A journey through Swedish queer film history.

Ingmar Bergman's film Winter Light from 1963 is one of the most mythical and discussed films in Swedish history. In this documentary, director Kristian Petri uses unique archival footage to tell about the making of the film and, together with two actors bringing Bergman and Vilgot Sjöman to life, he tells about creativity, friendship, power and fear.

"The Undefeated Femininity" - a film about Gun Grut Bergman. In September 1949 Ingmar Bergman left his wife and five children, and escaped to Paris with a new woman, Gun Grut. It was the beginning of a passionate love affair, an enduring jealousy drama and a new theme in Bergman's films. Now their son, Ingmar Bergman Jr, walks in his parents' footsteps, from Paris to the home on Grev Turegatan 69 in Stockholm.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

In commemoration of the 100th anniversary of Ingmar Bergman the Finnish writer and director Jörn Donner shares his memories of his friend and collaborator. The movie is based on two as yet unpublished TV interviews with Bergman which Donner filmed in 1975 and 1987.

In 1965 Ingmar Bergman filmed “Persona”, the cult film that brought together all of the Swedish filmmaker’s obsessions and became a turning point in his career.

In 2017, journalist and filmmaker Marie Nyreröd created this series of topical short films using outtakes from footage she had recorded with director Ingmar Bergman for her 2006 feature documentary BERGMAN ISLAND.

A personal and captivating account of the extraordinary life and work of Ingrid Bergman (1915-82), a young Swedish woman who became one of the most celebrated actresses in world cinema.

The 42 year long relationship between legendary actress Liv Ullmann and master filmmaker Ingmar Bergman.

This is a cinematic pilgrimage by two young Turkish directors to their biggest source of inspiration, Ingmar Bergman. Their desire to approach even further to Bergman and to his work leads them to make this journey from their hometown Istanbul to Sweden, the land of Bergman. Their journey passes through not only to Stockholm, Uppsala, Dalarna, Gotland and of course Faro, but will also be an inner journey to their own selves.

Guided by Liv Ullmann and with commentaries from a number of prominent filmmakers for whom Bergman is and remains an important influence - such as Woody Allen, Olivier Assayas, Bernardo Bertolucci, Arnaud Desplechin, John Sayles, Martin Scorsese and Lars von Trier, the film provides a vivid portrait of the artist who in each new project found a challenge for himself and for the people he worked with - both actors and colleagues behind the camera.

In the early fifties Ingmar Bergman got himself a cine-camera, a 9.5 mm Bell & Howell, which he often used both privately and in his work. "Bilder från lekstugan" ("Images from the Playground") embark on these films, giving a diverse representation of one of the greatest artists in cinema. iMDB

Anita Haglöf was Ingmar Bergman's housekeeper for eight years, in his home at Karlaplan in Stockholm and at Fårö. She constantly accused him of harassment in her diary, but didn't quit the job.

In this 2009 video piece, film scholar Peter Cowie walks us through Ingmar Bergman’s career by way of film stills, behind-the-scenes photos, and clips from many of the director’s films and television productions.

The desolate and mysterious island of Fårö, Sweden, Baltic Sea, 2004. Swedish master filmmaker Ingmar Bergman (1918-2007) looks back on his personal and artistic life; a journey through more than sixty years devoted to film, plays and television programs. (An abridged version of Ingmar Bergman Complete, 2004; a collection of three thematic documentaries: Bergman and Film; Bergman and Theater; and Bergman and Fårö Island.)

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

American director Woody Allen talks to English film critic Mark Kermode about the films of Ingmar Bergman. Allen has always been a champion of Bergman's work and here he talks about the influence they had on him as a director.

A conversation between Bergman and film critic Nils Petter Sundgren recorded for Swedish television in 1984.

A short documentary about Hour of the Wolf.

The desolate and mysterious island of Fårö, Sweden, Baltic Sea, 2004. Swedish master filmmaker Ingmar Bergman (1918-2007) looks back on his personal and artistic life; a journey through more than sixty years devoted to film, plays and television programs. (Released in 2006, edited and abridged, as Bergman Island.)

