But what does Zénon represent for us today, and what has become of him? How can this entirely fictional philosopher, doctor, alchemist and inventor from the Renaissance help us understand the era in which he lived as well as our own in these uncertain times? This is what this documentary sets out to do.

Documentary on actor Gian Maria Volonté

Rome is on the thresh-hold of the Holy year 1925, the city wishes to present itself as 'spotless' to the outside world. The appearance of a child's corpse puts an end to these aspirations. The police arrest a small time crook who has committed a robbery but has nothing to do with the murder of the child.

Nina is a young and very independent porno actress. She doesn't need the help of any agent or manager. She has a daughter and a lesbian relationship with Cristiana, a porno editor. Following a usual medical check she discovers she has a cancer. Her life is completely different now. Nina decides to visit her father. Also the real love finds now space in her heart. In fact at the hospital, she knows Flavio, a patient following her same therapies. Nevertheless their liaison Nina still continues to act in porn movies. But for one of them there won't be a future

A visionary journey among Roman vistas and various narrative structures that blend with music by Patty Pravo.

Chronicle of the dark maneuvers put into practice by a politician to seize an opposition newspaper. A Lebanese terrorist receives the order to kill a stockbroker, which triggers a series of blackmail and deception. A deputy commissioner and a journalist intend to shed light on all these murky matters, but the politician has no scruples and also knows how to move with extraordinary skill.

In the 1770s, Swiss farmer Johann Heinrich Pestalozzi established a school for poor orphaned children in the Aargau. Up to total exhaustion he sacrificed himself for his pedagogical theories. Five years later, the project of the idealistic educator failed after bloody attacks of the French. In retrospect, the disappointed Pestalozzi experiences the last few months with "his" children.

Leo has a dream: to make a movie in the great outskirts of the metropolis (Rome). He does anything for money, including selling cocaine. But his dream vanishes in the night when the police catch his friend.

During a wave of political violence in Italy, a policeman who's already survived an assassination is assigned to act as a bodyguard to a morally upright judge. He feels increasingly fearful as the links of the upper echelons of police and government to the violence become clear.

A low rank journalist at Tribuna Sera newspaper receives a letter one day. His correspondence contains a serial killer's letters, which he exploits.

Augusto Valle is a successful young industrialist who weds Palmira, the girl working in his factory, and the two have a child despite the infant's uncertain legitimacy. Scheming to control her husband's fortune, Palmira has affairs with both the mayor and the judge to have Augusto committed to a mental institution. While there, he falls in love with Serafina Vitali, a young woman who was also put away.

In all of his work, Bussotti makes frequent reference to the body, to sexuality. This to remind musicians — especially classically trained ones — that they are not body-less angels, that they are not just their musical thoughts, that they are still, in the last analysis, flesh and bones. Thus the erotic is not for shocking, but to stress that making music involves the body in a very direct way.

A true story taken from the archives of the archdiocese of Milan. Based on the life of Marianna De Leyva, better known as "The Nun of Monza," a 17th century nun accused of and tried by the church for breaking celibacy and plotting murder.

A typical 1968 film, it is directed in an elliptical style by the author, who builds a political theorem on the link between violence and revolution.