In 1984, Academy Award winning composer Giorgio Moroder introduced Fritz Lang’s science fiction epic Metropolis to a new generation of filmgoers. Working in collaboration with film archivists globally, Moroder supervised a special reconstruction, with color tinting, fewer intertitles and newly restored footage. A pioneer in the field of digital music, Moroder backed this special edition with a throbbing new score, punctuated with pop songs from some of the biggest stars of the early MTV era: Freddie Mercury, Pat Benatar, Adam Ant, Bonnie Tyler, Loverboy and others.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

In a small town a bag with delicate letters disappears. Many of the residents are worried about their written messages. A clever sculptor uses the opportunity to play a prank.

Taking place over 12 hours on New Years Eve, a concert pianist murders his wife's lover, then frames an innocent man.

It is a love story between a prostitute and an artist. It was one of the first German films to break several taboos: nudity, suicide and euthanasia. In the Germany of the '50s, this caused a lot of negative reactions by the politicians and the Roman Catholic Church. The opposition reached the degree of banning the film and scandalizing it which paradoxically made it one of the landmarks in the history of film.

Country doctor Wilhelm Löhnefink has had enough of being a bachelor and goes looking for a wife.

Three homeless youths commit petty crimes to get by in the difficult time just after the end of WW2 in Germany. When they become suspects in a murder case, a witness of the events comes forward with evidence that they are innocent of the crime. He offers them a chance to break with their ways and make a new beginning in his village, not knowing what this will ultimately cost him.

A concert pianist, the romantic idol of many women, is seduced away from his wife. The seductress's husband takes in the pianist's wife, and all four pretend to be happy with the new arrangement.

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

King Frederick II (aka "Frederick the Great") of Prussia is engaged in a major battle against the Austrian army at Kunersdorf, and things aren't going well. The Austrians are inflicting major casualties, and his army is beginning to crumble. Defeat seems inevitable when a combination of events gives him hope that he may pull victory from the jaws of defeat after all.

German all-star musical from 1938 that was a big commercial success.

Gabriele Bordersen, a woman from a good home, wants to see what real life is like among the common folk. With her stewardess Fanny Flint and the tour guide Simikry, she goes off to visit a sailors' bar. Fanny and Gabriele change clothes, which allows the stewardess to introduce herself as a fine lady. When Gabriele asks Fanny to leave with her, Fanny begs her to give her an hour more out of fear of embarrassment. Gabriele, however, is thrown out of the bar by the owner without money and papers; is picked up by the cops; and suffers a nervous breakdown, leading to her being sent to a hospital. No one believes in the slightest that she's really Gabriele Brodersen.

Set against the backdrop of the 1900 Boxer Rebellion...

Dark love story.

The bored heir to a soap factory is able through pure chance to work incognito in the 153rd branch of the business. While doing so, he falls in love with a beautiful customer, gets into a rivalry with a jealous worker and helps to expose a dishonest boss.

To escape dreary country life, a count travels to Italy with a friend every year. Instead of the alleged purchase of horses, the reason he gives to his mother as to why he needs to travel to Italy, he spends his time chasing after the ladies.

Baron von Goret is an impoverished landowner, whose estate is about to go into receivership. And so, for that reason, he wishes to marry off his son Hermann with his well-off girlfriend Helga. But Hermann is in love with the farmer’s daughter Dorothea. He leaves his father’s estate with her and makes his way to Berlin to make a name for himself. He’s not successful in this and, so as not to stand in his way, Dorothea leaves him. Hermann’s aunt brings him back to his father’s estate, where, depressed over losing Dorothea, works tirelessly to clear the estate of all its debts.

In 1914 a Hungarian officer inherits a Stradivarius which is believed to bring back luck to its owner. He and his Italian fiancée are separated by the First World War, and he is badly wounded.

Nacht der Verwandlung (A Night of Change) stars Gustav Froelich as a globe-circling aviator, a character clearly based on America's Wiley Post. While basking in his celebrity at a nighttime carnival, Froelich romances Rose Stradner, the unhappy wife of brutish Heinrich George. When George refuses to give Stradner her freedom, she takes it anyway, but her fling with Froelich is doomed to disappointment. Our hero learns the hard way that one can be in a teeming crowd, yet still be all alone. Leading lady Stradner later resettled in Hollywood, where she appeared in such films as The Last Gangster and Keys to the Kingdom.

