A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

Magdalena is fifteen, but unlike many girls her age, her life is apathetic and somber, due to the abuse she receives from her father, a hopeless alcoholic, and her strange passion for Carlos, a neighborhood thug. A series of complex characters parade through Magdalena's life looking for themselves, such as Gabriel, the homosexual brother, and Huker, a violent judicial policeman who has an important secret. A portrait of the emotional depths of the strange and terrible Mexico City.

A group of beings permeated by the lack of love, guilt, pain and a desire for revenge, meet on the day of a storm at a cantina in the mythical town of Parián, a place where all roads and all destinies converge. There they find consolation for their woes in mezcal and in the distress of the others.

A fairy tale about the political and socioeconomic realities of Mexico.

The strange relation between two brothers.

Futuristic movie about Alejandro, a gifted left-handed child marble player who must win a competition as the entire town's hopes - and money - rest on him.

Adapted by writer/director Fernando Sariñana from the stories by Juan Madrid, Ciudades Oscuras (Dark Cities) tells a story of interwoven lives in the seedy underbelly of Mexico City. The several different story lines concern hooker Lola (Dolores Heredia); her drug addict son Fede (Diego Luna); her friend Zeze (Zaide Silvia Gutierrez); Zeze's daughter Susana (Jimena Ayala); and junkie Vicente (Roberto Sosa). Also on the scene are two corrupt cops (Alejandro Tommasi and Jesus Ochoa) and one good cop (Odiseo Bichir), while Chicken (Hector Suarez) and Casimiro (Alonso Echanove) each tell their separate stories to the same bartender (Demian Bichir). ~ Andrea LeVasseur, Rovi

La calle de las novias is a Mexican telenovela produced by TV Azteca and Zuba Producciones. Directed by Jaime Humberto Hermosillo, it stars Silvia Navarro and Juan Manuel Bernal as protagonists.

Mexico, 1949. The fable of a janitor turned Mayor on a little town lost in the Mexican desert, who gradually realizes how far his new acquainted power and corruption can get him.

In the Yucatan coast of the thirties , Elisha, a boy of 13, is initiated into the art of love by Felipa , his schoolteacher. After discovering the relationship, Felipa runs away from the village , leaving Elisha mired in nostalgia. Forced to marry another woman and lead a routine life , recalling the years passed Eliseo romance with Felipa until ten years later, the woman returns , removing his wounds and changing forever the life of Elisha , his family and the whole town

On a whim, a retired gentleman decides to track down an old girlfriend from decades back.

Four childhood friends decide to play a prank on an aunt of one of the four. Two enter the house and two others remain waiting in the car. When the alarm goes off, the two waiting in the car escape, leaving the other two to escape on their own. After that, the friends begin distrusting each other wondering what really happened during those three minutes in the dark inside the house.

Official submission of Bolivia for the 'Best Foreign Language Film' category of the 68th Academy Awards in 1996. A schoolteacher in the small city of Santa Cruz de la Sierra has a passionate affair with his frigid wife's sister--despite the risk of having to confront not only his wife, but also his dubious father-in-law. Photographer Jonas (Dino García) and teenager Julia (María Renée Prudencio) live the romance loaded with erotic adventure in the dark and wet basement of the old house where he installs his laboratory of development. She is the sister of Talía (Claudia Lobo)- his wife and both are daughters of a coffin maker who dreams of pharaonic tombs. The film shows the rise of drug trafficking, illegal trade in which Julia's family is involved, the same that ends up marrying Grigotá (Milton Cortez) the son of a powerful narco.

A lonely, aging postal worker finds himself the victim of a cruel practical joke in this pessimistic Mexican drama. The trouble begins when crotchety postman Andre begins complaining about his young neighbor Marianna's propensity for playing loud music every time she entertains a lover. To get back at him, Marianna begins sending him anonymous love letters. The old man is intrigued by the mysterious letters and hires a cheap detective to find their author. The detective is convinced the perpetrator is Teresita, a veteran hooker who joins in on the scheme to earn a little extra cash. Andre's friend and colleague tries to warn Andre that it is all a game, but his friend is in love and will not listen. Meanwhile, Marianna attempts to woo Luis Felipe, a hard, unfeeling tabloid journalist who has her take grisly pictures of murder victims for him. Both Marianna and Andre are destined to meet an unpleasant fate at the story's end.

