Inoue Momoko admires her late father, who was a pilot. She begins work as a co-pilot at a low-cost airline. Under Captain Shinkai Kohei’s instructions, who knew her father, Inoue Momoko works hard to become a captain and her boyfriend Umino Daisuke supports her dream too. One day, Inoue Momoko has a problem with a passenger complaining about the limit for carry-on baggage. At that time, Katsuki Tetsuya looks at the situation.

Residents in a town have a hard time due to the land tax and forced labor. 9 people, including Juzaburo Kokutaya (Sadao Abe), worry about the future of their town. They then set up a plan to save the town. The plan is to lend large amounts of money to han (historical term for the estate of a warrior) and distribute the interest annually to the residents, but if they're caught they will lose their lives.

Goro is an archeologist, fascinated with the national treasure Gassho clay figure and remains from the Jomon period. He meets a woman, Momoko who is timid with love. Momoko often has memories from ancient times and landscapes of the heart in her dreams. She tells Goro about her dream and their relationship deepens.

Based on a short story by Seichi Matsumoto from 1956 and remake from the 1957 movie of the same name, the story is about an actor who has the opportunity to become a success but 9 years earlier, he had killed a woman with whom he was involved and there was an eyewitness to the murder.

Hama-chan goes to Okayama to look for Su-san when he goes missing a few days after freezing up during his inaugural speech as the company chairman.

Sakazaki Iwane is a ronin who spends idle days in Edo. Until a few months ago, he was a promising son and successor to a powerful family in Bungo. He has came back to Edo, where he lived for a while for swordplay training with his two best friends, after a tragedy in the three's home domain—both of the two friends died, one of them killed by Iwane by command of the domain lord's chief retainer. Iwane left his home for Edo, leaving behind his fiancée, a sister of the friend he killed. Eventually, Iwane detects the conspiracy behind the deaths of the two friends and struggles to reform his domain.

Takada, a Japanese fisherman has been estranged from his son for many years, but when the son is diagnosed with terminal cancer his daughter-in-law, Rie, summons him to the hospital. Through a series of obstacles and relationships, he is brought unexpectedly closer to both an understanding of himself and of his son.

Hama-chan meets a friendly US soldier on a trip to Nagasaki with Su-san. Su-san returns to Tokyo and is informed that Hama-chan has gone missing.

Hama-chan takes a vacation to go fishing in Akita despite warnings from Su-san as his company faces a restructuring process.

Mr. Takano, a company employee, announces plans to take an early retirement so he can return to his home town and spend his days fishing. Su-san and Hama-chan envy his decision, and Hama-chan conspires to visit Takano, even though he has no vacation time left.

A railway stationmaster at a dying end-of-the-line village in Hokkaido is haunted by memories of his dead wife and daughter. When the railroad line is scheduled to be closed, he is offered a job at a hotel, but he is emotionally unable to part with his career as a railroader. His life takes a turn when he meets a young woman with an interest in trains who resembles his daughter.

Su-san resigns after getting fed up with corporate life, but he finds himself back in familiar surroundings on his first assignment at a new job.

Fourteen-year old student Ayumi has leukemia and starts losing hair. She becomes depressed but receives overwhelming support from her classmates when they all shave their heads for her.

Hama-chan’s sales department gets a new supervisor, a hard-working taskmaster that’s the very opposite of carefree, irresponsible Hama-chan. The veteran employee decides to find his boss, a divorced father, a new wife. The supervisor loves a bar hostess “mama-san,” but is unable to confess his true feelings until Hama-chan comes to his rescue.

When Su-san invites his late friend's daughter to come along on a fishing trip, she falls in love with Hama-chan's fishing protégé.

Approached by a friend about a matchmaking arrangement, Su-san goes to Hama-chan's home seeking help. Hama-chan is away on a business trip, but Michiko entertains Su-san late into the night. When he gets drunk and ends up spending the night, Hama-chan, begins to question his boss's relationship with Michiko.

Hama-chan and Su-san go fishing during a business trip, but Hama-chan has to give a lecture on Su-san's behalf in a case of mistaken identity.

Hama-chan shows up to work with his son on his back when his wife goes to her class reunion and his mother throws her back out.

A biographical dramatization about the production of the original Ultraman, the beloved classic special effects fantasy series from Eiji Tsuburaya.

Densuke Hamazaki is an office worker at Suzuki Construction and gets transferred to the main Tokyo office. After settling in to his surrounding along with his wife Eri, Densuke befriends an elderly man named Ichinosuke Suzuki. Ichinosuke is a lonely and old man who learns to enjoy life again through his friendship with Densuke. Meanwhile, Densuke is completely unaware that Ichinosuke is the boss of his construction company. The two men become friends through their shared passion for fishing.

Chiaki Onoda a young assisstant sound mixer is unhappy with his job, but otherwise he is enjoying life. He loves his cat, his friends, hunting for girls and breakdancing in discos. A funeral forces him to return home and meet his familiy, which (espicially his father) disapprove of his lifestyle.

Tora-san's family's neighbor, Akemi, who had been married in Marriage Counselor Tora-san (1984), runs away from her husband, who is only interested in work. Tora-san follows her to Shikinejima, and attempts to bring her back to her home. In doing so he encounters a school-reunion group who are traveling to meet their elementary school teacher, which is a reference to the film Twenty-Four Eyes by Keisuke Kinoshita. Tora-san joins them and falls in love with the teacher.

A young man working as a cameraman in Tokyo is visited for three days by his parents from the countryside.

Tora-san spends several days at the home of a hard-working salaryman ("salaried worker"), who abruptly disappears. When the man's wife asks Tora-san to help find him, he falls in love with her, and secretly hopes the husband will not be found.

The melodramatic story of a pink crew’s tragi-comedic adventures on location. A fictionalized adaptation of set photographer Ichiro Tsuda's 1980 book The Location (Za Rokēshon), an illustrated 229-page document about the cameraman’s experiences with pink cast and crew on the sets of several films produced in the late 1970's.

The film depicts a couple who go on a trip to Hawaii to relieve their daily frustration and get caught up in various commotions. Written by Masakuni Takahashi ("Minatomachi Gentlemen's Record"), directed by Tomio Kuriyama (this was his first film), and photographed by Kosuke Yasuda. Theme song is by Davey Smith ("Itoshi no Lahaina").

Tora-san gets into an argument with his uncle and sets out on the road again. In Kyushu he meets a young woman named Keiko and the shy zoologist Saburō, and attempts to play matchmaker between the two when they all return to Tokyo.

A working class young man, Tetsuo, who distrusts all rich people, falls in love with a girl, Chika, from an affluent family. He has a difficult time, but love survives despite the problems.

Live-action adaptation of Shinji Mizushima's manga.