Lucía and Nico, the couple of the century, are about to say yes... although not with each other. It turns out that they both decided to get married on the same day and in the same place, but with other people.

A widower and father of three is on the verge of ruin, but he inherits an unexpected fortune from his uncle. But the money comes with one condition: that his family takes care of Chueco, an adult chimpanzee who has a huge secret: he can talk. Hiding this won't be easy, because the chimpanzee never shuts up and will get the family in all sorts of trouble.

In 2012, Charly leaves Nicolás minutes before getting married and moves to another country. Heartbroken, he writes to her a letter where predicts an unhappy life of complete solitude. Ten years later, fate brings them together again at the wedding of Rocío, her best friend, and Diego, her brother, where they will face that their love story is not over yet.

After the failed marriage of her parents and the discovery of her mother's sexual orientation; Emi arrives in complete solitude to an adolescence flooded with doubts about her own sexual preferences and her family nucleus.

Sofía, who is about to turn 15, doesn't like to party. She has just moved to Las Arboledas after the separation of her parents and spends her days in the boring company of her younger sister. The monotony disappears when she meets Eva, a girl with a rebellious attitude with whom she will discover love and the disappointments that accompanies it, a turbulent journey full of assaults, illusions and rock and roll.

An ad creative and a successful exec have a great marriage — until he wants to be a dad just as her star is rising. Then he brings someone new home.

Elisa Cantú never imagined that, upon returning to Mexico from New York, where she resides, she would encounter an unexpected tragedy that changes her life. The night Elisa would celebrate her birthday, fate leads her to meet Leonardo Velasco, a policeman in love with Julia, a teacher, to whom he was to marry. At the end of the evening, Leonardo receives an emergency call, in which the discovery of two bodies is reported, one of them is that of his fiancée, who lies next to the body of Augusto Cantú, millionaire businessman and father of Elisa. Elisa and Leonardo will come together to search for the truth of what happened.

The de la Mora family, their friends, acquaintances, and rivals gather for the funeral of Virginia de la Mora.

Manuel and Lupe want to have a baby. When Manuel discovers he is infertile, he starts to fall apart both physically and emotionally. After exploring several options, Manuel turns to Rubén, his new friend, to act as their donor.

Leonora, a 16 year old teenager with a dangerous gift, when she draws a person, either by divination or by the action of the same drawing this person dies. Grandma knows and doesn't want to expose the world to such evil power. Leonora lives locked at the top of a huge apartment building believing that she's a Princess and the world is full of monsters and other dangers so she thinks one day her Prince savior will come.

Verónica, a middle-aged highschool history teacher, leads a non eventful life: she has grownup children, grandchildren and a less than perfect marriage. This dynamic seems to be the only thing she can hold on to, as she battles a terminal illness. As she reluctantly accepts her fate, she meets Eva, an irreverent and misunderstood new student who unknowingly injects some life and enthusiasm back into her and provides her with the tools to deal with her destiny.

Julia is a single mother who takes care of Camila, her 10 year old daughter who suffers from a borderline disorder. After experiencing a crisis where Camila gets hurt, Julia makes a decision which will change her relationship with her daughter and with herself.

The outward perfection of a family-run flower business hides a dark side rife with dysfunctional secrets in this darkly humorous comedy series.

A woman and a man who met at a soccer game. Years later, they decide to see each other again at the same place they found their passion, a soccer match with the same teams playing against each other.

At 7:19 a.m., on September 19th of 1985, the most destructive earthquake hit Mexico City. Inside what's left of a building, a group of survivors fight for their lives waiting for rescue.

"Hasta que Te Conocí" unravels the life of the Divo de Juárez: Juan Gabriel. Gabriel's extraordinary talent as a singer-songwriter allowed him to rise above poverty, betrayal, and prejudice, eventually making him one the most beloved performers in all of Ibero-America.

Angélica and José Luis have been married for thirty years and they have always lived at the same house; first with their son, Daniel, and now, by themselves. Their daily routine is threatened when José Luis loses a leg in a car accident. When they try to restructure their life, they realize their relation was already fractured and opt for silence. However, they begin a passionate search for all they have lost. José Luis takes refuge in a sexual fantasy about his young nurse, while Angélica tries to remain just as contained as she always has for so many years.

A little girl with a great affinity for bees pushes the limits in order to protect her community.

Mr. Balboa had a heartless grandson who, at the time, was kicked out of the house (a fact concealed from his wife). Since then he had forwarded himself letters sent in theory by his grandson in order to please his wife. The real grandson decides to go home (looking for money) but the boat where he was traveling sinks. Balboa hires an impersonator and master of beneficial illusions (Mauritius) and together with a cute girl (Isabel), they pretend to be the missing grandson and his "happy wife" to the grandmother, who is very pleased with the guest. But then comes the surprise...the real grandson is alive and he is on his way to return home.

Hilda, the new housemaid, brings about an awakening in the life of wealthy Mrs. Le Marchand, who recalls her revolutionary past, questions her frivolous present and experiences an identity crisis.

Casa Colorada is a hotel where love and revenge converge. Three women will take us to the most intimate of their lives and that of their guests, to their loves and heartbreaks. Through them we will witness that the bond of friendship is more powerful than your fears, disappointments and even your own passions.