Escaping gangsters trying to kill her because of being witness to a crime, Gloria (Victoria Abril), a young woman of lower class, comes back to Madrid, Spain and to her family. There she tries to find work and earn some money.

After being falsely accused of a murder, Marcos runs away to the small and quiet town of Cuevano. There he finds that the family matters are more complicated than his.

Leon has a crush on Ofelia, so he decides to steal money from his father and cross the country looking for Ofelia who traveled to Guadalajara. On his journey, Leon goes through many adventures and takes the final step from childhood into adolescence.

The legendary life of Mexican singer Lucha Reyes is the basis of this fictionalized biography ( or as director Arturo Ripstein puts it "an imaginary biography"). Lucha Reyes was an unconventional, and sexually liberated woman, most famous for her "cancion ranchera" style singing. Her story begins in 1939, where at 33 she still lived at home with her mother, Dona Victora, the madame of a renowned Mexico City whorehouse. Lucha marries the liberal Pedro Calderon and then buys a beggar's daughter. She becomes the mother to this child, Luzma. Lucha craves lasting love like junkies crave heroin. But for her loyal daughter, she never finds it and in the end no one can help her.

Violent death of a loan shark investigated by diligent policeman.

A novice private detective is on the trail of a serial strangler in Mexico City.

Biopic about a woman who played a courageous role in the resistance against French occupation of Mexico in the early 1800s.

Two shareholder brothers close several factories due to economic problems, except for their chemical plants.

An unseen person enters a taxi late at night. Suddenly the taxi driver is stabbed with a large metal knitting needle. From there we meet our female killer. Catalina is a very plain Jane looking young lady. She wears some geeky glasses and usually dresses very conservatively. She lives with her grandmother and they both seem to loathe men. Catalina’s grandmother mentions that her late daughter/Catalina’s mother was troubled by men and that cost her her life. Catalina and her mother resemble each other. At night, Catalina awakens by the vengeful spirit of her mother to advise her to go out and kill men. The kind that only want to take advantage.

The third film version of the popular Mexican novel, about a wayfarer who travels to a mysterious arid village, to meet the father who long ago abandoned his wife.

One woman lives waiting for her son who is a sailor. She hasn't seen him for years although he writes to her a lot. The woman shares the letters and her grief with a co-worker and friend. This last woman begins to idealize her friend's son.

Towards the end of the 16th century, the Spanish conquerors living in the New World faced a serious problem: the evangelization of the indigenous people, who did not understand or accept Christianity due to their unshakable faith in their own religion. The court of the Inquisition cracks down on heretics and the natives prepare for a general uprising ...

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

Rogelio’s story, a young man of humble origin in the neighborhood of Tepito, who falls in love with the daughter of a wealthy grocer, Michelle, but his marriage to her will be a failure and he will end up as a one more drunk.

In Mexico City's infamous Lecumberri prison, three drug-addicted convicts celebrate getting drugs from one of their the mothers. They are found out and locked up in the "apando," the dreaded punishment cell. Protests over the treatment of those held in the cell lead to a bloody confrontation.

A group of students arrives in a small town during a hiking expedition. Once there, the local priest accuses them of being communist agitators on the run from an army crack-down against student demonstrations in nearby Mexico City and rallies the townsfolk to lynch them. Based on a true story.

Chronicle of the repression that a foreign company exerts on the miners of a small nitrate town in Chile, whose workers decide to claim their most essential rights. A reflection of the historic union struggles in the northern Chile that ended with terrible repressive acts.

The peasant and revolutionary Zapatista Simon Blanco still in arms but Zapata is dead. Simon with his lieutenant Andres visits his mother and his girlfriend in his hometown. The cacique Onesimo and his brother, the commissioner Martial put ambushes but he eludes them.

A 43 minutes short film filmed in Mexico in 1975