The french mainstream media ignored the last visit in Paris of the leftist Ecuadorian President Rafael Correa. It's however this small country of Latin America, Equator, that serves as a model for Greek activists who are taking part in Syriza party or for non-orthodox economists from the spanish movement Podemos in order to solve the issue concerning the public debt. The Correa government declared a part of this debt « illegitimate » to implement public investment, and social inequalities reduction policies.

Pierre Carles questions the privatization of the leading French televisions channel : is it not scandalous that the TFI-Bouygues concession has been automatically renewed since 1987 ? Taking up the anti-television fight he initiated with "Pas vu Pas pris", his first film, he confronts the people responsible for the news who have always avoided tackling this taboo subject. But the investigation does not go as planned : the old dinosaurs and young guardians now how to handle this media critic. To find his "fighting spirit" again, Carles calls to arms his friends and changes methods : Henceforth, no more concessions !

In this economic war, promised to us many years ago and which advances like bulldozer, does there still exist a surge of imagination offering resistance ? Ordered to choose between the breadcrumbs of precarious employment and the meager charity still offered by the system, some abandon the society of consumption to claim back their lives. “Neither exploitation nor handouts!” many of them exclaim. They’ve chosen another path, that of autonomy, of consciously choosing to undertake certain activities, and of uniting together with other like-minded people.

Pierre Carles and Georges Minangoy go to meet former French and Catalan partisans engaged in the anti-Franco anarchist struggle of the 1970s.

In this pitch black comedy the rivalry between two neighbors escalates into an all out war. Through a maintenance error on a tractor they both end up, paralyzed, in a wheelchair. It seems they are doomed to stay together. They no longer focus their rage on each other but on the manufacturer of the tractor, in Helsinki. So get ready for a hilarious wheelchair road movie.

Pierre Carles, the dispenser of justice seen in “Pas vu, pas pris,” is back in the saddle. After attacking French television star reporters, his new target is television critics as represented by Daniel Schneidermann, host of the "Arrêt sur images" show. “Enfin pris ?” analyzes censure at work in television. It is also a thought-provoking look at how power changes people and the intimate forces between ambition and loyalty. A cruel, biting comedy from which no one really comes out unscathed.