A documentary about En Passion

A documentary about the production of Ingmar Bergman's TV film "Saraband."

Ingmar Bergman speaks with Gunnar Bergdahl.

'Filmstaden', a film studio in Stockholm where directors Victor Sjöström, Mauritz Stiller, Ingmar Bergman among others worked - as well as many prominent actors - was built 1919-1920. This documentary tells its rich history featuring many of the people involved.

Making of-documentary about Ingmar Bergman's The Image Makers, featuring behind the scenes footage and an interview with its writer, Per Olov Enquist.

Federico Fellini was one of the most individual and thought provoking directors who based most of his films upon his own reflections, dreams, life events and fantasies, who did not convey any special message for humanity but regarded cinema simply as entertainment. Is there an answer to everything? Can it possibly be? If yes, then life can no longer be so curious, so dynamic, so creative...

Carl-Gustaf Nykvist's documentary about his father, Sven Nykvist. The film is based on Sven's memoirs with Sven himself as narrator. A journey to the place of birth, Moheda, constitutes the hub of the film and during the journey friends and memories emerge. Written by Fredrik Klasson

Malou Von Sivers is the hostess of a popular Swedish talk show in which she quizzes famous people about their public and private lives. Through the noted Swedish actor Erland Josephson, Malou extended an invitation to the legendary -- and notoriously reclusive -- director Ingmar Bergman to appear on her show. To Malou's surprise, Bergman agreed, under the condition that Josephson appear on the show with him. In the course of this 52-minute interview, Bergman discusses his personal life rather than his films, shedding light on his temper, his mood swings, his problems with women, his marriage, and the trials of his advancing age. The interview was later re-edited into expanded form for international release as Malou Meets Ingmar Bergman and Erland Josephson. The documentary was screened at the 2000 Cannes Film Festival.

Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert - and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to death his fiancée, Pauline Thibault. Together with another patient, Professor Osvald Vogler, they set up a film project: the living talkie. Before long, they set off on a frantic tour with their film, "The Joy of the Joyous Girl"... Written by Fredrik Klasson

TV Documentary about Ingmar Bergman from 1998.

One hour making-of of Bergman's In The Presence of A Clown.

In this 87 minute long conversation with Ingmar Bergman, he talks about his relation to the art of film. He expresses his passion for filmmaking and filmmakers. The film doesn't include any extracts from Bergman's films.

Her name conjures up beauty, grace, talent and style. One of the greatest actresses of her time, she is best remembered for a natural and vulnerable persona which was so genuine and alluring. Her cinematic contributions produced such classics as "Casablanca," "Gaslight" and "Anastasia." But Ingrid's story goes deeper than the triumphs of her movie career.

A fictional meeting at the headquarter of the Swedish Film Industry between the former director Georg af Klercker and the business man behind SF (Svensk film): Director Charles Magnusson. A drunk and bitter Klercker baffles on about old movies, shared memories from their time together in Lidingö. Can he get a chance to make a new movie?

Based on an interview with Ingmar Bergman and footage taken during the director's visit to the Reykjavík Art Festival in 1986, this film focuses on Mr. Bergman's methods and philosophy on film direction.

The first of two documentaries about Ingmar Bergman produced to mark his 70th birthday. Includes behind the scenes "home movies" from Bergman's personal archive, interviews with Bergman recorded over his 40 years in the film industry and passages from his autobiography read by Max von Sydow and Bergman himself.

A short documentary about "Scenes from a Marriage" (1973).

A film based on the pictures from Ingmar Bergman's personal photo album, especially the pictures of his mother Karin.

The Making of Fanny and Alexander is a fascinating look at the creation of a masterpiece. Directed by Ingmar Bergman himself, this feature-length documentary chronicles the methods of one of cinema’s true luminaries as he labors to realize his crowning production.

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Winners are awarded a statuette depicting a rose chafer, better known by the name Guldbaggen. The awards, first presented in 1964 at the Grand Hôtel in Stockholm, are overseen by the Swedish Film Institute. It is described as the Swedish equivalent of the Academy Awards. The awards ceremony was first televised in 1981.

