Som, daughter of a sex worker, believes that love will lead her towards a better life. Ter, a young criminal, robs just to buy love that doesn't exist. Redlife explores a world that is broken, ignored, and which offers no escape.

After losing her job, a woman discovers a mysterious package on her apartment doorstep and her life takes a turn for the worse.

Kinn, the second son of a prominent mafia head, is ambushed by an enemy and meets Porsche, a college student who comes to his rescue, thus beginning their reluctant relationship as boss and bodyguard, which soon turns into something more.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

A collection of short films by five Thai directors imagining their country ten years into the future.

ABLAZE premiered at the 27th Singapore Film Festival, November 24, 2016

"Fever Room" features Jenjira (Jen) and Banlop (Itt), two of Apichatpong’s regular actors who also appear in his film, "Cemetery of Splendour". Like the film, this projection-performance presents the layers of reality and fantasy. Apichatpong fuses his memories with the actors’ and fictionalises the narrative. Here the people takes refuge in dreams while their land is on a brink of collapse, echoing Thailand’s present state of military dictatorship.

In a hospital, ten soldiers are being treated for a mysterious sleeping sickness. In a story in which dreams can be experienced by others, and in which goddesses can sit casually with mortals, a nurse learns the reason why the patients will never be cured, and forms a telepathic bond with one of them.

This film depicts Bunleua Sulilat’s temple/sculpture garden 'Sala Keoku', located in northern Thailand. Passages of blackness sporadically dissolve under the fitful internal illumination of sparklers, which light up to reveal Sulilat’s unorthodox temple populated with a fantastical concrete menagerie of beasts and figures; the sculptures range from the broad, whale-like contours of a frog’s face, to a cavalcade of dogs on mopeds, to a pair of skeletons partially embracing as if sitting for a double portrait. These images are interspersed with those of an older Thai couple mysteriously wandering around the temple like wraiths, the woman’s plodding progress hampered by the use of crutches.

Setia, an Indonesian maid, and Supayong, a construction worker from Thailand, are two illegal foreign laborers who drift between Taipei and Taoyuan while looking for job opportunities. The two foreigners rely on each other and share the burden of their loneliness among the hustle and bustle of a glittering city. They strive for survival while developing a gentle relationship full of humor, using a language that both are still awkward with: Chinese, the language of their host country.

After a brush with a strange substance, an average fireman transforms into something far greater than himself — the Mercury Man. Endowed with fantastic superpowers, he will now use his abilities to help conquer the forces of evil.

The passionate relationship between two men with unusual consequences. The film is divided in two parts. The first half charts the modest attraction between two men in the sunny, relaxing countryside and the second half charts the confusion and terror of an unknown menace lurking deep within the jungle shadows.