The ultimate deep dive into the world of shark cinema: filmmakers, critics, scholars and conservationists explore the weird, wild cinematic legacy of sharks on film and audiences' undying fascination with these misunderstood creatures.

The free world is in danger, and only one man can help. Jack Decker has sworn to defend America from foreign terrorists regardless of which spineless president is in charge. This is Decker: The Series.

A look at the life and work of legendary film producer Richard D. Zanuck.

After three decades, Jaws continues to intrigue, thrill and frighten viewers. This documentary focuses on the many ways in which Jaws has helped to shape popular culture.

A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie.

A documentary giving film fans a behind-the-scenes look at the making of this sequel to the now-classic horror movie that had viewers too scared to go into the water. Includes interviews with the writer, director, and other members of the creative staff who relate some of their experiences with making the film, as well as giving their views on all the work that went into it.

A documentary on the making of one of the greatest films ever made, filled with trivia, interviews from cast and crew and never-before-seen footage.

Shallow, rich and socially successful Cher is at the top of her Beverly Hills high school's pecking scale. Seeing herself as a matchmaker, Cher first coaxes two teachers into dating each other. Emboldened by her success, she decides to give hopelessly klutzy new student Tai a makeover. When Tai becomes more popular than she is, Cher realizes that her disapproving ex-stepbrother was right about how misguided she was -- and falls for him.

Ed Okin used to have a boring life. He used to have trouble getting to sleep. Then one night, he met Diana. Now, Ed's having trouble staying alive.

Hooker and Gondorf pull a con on Macalinski, an especially nasty mob boss with the help of Veronica, a new grifter. They convince this new victim that Hooker is a somewhat dull boxer who is tired of taking dives for Gondorf. There is a ringer. Lonigan, their victim from the first movie, is setting them up to take the fall.

After discovering he's not really black like the rest of his family, likable dimwit Navin Johnson sets off on a hilarious misadventure that takes him from rags to riches and back again. The slaphappy jerk strikes it rich, but life in the fast lane isn't all it's cracked up to be and, in the end, all that really matters to Johnson is his true love.

Matty Perlman and Alan Corkus are old friends. He wants them to be more than friends. Sometimes she does too.

Coy "Cannonball" Buckman and his blazing red Pontiac enter the Trans-America Grand Prix, an underground road race spanning the continent in which there are no rules, no speed limits and no heed for the law. En route, Buckman jockeys with an international ensemble of racers for a $100,000 purse. But there are none more important than Cade Redman, his direct competition for a guaranteed spot on the elite Modern Motors racing team.

Laverne & Shirley is an American television sitcom that ran on ABC from January 27, 1976 to May 10, 1983. It starred Penny Marshall as Laverne De Fazio and Cindy Williams as Shirley Feeney, single roommates who worked as bottlecappers in a fictitious Milwaukee brewery called "Shotz Brewery." The show was a spin-off from Happy Days, as the two lead characters were originally introduced on that series as acquaintances of Fonzie. Set in roughly the same time period, the timeline started in approximately 1958, when the series began, through 1967, when the series ended. As with Happy Days, it was made by Paramount Television, created by Garry Marshall, and executive produced by Garry Marshall, Edward K. Milkis, and Thomas L. Miller.

TV special airing January 13, 1976: Dean returns as host and owner of his Beverly Hills nightclub, Dean's Place, spotlighting new, young talent.

When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled hunter embark on a desperate quest to destroy the beast before it strikes again.

Baretta is an American detective television series which ran on ABC from 1975 to 1978. The show was a milder version of a successful 1973–74 ABC series, Toma, starring Tony Musante as chameleon-like, real-life New Jersey police officer David Toma. While popular, Toma received intense criticism at the time for its realistic and frequent depiction of police and criminal violence. When Musante left the series after a single season, the concept was retooled as Baretta, with Robert Blake in the title role.

Chico and the Man is an American sitcom which ran on NBC for four seasons, from September 13, 1974, to July 21, 1978. It stars Jack Albertson as Ed Brown, the cantankerous owner of a run down garage in an East Los Angeles barrio, and Freddie Prinze as Chico Rodriguez, an upbeat, optimistic Chicano young man who comes in looking for a job. It was the first U.S. television series set in a Mexican-American neighborhood.

In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.

Bored with day-to-day life in New York City and neglected by her husband, a young wife and mother slips into increasingly outrageous fantasies: her mother breaking into the apartment, an explorer's demonstration of tribal fertility music at a party causing strange transformations, and joining terrorists to plant explosives in the Statue of Liberty.

The Bob Newhart Show is an American situation comedy produced by MTM Enterprises, which aired 142 original episodes on CBS from September 16, 1972, to April 1, 1978. Comedian Bob Newhart portrays a psychologist having to deal with his patients and fellow office workers. The show was filmed before a live audience.

A young couple moves into a farmhouse in rural Pennsylvania. What they don't know is that there is an unseen presence in the house, and that it wants to take possession of the wife.

Getting Together is an American musical situation comedy, which aired on the ABC television network during the 1971-72 season. It stars Bobby Sherman and Wes Stern as Bobby Conway and Lionel Poindexter, a songwriting duo. The pilot for the series had aired the previous spring the first season finale episode of The Partridge Family named "A Knight in Shining Armor", where Lionel and Bobby were introduced to each other by the Partridges. Sherman and Stern's characters were reportedly based on the real-life songwriting team of Boyce and Hart, who had written hits for The Monkees, Jay and the Americans, and others. New music of course was a staple of the series, provided by much of the same team that created the Partridge Family songs and records. Most of these songs were from two Bobby Sherman albums -- Getting Together and Just For You.

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.

A Session with the Committee

Hey, Landlord is an American sitcom appearing on NBC during the 1966-1967 season, sponsored by Procter & Gamble in the 8:30-9pm Eastern time period on Sunday nights. It is notable for its casting director Fred Roos, who later became a producer for Francis Ford Coppola. Roos discovered counterculture sketch group The Committee in San Francisco and cast all members in bit parts in Hey, Landlord.

The Tonight Show Starring Johnny Carson is a talk show hosted by Johnny Carson under The Tonight Show franchise from 1962 to 1992. It originally aired during late-night. For its first ten years, Carson's Tonight Show was based in New York City with occasional trips to Burbank, California; in May 1972, the show moved permanently to Burbank, California. In 2002, The Tonight Show Starring Johnny Carson was ranked #12 on TV Guide's 50 Greatest TV Shows of All Time.

The Mike Douglas Show is an American daytime television talk show hosted by Mike Douglas that originally aired only in the Cleveland area during much of its first two years on the air. It then went into syndication in 1963 and remained on television until 1982. It was distributed by Westinghouse Broadcasting and for much of its run, originated from studios of two of the company's TV stations in Cleveland and Philadelphia.

A documentary about the career of legendary production designer Joe Alves and his four decades in Hollywood.