The Guldbagge Awards is an official and annual Swedish film awards ceremony honoring achievements in the Swedish film industry. Winners are awarded a statuette depicting a rose chafer, better known by the name Guldbaggen. The awards, first presented in 1964 at the Grand Hôtel in Stockholm, are overseen by the Swedish Film Institute. It is described as the Swedish equivalent of the Academy Awards. The awards ceremony was first televised in 1981.

Documentary of the Swedish actor/director Victor Sjöström and his work - from Terje Vigen (1917) to Smultronstället (1957) Director Ingmar Bergman is interviewed about his memories of and experiences of Sjöström.

In 1969, with Sven Nykvist as cinematographer, Ingmar Berman made The Fårö Document, a film that ended with a rather pessimist view of the island’s future. One of the scenes in the film is of a school-bus and its young passengers. To these and to the realities ten years later Bergman returns in the long documentary Fårö Document 1979.

Using original footage and interviews, family photos, and excepts from many of the actress's screen and stage performances, the film explores sources of Liv Ullman's creativity, the influence of her Norwegian heritage, her relationship with Ingmar Bergman, her views on being a woman and mother in contemporary society, and the writing of her autobiography,

On-set documentary of the making of Ingmar Bergman's 1977 film Autumn Sonata starring Ingrid Bergman and Liv Ullman, examining every aspect of the production. Unusual for this kind of documentary, there is no post-production commentary or interviews.

Documentary about the Swedish film director, produced for the UK television program "The South Bank."

The Queen of the Night enlists a handsome prince named Tamino to rescue her beautiful kidnapped daughter, Princess Pamina, in this screen adaptation of the beloved Mozart opera. Aided by the lovelorn bird hunter Papageno and a magical flute that holds the power to change the hearts of men, young Tamino embarks on a quest for true love, leading to the evil Sarastro's temple where Pamina is held captive.

A documentary behind the scenes of Ingmar Bergman's The Magic Flute.

An interview with film director Ingmar Bergman, conducted by journalist Sigvard Hammar, originally broadcast on Swedish television.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

A short documentary about the work of Swedish cinematographer and Ingmar Bergman collaborator, Sven Nykvist,, emphasizing his style of lighting and sense of humanity through interviews and film clips from key Bergman and Nykvist productions.

Johan and Marianne are married and seem to have it all. Their happiness, however, is a façade for a troubled relationship, which becomes even rockier when Johan admits that he's having an affair. Before long, the spouses separate and move towards finalizing their divorce, but they make attempts at reconciling. Even as they pursue other relationships, Johan and Marianne realize that they have a significant bond, but also many issues that hinder that connection.

As Agnes slowly dies of cancer, her sisters are so deeply immersed in their own psychic pains that they can't offer her the support she needs. Maria is wracked with guilt at her husband's attempted suicide, caused by his discovery of her extramarital affair. The self-loathing, suicidal Karin seems to regard her sister with revulsion. Only Anna, the deeply religious maid who lost her young child, seems able to offer Agnes solace and empathy.

On-set documentary on the making of Ingmar Bergman's The Touch.

Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.

Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets Anna, who is grieving the recent deaths of her husband and son. She appears zealous in her faith and steadfast in her search for truth, but gradually her delusions surface. Andreas and Anna pursue a love affair, but he is unable to overcome his feelings of deep humiliation and remains disconnected. Meanwhile, the island community is victimized by an unknown person committing acts of animal cruelty.

A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man's widow. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian's new partner, Hans. Hans is the troupe leader, wealthy, self-contained, and growing tired. The judge plays on the trio's insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge.

The Dick Cavett Show has been the title of several talk shows hosted by Dick Cavett on various television networks.

Produced in 1968 for New York's WNET public television station and filmed by Gunnar Fischer, host Lewis Freedman visits director Ingmar Bergman during the production of SHAME. They discuss some of Bergman's major works leading up to SHAME as well as the just-released HOUR OF THE WOLF.

