The Boys - 25th Anniversary follows a night with Michel Charette welcoming the core cast members to his bar! Rémy Girard, Marc Messier, Pierre Lebeau, Patrick Labbé, Yvan Ponton, Patrick Huard, Roc Lafortune and Paul Houde discuss their experiences filming Les Boys!

Suffering from a deep depression, actor Serge Thériault has isolated himself for seven years. With sensitivity and respect, the filmmakers focus their camera on Thériault’s wife Anna, his daughter, and a neighbour couple. The friendship inspires touching, beneficial solidarity, as well as a coordinated and patient attempt to help the popular actor emerge from his isolation and embark on a sustainable healing process.

After four years of absence, the Boys are back on the ice! This time, the stake of the Canadian amateur tournament in which they participate is a game against the Legends of the National Hockey League.

Ding and Dong at the Lundis des Ha! Ha!

A dance-off where stars learn, prepare and present dance routines that they must show to a select panel of judges.

An adulterous man married to a wealthy Realtor plans on killing his wife with the assistance of his young lover. Little does the cheating husband know that his young lover is planning to blackmail him.

This is the story of Mr. Brochu, whose friends like to call "the Boss". He runs his gas station the best he can and tries to stay happy no matter what happens. This movie relates all the small tragedies surrounding the gaz bar, such as hold-ups, competition from the big companies invading the neighbourhood, and the fact that is sons don't seem to be interested in the gas station.

At the Paré household, Christmas is part of a long tradition of squabbles, depressing gift exchanges and dubious feasts. This year, determined not to let her children spoil her turkey dinner yet again, Moman does everything in her power to bring back a Christmas of warmth and sharing. Popa puts in his two cents’ worth with his twin cousin Sti-Mé.

Viens voir les comédiens is a television show on the Canadian French-language arts and culture television network ARTV.

Three years have passed. The Boys are still a great hockey team in a garage league. Their coach Stan, in France for three years, returns from his trip to the delight of his troops. However, a wealthy businessman appears in the background and the players feel drawn to the lure of profit until the point where the Boys will face... the Boys.

Suzie and Samuel have known each other since childhood. With their friend Judith, they form a friendly trio. Now in their mid-twenties, at the age when everything is possible but nothing is easy, they find themselves at a crossroads.

After escaping unscathed from a car accident, photo model Simone decides that having a baby is the only way to give her vacant life some meaning. She asks her best friend Philippe to get her pregnant, and he reluctantly agrees, on the condition that they conceive somewhere in a desert, so they leave Montréal on a 24-hour round-trip to Salt Lake City to find a suitable spot.

Our Boys are back a year after their last adventures. This time around, the players of Quebec's most popular garage league travel to Chamonix, France, to take part in an international amateur hockey tournament.

Every Monday evening, at the arena, eleven men get together to lovingly put on the jersey of the Boys, the hockey team of a "garage" league to which they belong. As Stan, their revered trainer, would affectionately say, they have the "puck" tattooed on their hearts. It doesn't matter if they are lawyers, policemen, mechanics or unemployed, as soon as they enter the locker room, everyone forgets their age, their work and their problems.

A school teacher falls in love with a stripper/singer. He even leaves his wife and children for her. He soon spends a lot of time at the club where he works part-time as the M.C.. But the owner, a mobster, interferes in the relationship which brings fear and violence into the game.

La petite vie was first a stage sketch of the comedy duo Ding et Dong, formed by Claude Meunier and Serge Thériault, and later a hit Quebec television sitcom aired by Radio-Canada from 1993 to 1999. In total, 59 episodes were created plus 3 specials, two for Christmas and one for New Year's 2000. It is to date the only Canadian TV show to ever gather more than 4 million viewers, a performance it achieved twice in 1995.

La petite vie was first a stage sketch of the comedy duo Ding et Dong, formed by Claude Meunier and Serge Thériault, and later a hit Quebec television sitcom aired by Radio-Canada from 1993 to 1999. In total, 59 episodes were created plus 3 specials, two for Christmas and one for New Year's 2000. It is to date the only Canadian TV show to ever gather more than 4 million viewers, a performance it achieved twice in 1995.

Two harum-scarums who think they are good stand-up comics try to make a career in showbiz, partly for the career, partly to seduce women. They try alternatively the scene, a movie set and TV. They only succeed in making a fool of themselves

On Christmas eve a journalist witnesses a theft in a mall and then tracks one of the thieves to later be taken as his hostage in the radio station he works for.

Three couples meet at one of them for a slide show evening. But nobody takes pleasure in this evening, where triumphs the banality of the exchanges: it is a socialization forced by the bonds of the neighborhood, devoid of empathy or sincerity.

Set in a small rural town in the Quebec Laurentians, Michelle lives in an isolated house with her mentally-challenged brother Guy and her 13 year old daughter Manon. Together the three of them survive by running a small firewood business and performing other odd jobs. Michelle is frustrated with living in poverty and being the center of several people who demand her affection; her brother is like a second child who lives in his own world, his romantic obsession with their wealthy client Madame Viau-Vachon being an exercise in futility. Maurice, the local police chief, is her lover and Gaetan, a mechanic and family friend, would like to be. Most demanding of all is her daughter, who has an unhealthy emotional dependence on her. Precocious and uninterested in school, Manon is jealous of her Mother's suitors and angry at being left home to do chores and care for Guy. When an event occurs that threatens the emotional dynamic between Manon and her mother...

In a little village at the end of the 1890's, a young woman offends all the 'right-thinking' villagers by allowing men in her house in the absence of her husband. When he is found dead, all of the suspicion is directed towards the liberal woman. She is judged more for her morality then for the crime she is accused of. Her culpability is still a subject of debate today.

Seasoned drug smuggler and thief François “Chico” Tremblay is tired of his modest lifestyle. Given the opportunity to earn $50,000 killing a prominent New York City gangster, he leaps at the opportunity, ignoring the warnings of Montreal’s leading mob boss, who has forbidden local criminals from taking the assignment. Upon his return, Chico discovers he is being pursued from all sides, prompting an unlikely response: he calls a local talk radio show and starts revealing the mafia’s most carefully guarded secrets. As his revelations get more shocking, so do the tactics of his adversaries, culminating in a devastating gut punch of a finale.

A beautiful stripper hires renowned criminals to exact revenge on those who raped her in her motel room.

A dropout gets the margins of society and resists his father’s pressure to return to the bosom of the village. The film transcends anecdote by diving into a wacky and unusual universe, full of fantasy, imagination, and visual and sound gags.

This French-Canadian crime/action drama, which satirizes U.S. crime films, was shown at the Cannes Film Festival in 1972 and was well received. In the picture, perfectly ordinary people murder, steal, and torture one another with casual abandon in order to solve their everyday problems.

This French-Canadian crime/action drama, which satirizes U.S. crime films, was shown at the Cannes Film Festival in 1972 and was well received. In the picture, perfectly ordinary people murder, steal, and torture one another with casual abandon in order to solve their everyday problems.