In November, 2019, the planning and production of the live action version of the national hero manga "Kinnikuman", directed by Sono Sion, was in progress. "Kinnikuman" was said to be impossible to adapt but it's now said that it will be a great project. Maeda Gordon, while training at the gym, is contacted by the producer of "Kinnikuman", asking him to appear in the movie. However, there's a hidden past attached to this film and the actor begins looking into the mystery.

The Dream Man invited Ami to his party.

Wanderings of the young Ami in the streets of Kabukicho, Tokyo.

Directed by Arata Oshima, son of rebel filmmaker Nagisa Oshima, who had praised Sono's early work before his passing, this documentary gives insight into the man, the poet, the painter, the scriptwriter, the husband and the boy who will eventually grow up to be the Sion Sono. Lineage, history and the past meeting the present are themes in this film in which Oshima connects the dots in Sono's creative life by taking the camera to the site of his upbringing and following the production of his most recent film The Whispering Star.

The Making of Antiporno

In Notsu, Oita Prefecture, there are many people with supernatural powers. High school student Yoshio Kamogawa (Shota Sometani) is one of them and can read other people's minds. Yoshio uses his powers for trivial reasons.

Near the end of the 20th century on Tokyo's Chuo train line, just before Hong Kong's return to Chinese control, masses of people go on a rampage, and love runs wild.

A documentary showcasing the making of Sion Sono's Himizu

Interview with the director that includes scenes from gang war in tokyo.

Making of documentary for Sion Sono's magnum opus "Love Exposure".

In future Tokyo, a young woman in the privatized police force tracks down her father's killer while battling against mutant rebels known as engineers.

A behind-the-scenes look at Sion Sono’s 2005 film Noriko’s Dinner Table.

A freelance writer is given a bizarre assignment by the sexy editor of "Black Book Monthly": find a bug with the power to bring humans back from the dead, in order to report on the afterlife. With his trusty companion Endo in tow, he sets off on a quest for the elusive insect and along the way meets the mysterious Sayoko, a former dominatrix and habitual wrist-cutter who delights in rubbing wasabi into her wounds.

A documentary on Teruo Ishii, the Japanese "King of Cult".

An off-beat comedy about 3 'damejin' (useless persons), who don't work and spend their lives doing nothing. They actually don't want to work. When they hear 'in India one can live without working' they take it seriously. They begin to raise the money to go to India by doing anything but working, such as ripping off stamps from others' letters to sell, robbery at the bank which itself went bankrupt, etc.

The Making of Strange Circus

The Making of Hazard

An interview with Sion Sono on his movie Hazard

Behind-the-scenes featuring gravure idol Jun Natsukawa in Sion Sono's Virtual Love.

A blind masseur kidnaps young women and kills them and then make sculptures of them, while a mysterious dwarf spreading severed body parts around. Detective Akechi Kogorô investigating crimes.

About a pottery workshop run by Ms. Namie. Her students want to become as skilled as her, and she teach them that the key to good pottery is love.

Hitomi ran down to a local city with her affair partner Suzuki. Daisuke, a regular customer of the soba shop where she got to work, fell in love with a bedridden wife, Sayoko, who looked a lot like her when she was young, and eventually regained her feelings of love for her wife. The relationship between Daisuke's son and his wife, Koichi, and Sanae has recently become jerky, and Sanae has finally left home. On the other hand, Hitomi is shocked to find out that Suzuki has a photo of his wife and children.

A documentary that explores the life styles of various otakus in Japan. Various interviews are given to selected otakus who express how interesting it is to be an otaku as oppose to not being one at all. Along with various shots of various Japanese city landscapes and the inside of an average otaku home from rooms filled with videos, models, and the latest in technology.

8mm film by Sho Fujiwara. A black-and-white cinemasco movie starring Sion Sono. It's a work that has an underground and nostalgic odor. It gets shorter with each screening. BUN-CHAN SEX!

Draws an ambiguous youth pattern of young men and women living in a corner of the city. The script / director is Eiichi Uchida, a scenario writer for "Eien no 1/2", and this is his debut as a director. Gen Takahashi is in charge of shooting. (8 mm)

Shiro and Keita didn’t manage to enter university and are stuck in their hometown delivering newspapers. Shiro persists on finishing a film they started, but Keita is not very enthusiastic.

The only AV work directed by Sion Sono. Komachi and Reimi start getting wet in search for a man.

A world-class marathon becomes the catalyst of clashes between the guests of a women’s and a men’s dormitory. Armed with toy machineguns and pistols, the young people challenge each other in a breathless race through the city streets. For one of the girls, the battle ends on the beach, where she watches an amazing event take place.

Shot in Super8 and divided in two parts, the film shows some moments from the life of a young university student, who lives with his family in a house in the outskirts.

When Otomo Katsuhiro saw his manga Good Weather credited as the “original novel” he burst out laughing. There’s not an iota of his book anywhere in the film. Made in the same year as Sono Sion’s A Man’s Flower Road, Hirano Katsuyuki’s Happiness Avenue (where Sono plays a role) is madder and more abandoned, in both filmmaking and content. Lovelorn Masahiro goes on an odyssey to find fulfilment of his heart’s desire, and the sea he traverses are Tokyo’s open sewages.

A young man dressed as a samurai walks along a road lined with flowering cherry trees. Then, no longer in costume, he talks with the camerawoman who is filming him, he writes a date and an hour (May 1, 1985, 10 a.m.) on a blackboard and then bursts out in rage at the fact that his girlfriend, Hiromi, has been missing for three days. A few moments of their love story are retraced, before returning to the gloomy desperation of the young man, who walks into the darkness of a night illuminated by neon signs and goes into a long monologue of love, directed at the girl.

Sono's first film, 30 minutes long and shot on 8mm. A free-wheeling intimate cinematic journal in which the artist contemplates his life as he approaches his birthday.

Accompanied by the insistent shrilling of an alarm clock and by two love songs, a young man struggles to wake up.