A young reckless womaniser is trapped one night at his club into a bet with a Mexican that he will win his wife before morning. There will be a duel in any case: if he loses his bet the Mexican will fire first.

Werner Dux, heir of the big car company "Dux-Werke", is a gambler who has just been arrested in Chicago for shooting a cardsharper. While in jail, he learns from his friend Michael Nissen that his father has died recently. That means that the Dux-Werke are without a leader at the moment, for Werner's cousin Steffie, who is his co-heiress, is still too young to run the firm. In this situation, Werner convinces his friend Michael, who is an engineer by profession, to take over the firm as long as he is in jail and to pose as him. Michael agrees and is able to bring the firm up again. He even arranges a reliability test for motorcycles via Istanbul, Rome and Barcelona, which creates a big Turkish order for the company. When the real Werner escapes from jail and arrives in Germany, it looks as if the whole story is up to bust. But Werner needs money, so he convinces Michael to go on as before and hand over all profits of the firm to him.

In this French set comedy, five million francs change hands one weekend between a man pretending to be a millionaire and a woman pretending to be a Russian countess.

Hans, living in Vienna during the Great Depression, intends to drown himself in the river after losing his livelihood. While there he meets a girl named Anna after pulling her from the river.

The story, set in Constantinople, of a young man who falls in love with a woman much older than he is, and her daughter falls in love with him also. An American critic was vastly impressed by the day-and-night locale shots, and wrote that the film-maker had discarded and soft-pedaled the soft and sentimental in favor of the realistic and logical.

In this pre-WWII German mystery-comedy, a lovely kleptomaniac with a taste for fine jewelry is unable to resist temptation. Strangely, every time she steals something, a mysterious man pays for it. A clumsy detective begins investigating and finds a crucial clue: a strongly scented woman's glove. The perfume is an expensive scent and the detective's pal realizes that it belongs to a popular nightclub singer. The friend quickly becomes enamored of the girl, but then so does her mystery man, a notorious international criminal. Eventually he gets arrested, leaving the detective's pal to move in on the singer.

A story about a series of confusions, in which Paul Ritter, a bank employee, is unaware that the girl he's fallen in love with is the daughter of his boss. No one bothers to tell him and he gets jealous of the boss, who seems to have a very good relationship with the girl.

An impoverished count has to work as a chauffeur but because of his good looks attracts women, one of them wealthy enough to solve his problem.

Peter Franke owns Supraphon record company, which has one main competitor in Lyraphon. As a commercial strategy Peter gets engaged to her counter partner Asta, to his assistant Münzer's approval. Then he meets Wally Sommer, singing saleswoman at one of his shops, and all his plans are turned upside down while they both fall in love in this light musical comedy filled with Robert Stolz music.

The story follows a movie crew who is filming a musical in a small and idyllic alpine village. After their temperamental leading lady drops out of the film, they decide to replace her with the village's young post office clerk Gretl, who returns to Berlin with them. There she has to struggle with the movie's all-male crew, who all try to woo and win her.

During the Austro Hungarian empire, a girl substitutes for her brother in a military academy.

Musical extravaganza, also filmed in a French language version, based on the life of Johann Strauss.

This is the German version of Gloria with Gustav Fröhlich & Brigitte Helm in the leads. A French version was filmed simultaneously with André Luguet & Brigitte Helm in the leads.

A German reporter visits Hollywood and is escorted through the MGM Studio by a German nobleman, who is working there as an extra. They meet and speak to several actors, primarily Buster Keaton, John Gilbert, Joan Crawford and Heinrich George. Then they meet Adolphe Menjou, who rehearses a long scene in German. A final scene shows stars arriving at a film premiere, including Jean Harlow, Norma Shearer and Wallace Beery.

This is the German-language version of 1929's "The Sacred Flame", from the W. Somerset Maugham play, shot by Warner Bros. in Hollywood with a German-speaking cast.

