Trilogy of films about race and culture in the Deep South from the end of World War I to the civil rights protests of the 1960's. All three stories deal with fear and isolation, and the role of faith in the lives of those who venture alone into what is unknown around them.

Two uneasy friends, a police officer and a TV talk show host, each pursue the mysterious "handcuff killer" with the aid of an artist who sees - and draws - the killer's crimes before they're committed.

A maid who reads detective stories finds herself embroiled in a real life mystery involving her dead boss and a mysterious statue he brought back from China.

A black New York career girl, who has made it big in the fashion world, is torn between her new life "downtown" and her roots in Harlem with an old boyfriend still living there.

How does retired cop Joshua Burke (James Earl Jones) get two career criminals, Manny Durrell (Sidney Poitier) and Dave Anderson (Bill Cosby), to follow the straight and narrow? Con them into helping juvenile delinquents turn over a new leaf. But how? Burke has never been able to nail the duo, but he uses what he knows of their seedy past to blackmail them into volunteering.

Sitcom following a successful African-American couple, George and Louise “Weezyö Jefferson as they “move on up” from working-class Queens to a ritzy Manhattan apartment. A spin-off of All in the Family.

Good Times is an American sitcom that originally aired from February 8, 1974, until August 1, 1979, on the CBS television network. It was created by Eric Monte and Mike Evans, and developed by Norman Lear, the series' primary executive producer. Good Times is a spin-off of Maude, which is itself a spin-off of All in the Family along with The Jeffersons. The series is set in Chicago. The first two seasons were taped at CBS Television City in Hollywood. In the fall of 1975, the show moved to Metromedia Square, where Norman Lear's own production company was housed.

A documentary made on the set of "The Learning Tree." Narrated by Gordon Parks Jr., and featuring interviews with Gordon Parks Sr. and members of the cast and crew.

The story, set in Kansas during the 1920's, covers less than a year in the life of a black teenager, and documents the veritable deluge of events which force him into sudden manhood. The family relationships and enmities, the fears, frustrations and ambitions of the black teenager in small-town America are explored with a strong statement about human values.

HARLEM, USA: in the aftermath of Martin Luther King’s murder, German filmmaker Klaus Wildenhahn turned his 16mm camera on the New Lafayette Theatre as its players rehearsed scenes, ran public workshops and conducted exercises in uptown Manhattan. New Lafayette (or NLT) had been founded by actor-director Robert Macbeth the previous year, with the aim of producing theater for black people, by black people, to reflect the experiences and vernacular of the Harlem community. Within the Black Arts Movement, NLT would become a significant institution: it published the journal Black Theatre, and employed a host of talents – including the Black Panthers’ Minister of Culture, Ed Bullins, and the great pianist Junior Mance, both of whom appear in Wildenhahn’s film as resident collaborators.

Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.

Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

A documentary account of the rehabilitation at the Wiltwyck School of an emotionally disturbed black boy who is unwanted, misunderstood, and inwardly tortured.

After the divorce of Schuyler Rutherford from his rich wife Caroline, who was his meal ticket, Schuyler's sister Kathleen is so humiliated by the fact that her penniless condition was brought to light during the court proceedings that she seeks solace in her friend, sculptress Mary Carter. Mary offers her friend a job as her secretary and, while working, she becomes acquainted with Mary's wealthy cousin Robert Winston when she overhears him denouncing parasitic girls like Kathleen. Vowing revenge, Kathleen assumes a false name and obtains a position as Robert's secretary, determined to make him fall in love with her.

Wealthy Jarvis Pendleton acts as benefactor for orphan Judy Abbott, anonymously sponsoring her in her boarding school. But as she grows up, he finds himself falling in love with her, and she with him, though she does not know that the man she has fallen for is her benefactor.