Martial law. Three women at the festive table await the return of Witek, with whom they have had no contact for ten days.

A young cinematographer is hired to work on a puppet film. Soon a tragic accident occurs on the set of production.

Bearing traces of the old Anton Chekhov play The Wedding, The Contract is set during an "arranged" ceremony. The bride and groom barely know each other, but this matters not at all to their tradition-bound families. At the last minute, the bride balks. Only slightly nonplused, the groom's father, a status-seeking doctor, decides to go ahead with the expensive reception anyway. Polish director Krzysz Zanussi uses this scenario to stick it to capitalist corruption, and to society's destruction of the individual spirit. Leslie Caron, the one recognizable member of the cast, is outstanding as a wealthy, over-the-hill ballerina who happens to be a kleptomaniac.

A young man is confronted with corrupt and vindictive colleagues at work and negligent officials at the hospital where his mother is dying. As he searches quixotically for a steadfast moral code by which to live, he suffers from the knowledge of human frailty and our darker inclinations to do harm.

Polish TV movie.

The story of Stanisław Wokulski, a wealthy merchant who falls in love with a haughty aristocrat, Izabela Łęcka.

Two psychiatrists attempt to save a suicidal man.

The main character is a bookkeeper, 40, who lives a quiet, uninteresting life with her husband and son of school age. She realizes that soon she won't be needed much at home as the boy grows up and the relationship with her husband crumbles. It's only when an embezzlement is discovered at the office and she stands up to her management, that she realizes life has more to offer. She meets a well-off former classmate, married to an American. Then she meets Jacek and starts contemplating possibilities of a new start. She discovers love for the first time, but turns to old ways rather than to break loose.

A wealthy German family is divided by the immorality of Nazi Germany, circa 1944. Former professional colleague, Joachim Peters, escapes from a Nazi concentration camp, and seeks refuge with his friends, the Sonnenbruchs. Torn between their duty as German citizens, and their greater humanitarian sensibilities, the family is divided in how to deal with Joachim's presence.

Ethnography students do an internship in the Świętokrzyskie Mountains, where they meet the Mruk family.

October 1918: Karl Liebknecht is released from prison and Berlin workers celebrate his release. Although WWI is almost over, the German Kaiserreich in vain sends its last reserves to the slaughter. The working class is in a rebellious mood; the uprising of Kiel’s sailors against war and militarism sets off a call for revolution led by Liebknecht. On November 9, Liebknecht declares the Free Socialist Republic of Germany. But pro-Kaiser military and right wing Social Democrats oppose him.

A pastor and ethnographer visits a remote corner of 19th-century Lithuania where folk customs associated with the area's pagan past still have a hold on the population.

At the end of World War Two, Polish people move to the western lands vacated by Germans. But some ruthless profiteers pose as government representatives and intend to make off with loot from a deserted town they took over. One honest man stands up against them because he believes these goods belong to the people.

An intimate psychological drama consisting of two separate stories, the heroes of which represent the attitudes of young people, which were rarely manifested in the early 1960s.

A pianist from Poland visits a town in West Germany and starts to remember details about her life during the war.

In the last days of World War 2, people of various ethnic background meet in a Polish military hospital in a small German town, whereas a Nazi SS division hides in the local forests and tries to move westwards.

Engineer Andrzej Uriaszewicz returns to Poland in order to smuggle a valuable painting out of the country.

Unvanquished City (Polish: Robinson warszawski, Polish: Miasto nieujarzmione) is a 1950 Polish drama film directed by Jerzy Zarzycki. It was entered into the 1951 Cannes Film Festival.

Poland, during World War II. Martha Weiss, a Jewish woman, arrives at the Auschwitz extermination camp with her family. She is assigned the role of interpreter, but her loved ones are much less fortunate.

Set during the German occupation of Warsaw during WWII, this musical tells the story of several inhabitants of the same tenement house.