Perihan, her daughter Berna, and their family live together comfortably. Ferda, Perihan's famous daughter, runs a beloved hair salon. Ferda blames her troubles on her mother's abandonment. Berna is married with three children. Ferda has an affair with Berna's husband, causing a tragic event. Duru, Perihan's granddaughter studying in the US, arrives for the funeral. Ferda surprises the family by calling Perihan "mother," revealing a secret. This leads to a war between mother and daughter, affecting their neighbors Ipek and Aras.

A resilient housewife, her husband and their marriage therapist become mired in a toxic love triangle and a plot to obtain an antique manuscript.

Dicle finds herself in an agency when she comes to Istanbul dreaming of becoming a filmmaker. There’s only place for stars, ego wars, greed, fame, money, hope and disappointment here. As Dicle struggles to exist in this glamorous world without losing her way... Her broken family ties start to bleed again. Her father who abandoned them before she was born is now one of the sharks of the industry and they are working in the same agency. And the magical lights of cinema start to shed light on Dicle’s first love.

Metin Akpınar has not been on the theater stage since 1992. In addition to TV series and movies, new generations were able to meet him with Devekuşu Kabare's six plays that could be recorded. As if it was written today, those who watched had a taste of his unique acting in current plays. It was an acting that accompanied his talent and his intellectual background. "I'm Glad I Did", when transferring through the years Metin Akpinar he brought his own narrative, on the other hand, offers a different approach to Turkey's recent history, leaving an archive for the future by refreshing memory.

A meatball seller gets into trouble so flees Istanbul to find a new life on a beautiful island.

A widowed housewife returns to college to complete her studies and embarks on a journey that gives her life new meaning.

A documentary about the shooting session of the film "Winter Sleep" by Nuri Bilge Ceylan. 'Winter Sleep' had been shot in about 14 weeks in Cappadocia region of Anatolia.

Aydın, a hotel owner and a retired actor in rural Turkey navigates conflicts within the relationships with his wife, sister and existence.

Thid part of the popular turkish comedy film series.

The people of northern side of Turkey, struggles the greedy imperialist force to not to give-in the land they grow up with some interior entanglement.. In their stubborn way...

The satiric adventures of a Turkish family in the metropolitan city of Istanbul.

Xate is an ordinary woman from Midyat with eight children in tow. The only thing that sets her apart is her husband's job as Mayor of Midyat. Until, that is, an extraordinary day changes her life - and the lives of everyone else in Midyat. For the illiterate, uneducated Xate becomes Mayor of Midyat! While she takes on her mayoral duties much as she does those in her house, the infantile rivalry between her children in municipal matters leads to adventures that have the Midyat folk howling with laughter.

Meet Vartanus who has devoted her life to her bedridden father; Goncagul who realizes that her Mafioso lover will never marry her. Gulnur who's resigned herself to daily beatings as long as her husband doesn't touch the kids, Tulay who's shattered every time her mother gets beaten; hairdresser Fusun who tends to see things on the bright side. These are the women who transport Eylem, each other and perhaps every woman in the country to Last Stop: Kurtulus. The heroines adopt one unwavering principle: to oppose all forms of violence! A dark comedy that's rose-tinted, provocative and fantastic...

Second part of the turkish comedy film series.

Hüseyin is a young man who lives with his grandfather and grandmother in a village in Thracian Turkey. The two great loves of his life are his clarinet and Müjgan, a nurse. Although Hüseyin is content with his life, with his music and dreams of Mügan, due to an unexpected development he leaves his village. He ends up in Istanbul where he finds support first in his clarinet and then in the friendship of the singer Firuzan. Firuzan is a popular nightclub performer who is eagerly working on an album as she leads a colorful but complicated life. When Firuzan meets Huseyin, the course of events gives away to a hilarious adventure.

The life of a young computer systems analyst is thrown into turmoil after arriving in Istanbul to start a new job. She soon finds her passport missing, her credit cards useless, her bank account empty and her identity stolen. As the story progresses we find people and events may not be what they seem...

A struggling, suicidal young comedian meets a car thief who is willing to teach him a few things about his profession.

Hayri and Orhan are two music producers head over heels in debt. In an attempt to find the next big thing to turn the business around, they contact Ferhat, a gastarbeiter in Germany, and desperately bring him to Istanbul to sign him. As they are struggling to find the necessary funds to promote Ferhat's debut album, a mysterious rich woman named Firuze shows up and starts supporting them. The future now seems bright, but things are not always what they seem...

Guner Sernikli is a government official who, with his wife and their wheelchair bound daughter, has been assigned as the head librarian to this isolated province, virtually an exile since there is no library in the village. The family is warmly welcome, but these are the years of political anarchy and leftist/rightist clashes in big cities and the youth of the village inevitably follow the tides. They arrive in Vizontele, just as the situation is becoming really absurd. Guner brings wisdom; his daughter Tuba brings beauty, innocence and love. Some like the Mayor, Nazmi Dogan and crazy Emin appreciate these things but they are in the minority and confusion continues to reign. The story is based on the memories of writer-director Yılmaz Erdoğan of the last summer of his childhood in Hakkâri, Turkey in 1980.

“Anlatacaklarım var! Vaaz vermek değil niyetim, duyduğumu söylemek. Söylemeye değer şeyler duyuyorum zira. Belki hayatı daha yaşanır kılmak için ya da belki sade, ama sade anlatmak için... Sen anlat dedi Tanrı bana, anlaşılsın diye değil, hiçbir mükafat istemeden anlat... Çünkü bir mükafattır artık bir anlatıcıya doğru düzgün anlaşılmak! Sen anlat dedi... Sen sade anlat! Umudu hatırlatsın diye umutsuzluğu, çareye yol açsın diye çaresizliği anlat... Ders verme dedi kimseye, çünkü hoca denmez öğrenmesini bitirene. Çırakları olan bir çıraktır usta, olsa olsa... Sen anlat dedi bana Tanrı, sen sade anlat.... “ Yılmaz Erdoğan, “Bana Bir Şeyhler Oluyor” oyununun kahramanı Hilmi Duran’a söylettiği bu sözlerle, yazar olarak neden böyle bir oyun yazmak zorunda kaldığını açıklamakla kalmıyor, aynı zamanda kahramanının da kimliğini ele veriyor.

The story takes place in a small town (called Hakkari) in Turkey at the beginning of the 70's. The time has come to bring technology into that small town. The first Television (or called Visiontele by the citizens) arrives and the chaos begins.

Yılmaz Erdoğan's lauded stage play traces the life of wunderkind Gülseren as she navigates social and political change.

Ali is a journalist who conducts unsubstantiated interviews. While taking photographs for a story about aliens, he comes across a flying saucer. Out of it comes Homoti from the planet Homon. Homoti does not want Ali to report on him because he does not want to be recognized in the world. However, when journalists soon learn of his existence, they compete for the news. Homoti will have to use her special powers.

It is a comedy of stubborn people who initiate a judicial process which would last 7 years because some sheep ate a few cabbages.