Stimulantia is a 1967 Swedish anthology film comprising eight episodes by eight different directors including Ingmar Bergman, Jörn Donner, Gustaf Molander and Vilgot Sjöman and starring among others Ingrid Bergman, Harriet Andersson, Gunnar Björnstrand, Lars Ekborg and Inga Landgré.

Short film with footage Bergman shot of his infant son and later included in the Swedish omnibus film "Stimulantia" (1967).

In the following excerpt from an interview originally recorded for Swedish television in 1966, PERSONA’s director and lead actors discuss the evolution of the film and their individual interpretations of it.

Filmed during the first ever Guldbaggen (golden scarab) awards, it was edited and developed that night and shown for the first time to the guests at the after party.

"The Beards" - The framework was that the participants would produce a relatively current entertainment program titled Concrete. During the meetings ideas and sketches were presented. Most of it was rejected.

The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjöman (director, I Am Curious–Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjöman and the television crew begin to capture what would become a comprehensive five-part documentary on the making of Winter Light, offering views of script development, set construction and lighting, rehearsals and editing, as well as intimate conversations with Bergman and members of his cast and crew. Footage from the film’s Swedish premiere delivers immediate audience reactions and the critics’ reviews the following day.

Susanne is a woman in her mid-30s and the owner of a modeling agency in Stockholm. She accompanies her prize model, Doris, on a trip to Gothenburg so that Doris can be photographed. While traveling, both women seek out romance, Susanne with a married lover and Doris with an older gentleman who sees his deceased wife in the young model. The two women struggle to understand their romantic motivations and in the process form an unlikely friendship.

After 15 years of marriage, David and Marianne have grown apart. David has had an affair with a patient of his and Marianne has got herself involved with her former lover Carl-Adam, who's also David's best friend. When she travels to Copenhagen to meet Carl-Adam, David takes the same train as she does, making it look coincidental. Spending time together remembering their past and talking about their future, they come to understand each other again, which leads to a reconciliation.

Rakel, Marta, Karin and Annette are married to four brothers. While waiting in a summer cottage for their husbands to come home, they tell each other stories about their marriages. Rakel tells about the time she had an affair and confronted her husband with it. Marta's story is about how she at first refused to marry and had her child by herself. Karin tells about what happened when one time she and her husband got stuck in an elevator together. While the women tell their stories, Marta's younger sister Maj is planning to elope.

After discovering that his wife has been killed in an accident, Stig looks back on their relationship, beginning with when he and Marta were starting out as violinists together in an orchestra overseen by conductor Sönderby.

A needy couple in a bad marriage travel back to Stockholm after a trip to Italy. Meanwhile, a widow resists seductions from two different persons - her psychiatrist and a lesbian friend.

Because of an accident at a military drill the recruit Bengt loses his eyesight and becomes blind. He gets to live with relatives in the countryside and meets the young Ingrid. She falls in love with him but Bengt's bitterness also makes him blind to her attentions.

The Bambi, often called the Bambi Award and stylised as BAMBI, is a German award presented annually by Hubert Burda Media to recognize excellence in international media and television to personalities in the media, arts, culture, sports, and other fields "with vision and creativity who affected and inspired the German public that year", both domestic and foreign. First held in 1948, it is the oldest media award in Germany. The trophy is named after Felix Salten's book Bambi, A Life in the Woods and its statuettes are in the shape of the novel's titular fawn character. They were originally made of porcelain until 1958, when the organizers switched to using gold, with the casting done by the art casting workshop of Ernst Strassacker in Süßen.

Sailor Johannes Blom returns to his home port, after seven years at sea, to find that Sally, the girl he has been thinking of while away, is completely despondent. Seven years earlier, obstreperous Alexander Blom, brings his mistress Sally to live with him, his wife Alice, son Johannes, and crew, aboard the salvage boat he captains. Amidst all the tensions on the small boat, Johannes and Sally fall in love with each other.

A short documentary about Skammen