The minute Lucia hears the news that her ex-boyfriend Felipe was admitted to a hospital, she rushed herself to meet him. As Felipe was found to be in a critical condition, Lucia makes up her mind to nurse him, but soon realizes the unresolved feelings she had for him.

Pilar loses the one thing in life that mattered to her and, from that moment on time stops. The present begins blending with the past, and the heroine withdraws into a world of her own. An intimate drama about the extreme emotions connected to the loss of someone on whom our lives depend.

La Otra Cara del Alma, previously known as Ángel Caído, La Otra Cara de Alma and El Otro Lado del alma, is a Mexican telenovela produced by Azteca. It stars Gabriela Spanic, Eduardo Capetillo, Michelle Vieth, Jorge Alberti, Amaranta Ruiz, Ramiro Huerta, Sergio Klainer and Saby Kamalich. It is a remake of El angel caido which starred Rebecca Jones, produced by Televisa in 1985. From November 12, 2012 to May 10, 2013, Azteca Trece broadcast La Otra Cara de Alma, Monday thru Friday at 8:30pm, replacing Amor Cautivo.

Being kidnapped shatters a brother and sister's harmony, forcing them to confront their desires.

A Mexican family, wanting to grant their Grandmother her last wish, embarks on a make believe trip to a small town in Italy ... in Mexico!

Glasgow-based artist Phil Collins’s film Soy Mi Madre examines the immigrant populations of Colorado’s Roaring Fork Valley, a sizable percentage of which hail from northwestern Mexico. The region relies heavily on service and maintenance work provided largely through this population, who often commute to work in Aspen. Loosely inspired by Jean Genet’s The Maids—a seminal example of Theatre of the Absurd that renders surreal the intricate power dynamics that exist between people of divergent socioeconomic groups and exploits the volatility of social identity—Soy Mi Madre portrays the social realities of this region through the melodramatic lens of the telenovela. Reproduced in this volume through a generous selection of stills, the film uses popular Mexican television actors and crew, including Patricia Reyes Spindola, Zaide Silvia Guitérrez, Veronica Langer, and Salvador Parra, as well as members of the transsexual prostitute community of Mexico City.

Claudia is a troubled teen confined in a very particular support center ruled with roughness by renowned psychiatrist Bernarda Alquicira. Coexisting with girls who have experienced similar trances, Claudia confronts horrible visions of Andrea, a beautiful intern who committed suicide a year ago. Another strange patient -Josefina- and doctor Lucia Franyutti -the right arm of Bernarda- seem to know the key to the bizarre return of Andrea, but even they are disturbed by the supernatural events that take place when the wind starts to blow.

Defiant 18-year-old Adela León pushes her father and an unbending headmistress to the limit in this delicious comedy.

Unable to cope with the fact that his girlfriend cheated on him with his best friend, a 22-year-old schizophrenic sets an elaborate revenge plan into motion before taking his own life.

Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.

Sent to Mexico to help take care of aging Father Benito, young Father Amaro faces a moral challenge when he meets a 16-year-old girl who he starts an affair with. Likewise, the girl's mother had been having an affair with Father Benito. Father Amaro must choose between a holy or sinful life.

In Mexico, two teenage boys and an attractive older woman embark on a road trip and learn a thing or two about life, friendship, sex, and each other.

Gabriel is a filmmaker in Mexico City, where he is a victim of crime and violence sometimes even three times a day. This is a black comedy that shows the extreme situation Mexico City is suffering as far as crime is concerned, and the tension the city and it's inhabitants live day after day.

On a whim, a retired gentleman decides to track down an old girlfriend from decades back.

Mirada de mujer is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 1997, based in the Colombian telenovela of 1994 " Señora Isabel". It is considered one of the best Telenovelas in the history of the television industry in Mexico. It came a year after TV Azteca's first telenovela, Nada personal and was the first telenovela in that TV station for its five mayor stars, who had been working for the rival station, Televisa, prior to this production. In 2003 the sequel for this telenovela Mirada de mujer: El Regreso was produced. This telenovela can be dated so far as the only TV Azteca telenovela that got the TVyNovelas Award as Best Telenovela of the Year in a shocking moment, making Televisa know to the audience the respect that got over his competitor product as long as the TVyNovelas Awards are only given to Televisa programs. Aside from enjoying wide viewership in Latin America, it was also broadcast in countries like Afghanistan and Israel and Eastern Europe. In India, this was shown by Sahara TV, dubbed in Hindi, under the title of Maria.

In a small town where nothing ever happens, the inhabitants learn about a place at the edge of the earth where money and women are abundant. When they see the oportunity to go and work illegaly in the United States, they jump at the chance. Meanwhile Andrés and Gregorio go to the town searching for treasures and they only find Matilde, the rest of the women in the town left, tired of waiting for the men to return.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Two Mexican Jewish girls of come of age in Mexico City during the 1960s

The beautiful and popular movie star Miroslava is depressed tonight. As she prepares her suicide, her entire life is revealed on screen in a disturbing portrait of a lonely woman.

Compilation tape of Hora Marcada episodes.

Mexican feature film