When a prostitute is murdered in a cheap Berlin boarding house, an investigating judge suspects that the killer is her boyfriend, unaware that his own son and daughter are also mixed up in the case.

Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This is a German-language version made in Hollywood along side the 1930 production directed by John Francis Dillon.

Gustav Froehlich and Charlotte Susa play Rochus and Judith, the zwei menschen (two humans) of the title. Rochus' domineering mother insists that he enter the priesthood, but he is reluctant to break up his blissful romance with the fair Judith. A religious fanatic of the first order, the mother swears before God and her Church that Rochus will indeed take his vows. When this does not come about, she dies of grief, whereupon the guilt-stricken Rochus abandons Judith to become a priest. The girl subsequently commits suicide -- and it is Rochus who must officiate over her body during the funeral. This final scene was excised from the print of Zwei Menschen released in New York, leaving audiences hanging in regard to Judith's ultimate fate.

It begins with a Tannhäuser performance and ends with the premiere of The Tales of Hoffmann. In between a young ingénue cast in her first big role, the Hoffmann rehearsals, the theatre director and his stage director exchanging cynicisms, a budding love affair. Gründgens at his most repulsive, trying to woo both lovers. And a hair-raising finale. Add to this some snappy dialogue and "pre-code" scenes that make you sit up and stare.

Prevented from wedding a postman's daughter (her father prefers she marry a farmer) a Tyrol schoolteacher succeeds instead in having an opera of his acceptance in Vienna. But this isn't the happiness he wanted, he becomes a hobo.

One of the last great German Expressionist films of the silent era, Joe May’s Asphalt is a love story set in the traffic-strewn Berlin of the late 1920s. Starring the delectable Betty Amann in her most famous leading role, Asphalt is a luxuriously produced UFA classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of traffic.

A young composer and inventor meets a poverty stricken singer.

Pieter Kruis runs a grocer's shop in a small Dutch town, with which he and his wife Johanne can hardly feed themselves. Nonetheless, he is satisfied with his life, although he suspects that he will probably never win the jackpot. Suddenly Pieter receives a telegram from America: his old school friend Joe, who has made a fortune in the “new world”, asks whether Pieter would like to visit him. As “compensation” for expenses incurred, Pieter will also receive $ 50,000! Of course, Pieter doesn't hesitate for long - the suitcase is quickly packed and a ship ticket reserved. But the little “world traveler” has no idea what kind of adventures await him! Fearing that his insidious brother might speculate on his life insurance and stage a small “accident” on board the ship, Pieter disembarked in Rotterdam, where his entire travel budget was by a few crooks. Then he learns that his ship has actually sunk and suspects that his brother is already worried about the sum insured...

Following World War I, after a long imprisonment, two German prisoner-of-war soldiers escape from a Siberian lead-mine. Karl manages to reach Germany before Richard, and is sheltered by Anna, wife of Richard. While Richard is still on his homeward trek, Karl and Anna fall in love. And then Richard comes home.

"The Fear of an Unfaithful Woman" - Inge Duhan lives with her husband, the lawyer Erich Duhan, and her little daughter Susi in Berlin. Inge is a very attractive woman. She loves her husband and has always been faithful to him. On a holiday trip to the French Riviera Inge meet the charming painter Francard. A brief affair begins that turns into blackmail.

An ill-fated love affair between a brothel waitress and a doctor's son.

Die elf Teufel / The Eleven Devils was made in Berlin in the summer of 1927, in the last throes of the silent movie era. But Die elf Teufel strikes one today as a prophetic film. One of its early captions is "Football, the sport of the century ". We are shown a ball bathed in light like some sacred relic, and observe how, even in those early days, fans on the terraces wouldn't shy away from using their fists.

The aging singer Clarina receives a new engagement from a cabaret called the Maison Mouche and must evade the advances of several overbearing men. This film is considered lost.

Mary and Eva are best friends, although they couldn't be more different. Armand, Mary's fiancee, falls in love with the seductive Eva, who is busy becoming a revue star. When Eva fails and loses her money, Armand tries to help her out.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

A young woman doesn't want to get married, but simply live together with the man she loves. This leads to problems when the man dies and she's left with a child.

Historical film about Italian musician Niccolo Paganini.